Abstract Expressionism, ref1
Addison, Joseph, ref1
Adorno, Theodor W., ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9, ref10, ref11, ref12, ref13, ref14, ref15, ref16, ref17, ref18, ref19, ref20, ref21, ref22, ref23, ref24, ref25
Alberti, Leone Battista, ref1
alienation, ref1, ref2, ref3, ref4, ref5
Allende, Salvador, ref1
Althusser, Louis, ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9
Amalgamated Engineering Union, ref1
Anderson, Perry, ref1
Antal, Frederick, ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9, ref10, ref11, ref12
Florentine Painting and its Social Background, ref1, ref2, ref3, ref4, ref5
Hogarth and his Place in European Art, ref1, ref2, ref3, ref4
‘Reflections on Classicism and Romanticism’, ref1, ref2, ref3
USSR, visits, ref1
anti-catalog, an, ref1
ARCOS, ref1
Argument, ref1, ref2, ref3, ref4, ref5
Aristotle, ref1
Arslanov, Viktor, ref1, ref2, ref3
Artists’ International Association (AIA), ref1, ref2, ref3, ref4, ref5
Artists Meeting for Cultural Change (AMCC), ref1
Arts, The, ref1
Association of Art Historians (AAH), ref1
Ästhetik und Kommunikation, ref1, ref2
Atkinson. Terry, ref1
Austrian Institute for Historical Research, ref1
avant-garde, ref1
Aveling, Edward, ref1
Ayer, A.J., ref1
Bacon, Francis, ref1
Balfour, Henry
Evolution of Decorative Art, ref1, ref2
Balzac, Honoré de, ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8
Baranik, Rudolf, ref1
Dark Side of the Landscape, The, ref1
Barrett, Michèle
‘Max Raphael and the Question of Aesthetics’, ref1
Barthes, Roland, ref1, ref2, ref3, ref4
base and superstructure, ref1, ref2
Baudelaire, Charles, ref1
Baxandall, Michael, ref1, ref2, ref3
Painting and Experience in Fifteenth-Century Italy, ref1
Bell, Clive, ref1, ref2, ref3, ref4
Benesch, Otto, ref1
Benjamin, Walter, ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9, ref10, ref11, ref12, ref13
Arcades project, ref1,
‘Author as Producer’, ref1
‘Eduard Fuchs, Collector and Historian’, ref1
Origin of German Tragic Drama, ref1, ref2, ref3, ref4
‘Theses on the Philosophy of History’, ref1, ref2, ref3
‘Work of Art in the Age of its Technical Reproducibility’, ref1, ref2, ref3, ref4, ref5
Bentmann, Reinhardt, ref1
Benton, Thomas Hart, ref1
Berger, John, ref1, ref2, ref3, ref4, ref5, ref6, ref7
‘Revolutionary Undoing’, ref1, ref2
Bergson, Henri, ref1
Berlin, Isaiah, ref1
Berlin Volkshochschule, ref1
Bermingham, Ann, ref1
Bernstein, Eduard, ref1
Bettelheim, Charles, ref1
Blaue Reiter group, ref1
Heritage of our Time, ref1
Blunt, Anthony, ref1, ref2, ref3, ref4
Art of William Blake, The, ref1
Artistic Theory in Italy 1450, ref1
Boas, Franz, ref1
Bosch, Hieronymous, ref1
Bourne, J.C., ref1
lithographs of London and Birmingham Railway, fig. 11, ref1
Brandt, Willy, ref1
Brecht, Bertolt, ref1, ref2, ref3, ref4, ref5, ref6, ref7
Bredekamp, Horst, ref1, ref2, ref3, ref4, ref5, ref6
Kunst als Medium socialer Konflikte, ref1, ref2
