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Index
Cover
Half-Title Page
Series Page
Title Page
Contents
List of Illustrations
Introduction: Welcome to the Resistance!
1 How Art Resists
Part I Art That Alters Worldviews
2 Cut with the Kitchen Knife: Visualizing Politics in Berlin Dada
3 Walter Gropius’s Dammerstock and the Possibilities of an Architectural Resistance
4 Authority and Ambiguity: Three Sculptors in National Socialist Germany
Part II Art That Inspires Action
5 Teach Your Children Well: Hermynia Zur Mühlen, George Grosz, and the Art of Radical Pedagogy in Germany between the World Wars
6 Parting Shots: Ella Bergmann-Michel’s Wahlkampf 1932 (Letzte Wahl)
7 “War Feeds its People Better”: Mother Courage and the Limits of Revolutionary Theater
Part III Art That Critiques Symbols
8 Montage as Meme: Learning from the Radical Avant-Gardes
9 On the Possibility of Resistance in Two Silverpoints by Otto Dix
10 A Whisper Rather than a Shout: Ursula Wilms and Heinz Hallmann’s Topography of Terror
Part IV Art That is Created in Acts of Resistance
11 From Anti-Nazi Postcards to Anti-Trump Social Media: Laughter as Resistance, Opposition, or Cold Comfort?
12 Opera as Resistance: The Little Match Girl and the Terrorist in Helmut Lachenmann’s Mädchen mit den Schwefelhölzern
13 Montage as a Form of Resistant Aesthetics Today: Marcel Odenbach and Thomas Hirschhorn
List of Contributors
Index
Copyright
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