Notes

Chapter 2  The Book of Kells

1. Giraldus Cambrensis, The Historical Works of Giraldus Cambrensis (London: George Bells and Sons, 1894), https://openlibrary.org/books/OL7038028M/The_historical_works_of_Giraldus_Cambrensis.

2. As quoted in Ingo Walther and Norbert Wolf, Masterpieces of Illumination (Köln: Taschen, 2005), 11.

3. As quoted in Kathryn Bell, Our Christian Heritage in Art (Greenville, SC: Bob Jones University Press, 1999), 22.

Chapter 3  Gregorian Chant

1. As quoted in Tim Dowley, Christian Music: A Global History (Minneapolis: Fortress Press, 2011), 50.

Chapter 4  Ordo Virtutum

1. Hildegard of Bingen, Mystical Writings (New York: Crossroad, 1993), 68.

2. Ibid., 33, 28.

3. Ibid., 21.

Chapter 7  The Divine Comedy

1. T. S. Eliot, Selected Prose of T. S. Eliot (New York: Harcourt Brace Jovanovich, 1975), 227.

2. As quoted in Giovanni Andrea Sbarazzini, A Handbook to Dante (Boston: Ginn & Co., 1887), 282.

3. Dante, Paradiso, canto 33, translated by John Ciardi (New York: New American Library, 1970).

Chapter 9  The Holy Trinity Icon

1. As quoted in Linette Martin, Sacred Doorways (Brewster, MA: Paraclete Press, 2002), 233.

2. Ibid.

3. Henri Nouwen, Behold the Beauty of the Lord (Notre Dame, IN: Ave Maria Press, 1987), 14.

Chapter 10  The Adoration of the Lamb

1. Noah Charney, Stealing the Mystic Lamb (New York: Public Affairs, 2010), 3.

2. As quoted in Till-Holger Borchert, Van Eyck (Köln: Taschen, 2008), 29.

Chapter 11  The Four Horsemen of the Apocalypse

1. As quoted in Hans Rookmaaker, The Creative Gift: Dürer, Dada, and Desolation Row (Carlisle, UK: Piquant, 2002), 242–43.

Chapter 13  The Ceiling of the Sistine Chapel

1. As quoted in Andrew Graham-Dixon, Michelangelo and the Sistine Chapel (New York: Skyhorse, 2009), 3.

2. As quoted in Jim Palmer, ed., The Pocket Book of Prayers (Nashville: Thomas Nelson, 2005), 113.

3. As quoted in Gertrude Richardson Brigham, The Study and Enjoyment of Pictures (New York: Sully and Kleinteich, 1917), 28.

4. As quoted in J. Patrick Lewis, Michelangelo’s World (Mankato, MN: Creative Company, 2007), 7.

5. “Celebration of the Unveiling of the Restorations of Michelangelo’s Frescos in the Sistine Chapel: Homily of His Holiness John Paul II,” The Holy See, April 8, 1994, http://w2.vatican.va/content/john-paul-ii/en/homilies/1994/documents/hf_jp-ii_hom_19940408_restauri-sistina.html.

Chapter 14  “A Mighty Fortress Is Our God”

1. As quoted in Kurt J. Eggert, “Martin Luther, God’s Music Man,” accessed March 20, 2015, http://www.wlsessays.net/node/465.

2. Ibid.

3. Ibid.

Chapter 17  The Incredulity of Saint Thomas

1. Francine Prose, Caravaggio: Painter of Miracles (New York: HarperCollins, 2005), 3–4.

Chapter 18  The Holy Sonnets

1. John Donne, “Sonnet X,” in Holy Sonnets (DjVu Editions E-books, 2001), http://ebooks.gutenberg.us/DjVu_Collection/DJEDS/DONNE/SONNETS/Download.pdf.

2. Ibid., “Sonnet XIV.”

3. Michael Schmidt, Lives of the Poets (New York: Random House, 1988), 211.

4. John Booty, “Introduction,” in John Donne, John Donne: Selections from Divine Poems, Sermons, Devotions, and Prayers (New York: Paulist Press, 1990), 23.