Briussov, Valery, ref1
Bruegel, Pieter, ref1, ref2, ref3
Budapest
Free School of the Cultural Sciences, ref1, ref2
Museum of Fine Arts, ref1
‘Sunday Circle’, ref1, ref2, ref3
Bulgakov, Mikhail
Master and the Margarita, The, ref1
Burckhardt, Jacob, ref1, ref2, ref3
Bürger, Peter, ref1
Camden, William
Britannia, ref1
Camerawork, ref1
Carlyle, Thomas, ref1
Cassirer, Ernst, ref1
Centre for Contemporary Cultural Studies, ref1
Cézanne, Paul, ref1, ref2, ref3, ref4, ref5
Champfleury (Jules François Félix Husson), ref1
Chekhov, Anton, ref1
Clark, T.J., ref1, ref2, ref3, ref4, ref5, ref6, ref7
Absolute Bourgeois, The, ref1
Image of the People, ref1, ref2
Painting of Modern Life, The, ref1
Clemenz, Manfred, ref1
Cliff, Tony, ref1
Cobbett, William, ref1
Cockroft, Eva, ref1
Cohn, Alfred, ref1
Cold War, ref1, ref2, ref3, ref4, ref5, ref6
College Art Association, ref1, ref2, ref3
Caucus for Marxism and Art, ref1
Women’s Caucus for Art, ref1
Colletti, Lucio, ref1
Comintern – see Third International
commodity fetishism, ref1, ref2
Communist Party
France (PCF), ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9
Germany, ref1
Hungary, ref1
Constable, John, ref1
Courbet, Gustave, ref1, ref2, ref3, ref4, ref5, ref6
Enterrement à Ornans, ref1
Courtauld Institute of Art, ref1
Cultural studies, ref1, ref2, ref3
Cummings, Tom, ref1
Dada, ref1
Daumier, Honoré, ref1, ref2, ref3
David, Jacques-Louis, ref1
Davis, Stuart, ref1
De Bry, Theodore
America, ref1
Deborin, Anton, ref1
Defoe, Daniel, ref1
Degas, Edgar, ref1
Dekoration der Gewalt, Die, ref1
Delacroix, Eugène, ref1
Demetz, Peter, ref1
Democratic Federation, ref1,
determination in the last instance, ref1
Dewey, John, ref1, ref2, ref3, ref4, ref5
Dickens, Charles, ref1
Diderot, Denis, ref1, ref2, ref3
Dimitrov, Georgii, ref1
Domino, Maurice, ref1
Dostoyevsky, Fyodor, ref1, ref2
Dunn, Peter, ref1
Dvořák, Max, ref1, ref2, ref3, ref4, ref5
‘Enigma of the Art of the van Eyck Brothers’, ref1
Eagleton, Terry, ref1
Criticism and Ideology, ref1, ref2
Ideology of the Aesthetic, ref1, ref2, ref3
Eckhart, Meister, ref1, ref2, ref3
Eisenstein, Sergei, ref1
Elton, Arthur, ref1, ref2, ref3
Engels, Friedrich, ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9, ref10, ref11, ref12, ref13, ref14, ref15, ref16, ref17, ref18, ref19, ref20
Origin of the Family, Private Property and the State, ref1
Epicurus, ref1
everyday life, ref1
exhibitions, ref1, ref2, ref3, ref4
Fadeyev, Alexander, ref1
Farrell, James T., ref1, ref2, ref3, ref4, ref5, ref6n.83
fascism, ref1, ref2, ref3, ref4, ref5, ref6, see also under National Socialism feminist art history, ref7, ref8, ref9, ref10, ref11
Fichte, Johann Gottlieb, ref1
Fiedler, Konrad, ref1
5 on Revolutionary Art, ref1
Flaubert, Gustave, ref1
formalism, ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8
Forster, Kurt, ref1
Franco, Francisco, ref1
Frankfurt Historical Museum, ref1
