Perspective Made Easy by Norling, Ernest R. -- Read -- Imperial Library of Trantor

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DOVER BOOKS ON ART INSTRUCTION AND ANATOMY Title Page Copyright Page Dedication FOREWORD Table of Contents STEP ONE

PERSPECTIVE THE HORIZON THE VANISHING POINT THE EYE-LEVEL THE HORIZON AND THE EYE-LEVEL

STEP TWO

THE EYE-LEVEL IS ALWAYS REPRESENTED BY A STRAIGHT LINE “THE EYE-LEVEL IS LEVEL WITH THE EYE” THE HIGH-WATER MARK IMPORTANCE OF THE EYE-LEVEL

STEP THREE

PARALLEL LINES AS WE SEE THEM PARALLEL LINES AND ONE-POINT PERSPECTIVE THE PICTURE PLANE

STEP FOUR

THE THREE SETS OF PARALLELS LOCATING THE POINT AND THE EYE-LEVEL FINDING VANISHING POINTS AND THE LINE OF VISION

STEP FIVE

THE TWO VANISHING POINTS THE PERPENDICULAR LINES

STEP SIX

AVOIDING WARPED PERSPECTIVE SPACING OF VANISHING POINTS EXAMPLE OF VANISHING POINTS TOO CLOSELY SPACED: THE WRONG WAY EXAMPLES OF VANISHING POINTS WIDELY SPACED: THE CORRECT WAY

STEP SEVEN

DIRECTIONS OF VANISHING POINTS THE RELATIONSHIP OF THE TWO POINTS

STEP EIGHT

BUILDING PERSPECTIVE A CITY IN PERSPECTIVE CHANGING THE EYE-LEVEL

STEP NINE

PLACING FIGURES ON THE STREET A SHORT-CUT METHOD AVOID CROWDING

STEP TEN

CENTER OF INTEREST ROOFS

STEP ELEVEN

INTERIORS

STEP TWELVE

HOW TO FIND THE CENTER THE USE OF DIAGONALS SPACING IN PERSPECTIVE

STEP THIRTEEN

CYLINDERS IN PERSPECTIVE DRAWING THE ELLIPSE FREEHAND THREE MECHANICAL WAYS TO MAKE AN ELLIPSE THE LONG AND SHORT AXIS DRAWING A CYLINDER ON ITS SIDE A CONE ON ITS SIDE

STEP FOURTEEN

DRAWING OBJECTS IN PERSPECTIVE DRAWING AN OLD-FASHIONED AUTOMOBILE PRACTICAL USES OF CYLINDERS DIVIDING THE CIRCLE

STEP FIFTEEN

DIVIDING A SURFACE DIVIDING A SURFACE IN PERSPECTIVE WINDOWS OR COLUMNS DRAWING A CHECKERBOARD A CHECKERBOARD IN TWO-POINT PERSPECTIVE PERSPECTIVE WHEN SPACING IS IRREGULAR OTHER METHODS

STEP SIXTEEN

SHADE SHADOW PERSPECTIVE IN SHADOWS CHANGING THE SHADOW SURFACE LIGHT FROM A NEAR-BY SOURCE THE SHADED SIDE VARIETY OF A SHADOW THE SHADOW OF A CONE SUMMARY

STEP SEVENTEEN

REFLECTIONS

STEP EIGHTEEN

UP-AND-DOWN POINTS PERSPECTIVE “LOOKING UP” AND “LOOKING DOWN”

STEP NINETEEN

LOOKING DOWNHILL LOOKING UPHILL PROBLEM

STEP TWENTY

MECHANICAL PERSPECTIVE NOTE ARCHITECT’S METHOD SHORT CUTS

A CATALOG OF SELECTED DOVER BOOKS IN ALL FIELDS OF INTEREST

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