Chapter 19  The Temple

1. As quoted in Izaak Walton, The Life of George Herbert (Oxford: Oxford University Press, 1973), 314.

2. George Herbert, The Country Parson, The Temple (New York: Paulist Press, 1981), 316.

Chapter 21  St. Teresa in Ecstasy

1. As quoted in Howard Hibbard, Bernini (New York: Penguin, 1990), 137.

2. Joshua Reynolds, The Discourses of Sir Joshua Reynolds (London: J. Carpenter, 1842), 176.

Chapter 22  The Return of the Prodigal Son

1. Henri Nouwen, The Return of the Prodigal Son (New York: Doubleday Image, 1994), 5.

2. Ibid., 15.

3. Bruce Bernard, ed., Vincent By Himself: A Selection of His Paintings and Drawings Together with Extracts from His Letters (New York: Barnes & Noble, 2004), 72.

Chapter 23  The Pilgrim’s Progress

1. John Bunyan, Grace Abounding to the Chief of Sinners, Google Books ebook edition, location 7 (Digireads.com, 2011), http://books.google.com/books/about/Grace_Abounding_to_the_Chief_of_Sinners.html?id=1TXgjjPi7r4C.

2. As quoted in Michael Schmidt, The Novel: A Bibliography (Cambridge, MA: Harvard University Press, 2014), 58.

3. As quoted in Anne Dunan-Page, The Cambridge Companion to Bunyan (Cambridge: Cambridge University Press, 2010), 43.

Chapter 24  “When I Survey the Wondrous Cross”

1. As quoted in Douglas Bond, The Poetic Wonder of Isaac Watts (Crawfordsville, IN: Reformation Trust, 2013), ebook edition, location 12.

2. George Burder, ed., The Psalms and Spiritual Songs of Isaac Watts (London: C. Whittingham, 1806), 221.

3. Isaac Watts, The Poetical Works of Isaac Watts and Henry Kirke White (New York: Houghton Mifflin, 1881), lxxvii.

Chapter 25  St. Matthew’s Passion

1. Leonard Bernstein, The Joy of Music (New York: Simon and Schuster, 1959), 264.

2. Rick Marschall, Johann Sebastian Bach (Nashville: Thomas Nelson, 2011), 78.

3. Ibid., 143.

Chapter 26  Messiah

1. As quoted in Jane Stuart Smith and Betty Carlson, The Gift of Music (Wheaton: Crossway, 1987), 45.

2. A. E. Bray, Handel: His Life, Personal and Professional (London: Ward and Company, 1857), 63.

3. As quoted in Patrick Kavanaugh, The Spiritual Lives of Great Composers (Nashville: Sparrow, 1992), 6.

4. Ibid., 7.

5. Smith and Carlson, Gift of Music, 47.

6. Louis Kronenberger, Kings and Desperate Men (Piscataway, NJ: Transaction Publishers, 2009), 117.

Chapter 28  Songs of Innocence and Experience

1. As quoted in Harold Bloom, William Blake (New York: Infobase Publishing, 2008), 24.

2. William Blake, The Marriage of Heaven and Hell (Oxford: Oxford University Press, 1975), 54.

3. William Blake, “Auguries of Innocence,” The Complete Poems, edited by Alicia Ostriker (New York: Penguin, 1978), 506.

Chapter 29  The Creation

1. As quoted in Jane Stuart Smith and Betty Carlson, The Gift of Music (Wheaton: Crossway, 1987), 52.

2. Ibid., 49.

3. As quoted in Patrick Kavanaugh, The Spiritual Lives of Great Composers (Nashville: Sparrow, 1992), 23.

4. Ibid.

Chapter 30  Pride and Prejudice

1. Jane Austen, Pride and Prejudice (Mineola, NY: Dover, 1995), 141.

2. Jane Austen, The Prayers of Jane Austen, edited by Terry Glaspey (Eugene, OR: Harvest House, 2015), 51.

3. James Edward Austen-Leigh, A Memoir of Jane Austen (Ware, UK: Wordsworth, 2007), 33.

Chapter 31  The Wanderer above the Sea of Fog

1. As quoted in Joseph Leo Koemer, Caspar David Friedrich and the Subject of Landscape (London: Reaktion Books, 2009), 93.