Frankfurt Institute for Social Research, ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9, ref10, ref11, ref12, ref13
Freud, Sigmund, ref1, ref2, ref3, ref4
Friche, Vladimir, ref1
Fry, Edward F., ref1
Fry, Roger, ref1, ref2, ref3, ref4, ref5
Vision and Design, ref1
Fuchs, Eduard, ref1, ref2, ref3, ref4, ref5,
Fuller, Peter, ref1
Fukayama, Francis, ref1
Fürst, Bruno, ref1
Fuseli, Henry, ref1
Gadamer, Hans-Georg, ref1
Gainsborough, Thomas, ref1, ref2
Gauguin, Paul, ref1
Genet, Jean, ref1
Gericault, Théodore, ref1, ref2
Entrance to the Adelphi Wharf, fig. 8, ref1, ref2
Raft of the Medusa, ref1
German Democratic Republic, ref1, ref2, ref3
theory of fascism in, ref1
Gill, Eric, ref1
Gillray, James, ref1, ref2, ref3
Bardi Chapel frescoes, fig. 5, ref1, ref2
Girodet de Roucy-Trioson, Anne-Louis, ref1
Goethe, Johann Wolfgang von, ref1, ref2, ref3
Goldmann, Lucien, ref1
Golomstok, Igor, ref1
Gombrich, Ernst, ref1, ref2, ref3, ref4n.33
Goodyear, William, ref1
Grammar of the Lotus, ref1, ref2, ref3
Gowing, Laurence, ref1
Goya y Lucientes, Francisco de, ref1, ref2, ref3, ref4
Gramsci, Antonio, ref1, ref2, ref3
Grant, C.J., ref1
Reviewing the Blue Devils, fig. 10, ref1
Greenberg, Clement, ref1, ref2n.44
Gretton, Tom, ref1
Gronau, H.D., ref1
Gronsky, Ivan, ref1
Gros, Antoine-Jean, Baron, ref1
Groys, Boris, ref1
Grosz, George, ref1
Guterman, Norbert, ref1
Habermas, Jürgen, ref1, ref2, ref3
Haddon, Alfred C.
Hadjinicolaou, Nicos, ref1, ref2, ref3, ref4, ref5, ref6, ref7
Art History and Class Struggle, ref1, ref2, ref3, ref4
Hall, Stuart, ref1
Harkness, Margaret, ref1
Harrison, Charles, ref1
Haskell, Francis, ref1, ref2, ref3
Haug, Wolfgang Fritz, ref1, ref2, ref3
Hausenstein, Wilhelm, ref1, ref2
Hauser, Arnold, ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9, ref10, ref11
Mannerism, ref1
Philosophy of Art History, ref1, ref2, ref3, ref4, ref5
Social History of Art, ref1, ref2, ref3, ref4, ref5, ref6, ref7
Heartfield, John, ref1
Hegel, Georg Wilhelm Friedrich, ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9, ref10, ref11, ref12, ref13, ref14, ref15, ref16, ref17, ref18, ref19, ref20, ref21, ref22, ref23, ref24, ref25, ref26
Aesthetics, ref1
Phenomenology of Spirit, ref1, ref2
Heidegger, Martin, ref1, ref2, ref3
Held, Jutta, ref1
Herder, Johann Gottfried von, ref1, ref2
Hermand, Jost, ref1
hermeneutics, ref1, ref2, ref3
Heron, Patrick, ref1
Heskett, John, ref1
Hess, Rémi, ref1
Hildebrand, Adolf von, ref1
Hiller, Susan, ref1
Hills, Patricia, ref1
Histoire et Critique des Arts, ref1, ref2
historicism, ref1, ref2, ref3, ref4, ref5, ref6
History Workshop Journal, ref1, ref2
Hitler, Adolf, ref1, ref2, ref3, ref4
Hoffmann-Curtius, Kathryn, ref1
Hogarth, William, ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8
Industry and Idleness, ref1
Hogarth Group, ref1
Hölderlin, Friedrich, ref1
Hook, Sidney, ref1, ref2, ref3, ref4
From Hegel to Marx, ref1
‘Philosophy of Dialectical Materialism, The’, ref1
Towards the Understanding of Karl Marx, ref1, ref2
Horkheimer, Max, ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9
Husserl, Edmund, ref1
Hyndman, H.M., ref1
ideology, ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9, ref10, ref11, ref12, ref13
Ilyenkov, Evald
Dialectic of the Concrete and Abstract in Marx’s Capital, ref1
imperialism, ref1, ref2, ref3, ref4, ref5
Impressionism, ref1, ref2, ref3, ref4, ref5
Ingres, Jean-Auguste-Dominique, ref1
Inszenierung der Macht, ref1
International Association of Proletarian Writers, ref1
Ivens, Maria, ref1
James, Louis, ref1
James, William, ref1
Jameson, Fredric,
Marxism and Form, ref1
Jay, Martin, ref1
Jones, Owen, ref1
Grammar of Ornament, ref1
Kafka, Franz, ref1
Kandinsky, Wassily, ref1
Kant, Immanuel, ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8
Kautsky, Karl, ref1, ref2, ref3
Kelly, Mary, ref1
Kelly, Michael, ref1
Klein, Peter
critique of Hauser, ref1
Kemp, Wolfgang, ref1
Kimpel, Dieter, ref1
Klingender, Francis, ref1, ref2, ref3, ref4
Art and the Industrial Revolution, ref1, ref2, ref3
Condition of Clerical Labour in Britain, The, ref1
‘Content and Form in Art’, ref1
Hogarth and English Caricature, ref1, ref2, ref3
Marxism and Modern Art, ref1
Klingender, Louis, ref1
Marxism and Philosophy, ref1
Kozloff, Max, ref1
Kracauer, Siegfried, ref1, ref2
Kritische Berichte (1927–37), ref1, ref2
Kritische Berichte (1974–), ref1, ref2, ref3
Kruger, Barbara, ref1
Kun, Béla, ref1
Kunst im 3 Reich. Dokumente der Unterwerfung, ref1
Kunzle, David, ref1, ref2, ref3, ref4
Kuspit, Donald, ref1
labour theory of culture, ref1
Lacan, Jacques, ref1, ref2, ref3, ref4, ref5
landscape painting, ref1, ref2
Larkin, Oliver, ref1n.21
Le Moyne de Morgues, Jacques, ref1
Le Nain, Louis
Peasant Family, ref1
Le Nouëne, Patrick, ref1
Leeson, Lorraine, ref1
LEF, ref1
Conscience Mystifiée, La, ref1, ref2, ref3
Contribution à l’esthétique, ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9, ref10
Critique de la vie quotidienne, La, ref1, ref2, ref3, ref4, ref5
Descartes, study of, ref1, ref2
Pascal, study of, ref1
Présence et l’absence, La, ref1
Problèmes actuels du marxisme, ref1
Production de l’espace, La, ref1
Rabelais et l’émergence du capitalisme, ref1, ref2, ref3
Révolution urbaine, La, ref1
Somme et le reste, La, ref1, ref2, ref3, ref4, ref5
Surrealism and, ref1n.22
Trois textes pour le théâtre, ref1
Vie quotidienne dans le monde moderne, La, ref1
Léger, Fernand, ref1
Left Book Club, ref1
Lenin, Vladimir Ilyich, ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9, ref10, ref11, ref12, ref13, ref14, ref15
Materialism and Empirio-Criticism, ref1, ref2, ref3
Philosophical Notebooks, ref1
What is to be done?, ref1
Lévi-Strauss, Claude, ref1
Lifshits, Mikhail, ref1, ref2, ref3, ref4, ref5
Crisis of Ugliness, The, ref1
‘Dialectics in the History of Art’, ref1
Literature and Marxism, ref1