2. Ibid., 237.

3. As quoted in William Vaughn, Friedrich (New York: Phaidon, 2004), 111.

4. As quoted in William Vaughn, German Romantic Painting (New Haven: Yale University Press, 1994), 116.

Chapter 32  Symphony no. 5, The Reformation

1. As quoted in Jack Alder, Soulmates from the Pages of History (New York: Algora Publishing, 2013), 144.

2. As quoted in Patrick Kavanaugh, The Spiritual Lives of Great Composers (Nashville: Sparrow, 1992), 53.

3. Ibid., 53–54.

4. Ibid., 55.

Chapter 33  The Voyage of Life

1. As quoted in Elwood Parry, The Art of Thomas Cole (Newark: University of Delaware Press, 1988), 128.

2. As quoted in Louis Legrand Noble, The Life and Works of Thomas Cole (New York: Sheldon, Blakeman, 1856), 289.

3. As quoted in Howard S. Merritt, Thomas Cole (Yonkers, NY: Hudson River Museum, 1981), 3.

4. As quoted in Matthew Baigell, Thomas Cole (New York: Watson-Guptill, 1985), 25.

5. Noble, Life and Works of Thomas Cole, 63.

6. As quoted in Gene Edward Veith, Painters of Faith (Washington, DC: Regnery, 2001), 72.

Chapter 34  The Light of the World

1. As quoted in Helen de Borchgrave, A Journey into Christian Art (Minneapolis: Fortress Press, 1999), 176.

2. William Holman Hunt, A Pre-Raphaelite Friendship (Ann Arbor: UMI Research Press, 1986), 247.

3. De Borchgrave, Journey into Christian Art, 174.

4. William Holman Hunt, Pre-Raphaelitism and the Pre-Raphaelite Brotherhood (New York: Macmillan, 1905), 347.

Chapter 35  The Heart of the Andes

1. Gene Edward Veith, Painters of Faith (Washington, DC: Regnery, 2001), 40.

Chapter 36  Fairy Tales

1. As quoted in Roland Hein, George MacDonald: Victorian Mythmaker (Eugene, OR: Wipf and Stock, 2014), 388.

2. As quoted in C. S. Lewis, George MacDonald: An Anthology (Grand Rapids: Zondervan, 2001), 77.

3. Ibid., xxxv.

Chapter 37  The Brothers Karamazov

1. As quoted in Rowan Williams, Dostoevsky: Language, Faith, and Fiction (London: A & C Black, 2008), 34.

2. As quoted in Konstanin Mochulsky, Dostoevsky: His Life and Work (Princeton, NJ: Princeton University Press, 1971), 141.

3. As quoted in Joseph Frank, Dostoevsky: The Mantle of the Prophet, 1871–1881 (Princeton, NJ: Princeton University Press, 2003), 712.

4. As quoted in Richard Freeborn, Dostoevsky (London: Haus Publishing, 2003), 125.

5. Fyodor Dostoyevsky, The Brothers Karamazov (New York: Macmillan, 1922), 339.

Chapter 38  La Sagrada Familia Cathedral

1. As quoted in Tom Springer, Looking for Hickories (Ann Arbor: University of Michigan Press, 2008), 73.

2. As quoted in Josep Maria Carandell, El Temple de la Sagrada Familia (Sant Lluis, Spain: Triangle Postals, 1997), 4.

3. Gijs van Hensbergen, Gaudi: A Biography (New York: HarperCollins, 2001), 138.

4. Ibid., 250.

Chapter 39  Starry Night

1. As quoted in Richard Thomson, Vincent Van Gogh: The Starry Night (New York: Museum of Modern Art, 2008), 44.

2. As quoted in Kathleen Powers Erickson, At Eternity’s Gate (Grand Rapids: Eerdmans, 1998), 40.

3. Ibid., 56.

4. As quoted in Abraham Marie Hammacher, Van Gogh: A Documentary Biography (New York: Macmillan, 1982), 32.

5. As quoted in David Sweetman, Van Gogh: His Life and His Art (New York: Crown, 1990), 119.

6. As quoted in David Hampton, Evangelical Disenchantment (New Haven: Yale University Press, 2008), 129.

7. As quoted in Debora Silverman, Van Gogh and Gauguin: The Search for Sacred Art (New York: Macmillan, 2004), 173.

8. As quoted in Jan Greenberg and Sandra Jordan, Vincent Van Gogh: Portrait of an Artist (New York: Random House, 2009), 26.