‘On the Ideal and the Real’, ref1
Philosophy of Art of Karl Marx, ref1
‘Popular in Art and the Class Struggle, The’, ref1, ref2
‘Why I Am Not a Modernist’, ref1
Lissitsky, El, ref1
Literary Critic, ref1, ref2, ref3
Literaturnaya Gazeta, ref1, ref2, ref3
Loewy, Emanuel
Naturwiedergabe in der älteren griechischen Kunst, Die, ref1, ref2, ref3, fig. 14, fig. 15
Lombroso, Cesare, ref1
Loos, Adolf, ref1n.62
Origin of Civilisation, ref1
Lukács, Georg, ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9, ref10, ref11, ref12, ref13, ref14, ref15, ref16, ref17, ref18, ref19, ref20, ref21, ref22, ref23, ref24, ref25, ref26, ref27, ref28, ref29, ref30, ref31, ref32, ref33, ref34, ref35, ref36, ref37
Blum Theses, ref1
Eigenart des Ästhetischen, Die, ref1
History and Class Consciousness, ref1, ref2, ref3, ref4, ref5
My Road to Marx, ref1
‘Narrate or Describe?’, ref1
Studies in European Realism, ref1
‘Tactics and Ethics’, ref1
Lunacharsky, Anatoly, ref1
Lurçat, André, ref1
Lyotard, Jean-François, ref1
Lysenkoism, ref1
McDonnell, Kevin, ref1
Macherey, Pierre, ref1, ref2, ref3, ref4, ref5
Pour une théorie de la production littéraire, ref1
Malthus, Thomas, ref1
Malvano, Laura, ref1
Mandelstam, Osip, ref1
Manet, Édouard, ref1
Mannheim, Karl, ref1, ref2, ref3, ref4, ref5n.28
Conservative Thought, ref1
Ideology and Utopia, ref1
Maori decoration, ref1, ref2, ref3, ref4, ref5, ref6, ref7, fig. 2, fig. 3
Marr, Nikolai, ref1
Martin, John, ref1
Marx, Karl, ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9, ref10, ref11, ref12, ref13, ref14, ref15, ref16, ref17, ref18, ref19, ref20, ref21, ref22, ref23, ref24, ref25, ref26, ref27, ref28, ref29, ref30, ref31, ref32, ref33, ref34, ref35, ref36, ref37, ref38, ref39, ref40, ref41
Contribution to the Critique of Political Economy, ref1
Economic and Philosophical Manuscripts, ref1, ref2, ref3
German Ideology, The, ref1, ref2n.17
Greek art, on, ref1
Holy Family, The, ref1
‘On Religious Art’, ref1
Theories of Surplus Value, ref1
‘Theses on Feuerbach’, ref1, ref2
Marx-Engels Institute, ref1, ref2, ref3, ref4
Marxist Perspectives, ref1
Masaccio, ref1
mass culture, ref1, ref2, ref3, ref4
Nasturtiums with the Painting ‘Dance’, ref1, ref2, fig. 16
Mayakovsky, Vladimir, ref1, ref2, ref3
Medvedev, Pavel, ref1
Mehring, Franz, ref1, ref2, ref3, ref4, ref5
Meiss, Millard, ref1
Painting in Florence and Siena after the Black Death, ref1
Menshevism, ref1
Meyer, Ursula, ref1
Michelangelo, ref1
Middlesex Polytechnic, ref1
Mitchell, Hannah, ref1
Mitchell, Stanley, ref1
Mittag, Hans-Ernst, ref1
Modern Quarterly, ref1
modernism, ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9, ref10, ref11, ref12, ref13
Morgan, Lewis H.
Ancient Society, ref1
Morris, William, ref1, ref2, ref3, ref4
‘How We Live and How We Might Live’, ref1n.16
News from Nowhere, ref1, ref2n.15, ref3n.17, ref4n.26
primitive society, on, ref1
‘Socialism from the Root Up’, ref1
Morton, A.L.
People’s History of England, ref1
Mukhina, Vera, ref1
Müller, Michael, ref1
Nagel, Ernest, ref1
Nairn, Tom, ref1
Nardo di Cione, ref1
Strozzi Chapel frescoes, ref1, ref2, fig. 6
National Socialism, ref1, ref2
mass media, and the, ref1
painting, and, ref1
sculpture, and, ref1
neo-liberalism, ref1
neo-Kantianism, ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9
Nesterov, Mikhail, ref1
New Art Association, ref1
New Left, ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9, ref10, ref11, ref12, ref13, ref14
Neurath, Otto, ref1
New Art History, ref1
New Left Review, ref1
Newton, Isaac, ref1
A Will O Th’ Wisp, fig. 9, ref1
Nicolson, Benedict, ref1
Nietzsche, Friedrich, ref1, ref2, ref3, ref4, ref5
Nochlin, Linda, ref1
Degeneration, ref1, ref2, ref3
ornament, ref1, ref2, ref3, ref4, see also under decoration
Fiji, in, ref1
New Guinea, in, ref1
Orcagna, Andrea, ref1
Strozzi altarpiece, ref1, ref2, fig. 7
Oxford Art Journal, ref1
Pächt, Otto, ref1, ref2, ref3, ref4
paleolithic art, ref1, ref2, ref3
‘The Study of Art as a Humanistic Discipline’, ref1
Paulson, Ronald, ref1
Pavlov, Ivan, ref1
Pepper, D. Stephen, ref1
Pereverzev, Valerian, ref1
Pevsner, Nikolaus, ref1
Picasso, Pablo, ref1, ref2, ref3
Guernica, ref1, ref2, ref3, ref4, ref5, fig. 13
Plekhanov, Georgii, ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9, ref10
Art and Social Life, ref1
‘Letters Without Address’, ref1
Pocock, J.G.A., ref1
Pollitt, J.J.,
Art and Experience in Classical Greece, ref1
Pollock, Griselda,
‘Vision, Voice and Power’, ref1
Pope-Hennessy, John, ref1
Popper, Leo, ref1
popular art, ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9,
Popular Front, ref1, ref2, ref3, ref4, ref5
Post-Impressionism, ref1
Poster, Mark, ref1
Potts, Alex, ref1
Poulantzas, Nicos, ref1
Apollo and Daphne, ref1
pragmatism, ref1
Praxis, ref1
Pre-Raphaelites, ref1
Preziosi, Donald, ref1, ref2n.1
Proudhon, Pierre Joseph, ref1
Proust, Marcel, ref1
Pushkin, Alexander, ref1, ref2
Rabelais, François, ref1
Racine, Jean, ref1
Radical History Review, ref1
Radical Philosophy, ref1
Rahv, Philip, ref1
Rang, Florens Christian, ref1, ref2
Ranke, Leopold von, ref1
Raphael, ref1
Raphael, Max, ref1, ref2, ref3, ref4, ref5, ref6, ref7
Demands of Art, The, ref1, ref2, ref3, ref4, ref5
From Monet to Picasso, ref1
Greek art, on, ref1
Idee und Gestalt, ref1
Prehistoric Cave Paintings, ref1, ref2, ref3
Prehistoric Pottery and Civilisation in Egypt, ref1
Proudhon, Marx, Picasso, ref1, ref2, ref3
Workers, Art, and Artists, ref1, ref2
Zur Erkenntnistheorie der konkreten Dialektik, ref1
RAPP (Russian Association of Proletarian Writers), ref1, ref2, ref3
Rea, Betty, ref1
Read, Herbert, ref1, ref2, ref3, ref4, ref5
Reagan, Ronald, ref1
realism, ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9, ref10, ref11, ref12, ref13, ref14, ref15
epistemological, ref1n.37
Red Letters, ref1
Reich, Wilhelm, ref1
relative autonomy, ref1, ref2, ref3, ref4
revolutions
of 1848, ref1, ref2, ref3, ref4, ref5
Hungarian Revolution, ref1, ref2, ref3
Mexican Revolution, ref1
Russian Revolution, ref1, ref2, ref3, ref4
Reynolds, Joshua, ref1, ref2, ref3
Riazanov, David, ref1, ref2, ref3
Riegl, Alois, ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9, ref10, ref11, ref12, ref13, ref14n.45
Late Roman Art Industry, ref1, ref2, ref3
Rifkin, Adrian, ref1, ref2, ref3, ref4, ref5, ref6
Rivera, Diego, ref1
Robins, Kevin, ref1
Robley, Major General H.R.
Moko; or Maori Tattooing, ref1, ref2
Rodin, Auguste, ref1
Roosevelt, Franklin D., ref1
Rose, Millicent, ref1
Rosenthal, Michael, ref1
Rosmer, Alfred, ref1
Rowlandson, Thomas, ref1
Rudé, George, ref1
Ruskin, John, ref1, ref2, ref3, ref4
Modern Painters, ref1
Stones of Venice, The, ref1
‘The Two Paths’, ref1n.31
Russell, Bertrand, ref1
Samuel, Raphael, ref1
Scarry, Elaine, ref1
Schapiro, Meyer, ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9
‘Courbet and Popular Imagery’, ref1, ref2
formalism, on, ref1n.57
Frankfurt School, and, ref1, ref2n.80
‘Matisse and Impressionism’, ref1, ref2
‘Recent Abstract Painting’, ref1
review of Loewy, Die Naturwiedergabe in der älteren griechischen Kunst, ref1
review of Social Viewpoint in Art exhibition, ref1
revolutionary art, on, ref1
secularism of, ref1
‘Social Bases of Art, The’, ref1, ref2
Scheler, Max Ferdinand, ref1
Schelling, Friedrich Wilhelm Joseph von, ref1, ref2
Schiller, Friedrich
Letters on the Aesthetic Education of Man, ref1
Schlosser, Julius von, ref1
Schneider, Norbert, ref1
Scholem, Gershom, ref1
Scott, Walter, ref1
Screen, ref1, ref2, ref3, ref4, ref5, ref6
Second International, ref1, ref2, ref3, ref4, ref5, ref6
Sedlmayr, Hans, ref1, ref2, ref3, ref4
Sekula, Allan, ref1
Semper, Gottfried, ref1, ref2, ref3, ref4, ref5, ref6
Shakespeare, William, ref1, ref2, ref3
The Forge, ref1, ref2, ref3, fig. 12
Shaw, George Bernard, ref1
Shelley, Percy Bysshe, ref1
Sholokov, Mikhail, ref1
Sismondi, Jean Charles Léonard Simone de, ref1, ref2
Situationism, ref1
Slater, Montague, ref1
Smiles, Samuel, ref1
social democracy, ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9
Socialist Realism, ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9, ref10, ref11, ref12, ref13, ref14
Sohn-Rethel, Alfred, ref1, ref2
Solkin, David
Richard Wilson: The Landscape of Reaction, ref1
Solzhenitsyn, Alexander
One Day in the Life of Ivan Denisovich, ref1
Sorel, Georges, ref1
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Soviet Writers’ Congress (1934), ref1, ref2, ref3
Speed, John
Historie of Great Britain, ref1
Spence, Jo, ref1
Spero, Nancy, ref1
Spinoza, Baruch, ref1
Stalin, Joseph, ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8
Marxism and Problems of Linguistics, ref1
Stalinism, ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8
Stendhal (Marie Henri Beyle), ref1
Stevenson, Robert Louis
Kidnapped, ref1
style, ref1, ref2, ref3, ref4, ref5, ref6, ref7
structuralism, ref1, ref2, ref3, ref4, ref5, ref6
Students for a Democratic Society, ref1
Sue, Eugène, ref1
Surrealism, ref1, ref2, ref3n.22
Tagg, John, ref1, ref2, ref3, ref4, ref5, ref6
‘Art History and Difference’, ref1
‘The Method of Max Raphael’, ref1, ref2
Tate Gallery, ref1
Tawhiao, ref1, ref2, ref3n.60, fig. 4
Thatcher, Margaret, ref1, ref2, ref3
Third International, ref1, ref2, ref3, ref4, ref5, ref6
Seventh World Congress of, ref1, ref2
Thompson, E.P., ref1, ref2, ref3, ref4, ref5
‘The Poverty of Theory’, ref1
Timpanaro, Sebastiano, ref1, ref2
Tito, Josip Broz, ref1
Tolstoy, Leo, ref1, ref2, ref3, ref4, ref5, ref6
totality, ref1, ref2, ref3, ref4, ref5, ref6
Trebitsch, Michael, ref1
Trotsky, Leon, ref1, ref2, ref3, ref4, ref5
Tsalpine, Dimitri, ref1
Turner, Joseph Mallord William, ref1, ref2
Tvardosky, Alexander, ref1, ref2, ref3
Tzara, Tristan, ref1
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universities
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Budapest, ref1
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London School of Economics, ref1
Marburg, ref1
Open, ref1
Vienna, ref1
April decree (1932), ref1, ref2
Cultural Revolution in, ref1, ref2, ref3
First Five Year Plan, ref1, ref2, ref3, ref4, ref5
Palace of the Soviets competition, ref1, ref2
Second Five Year Plan, ref1, ref2
Thaw, ref1
Third Period line, ref1
Union of Soviet Writers, ref1, ref2
Valéry, Paul, ref1
Verband Deutscher Kunsthistoriker, ref1, ref2, ref3
Verlaine, Paul, ref1
Vico, Giovanni Battista, ref1, ref2
Vienna School, ref1, ref2, ref3, ref4, ref5
Voloshinov, Valentin, ref1
Voltaire, François Marie Arouet de, ref1
‘vulgar sociology’, ref1, ref2, ref3, ref4, ref5
Vygotsky, Lev, ref1
Wagner, Richard, ref1
Wallach, Alan, ref1, ref2, ref3
Warburg Institute, ref1
Warburg School, ref1
Warnke, Martin, ref1, ref2, ref3, ref4, ref5, ref6
Waterhouse, Ellis, ref1
Weber, Max, ref1
Wedgwood, Josiah, ref1
Weiner, Deborah, ref1
Weinstein, Joan, ref1
Werckmeister, Otto Karl, ref1, ref2, ref3, ref4, ref5
Ende der Ästhetik, ref1
‘Ideologie und Kunst bei Marx’, ref1
West, Alick, ref1
Western Marxism, ref1, ref2, ref3, ref4, ref5
Whitney Museum of American Art
Three Centuries of American Art, ref1
Wilkes, John, ref1
Williams, Raymond, ref1, ref2, ref3, ref4
Culture and Society, ref1
Marxism and Literature, ref1
Wilson, Richard, ref1
Winckelmann, Johann Joachim, ref1, ref2
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Classic Art, ref1, ref2, ref3, ref4
Principles of Art History, ref1
Renaissance and Baroque, ref1
Wollen, Peter, ref1
Women and Art, ref1
Wood, Paul, ref1
Worringer, Wilhelm, ref1
Abstraction and Empathy, ref1
Wright, Joseph, ref1, ref2, ref3, ref4
Arkwright’s Cotton Mills by Night, ref1
Blacksmith’s Shop, The, ref1
Experiment on a Bird in the Air-Pump, The, ref1, ref2
Philosopher Giving that Lecture on the Orrery, A, ref1, ref2
Wright, Willard Huntington, ref1
Yessenin, Sergei, ref1
Yudin, M.P., ref1
Zeitschrift für Sozialforschung, ref1, ref2, ref3
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Zholtovsky, Ivan, ref1
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