Chapter 40  The Life of Our Lord Jesus Christ

1. James Jacques Joseph Tissot, The Life of Our Savior Jesus Christ: Three Hundred and Sixty-Five Compositions from the Four Gospels with Notes and Explanatory Drawings, translated by Mrs. Arthur Bell (New York: Werner, 1903), ix.

Chapter 41  The Annunciation

1. As quoted in Marcus Bruce, “A New Testament,” Henry Ossawa Tanner: Modern Spirit, edited by Anna O. Marley (Philadelphia: Pennsylvania Academy of Fine Arts, 2012), 112.

2. Robert Cozzolino, “I Invited the Christ Spirit to Manifest in Me,” in Marley, Henry Ossawa Tanner: Modern Spirit, 120.

Chapter 42  The Complete Poems

1. Emily Dickinson, The Complete Poems of Emily Dickinson (New York: Little, Brown, 1976), 433.

2. Ibid., 506.

3. As quoted in Harold Bloom, Emily Dickinson (New York: Infobase Publishing, 2008), 11.

4. Dickinson, Complete Poems, 100.

5. Ibid., 128.

6. Ibid., 14.

7. Ibid., 211.

8. Ibid., 153.

9. Ibid., 133.

Chapter 43  The Innocence of Father Brown

1. As quoted in J. Maurus, Living Moments of Awareness (Mumbai: St. Pauls Press, 2011), 45.

2. As quoted in Dale Ahlquist, G. K. Chesterton: The Apostle of Common Sense (San Francisco: Ignatius, 2003), 13.

3. G. K. Chesterton, Orthodoxy (New York: Dodd, Mead, and Co., 1954), 85.

4. Ibid., 57.

Chapter 44  The Life of Christ

1. As quoted in Ashley Bassie, Expressionism (New York: Parkstone International, 2014), 30.

2. As quoted in William B. Sieger, “Literary Texts and Formal Strategies in Emil Nolde’s Religious Paintings,” unpublished paper (Chicago: Northeastern Illinois University, n.d.), http://www.unomaha.edu/esc/2007Proceedings/Sieger_LiteraryTexts.pdf.

3. As quoted in Peter Howard Selz, German Expressionist Painting (Oakland: University of California Press, 1968), 290.

4. As quoted in Jonathan Evens, “Emil Nolde: Inner Religious Feeling,” Between, March 7, 2012, http://joninbetween.blogspot.com/2012/03/emil-nolde-inner-religious-feeling.html.

5. As quoted in Selz, German Expressionist Painting, 121.

Chapter 45  Poems

1. Gerard Manley Hopkins, Mortal Beauty, God’s Grace: Major Poems and Spiritual Writings of Gerard Manley Hopkins (New York: Vintage Books, 2003), 20.

2. Ibid., 25.

3. Ibid., 21.

4. As quoted in Jerome Bump, Gerard Manley Hopkins (Woodbridge, CT: Twayne Publishers, 1982), 176.

5. Hopkins, Mortal Beauty, 47.

6. Ibid., 20.

Chapter 46  The Resurrection at Cookham

1. Adrian Glew, ed., Stanley Spencer: Letters and Writings (London: Tate Gallery, 2001), 164.

2. As quoted in Kenneth Pople, “The Cookham Resurrection by English Artist Stanley Spencer,” The Art and Vision of Stanley Spencer, accessed March 20, 2015, http://www.ikpople.pwp.blueyonder.co.uk/cookres.htm.

3. As quoted in Kenneth Pople, Stanley Spencer (New York: HarperCollins, 1991), 309.

4. As quoted in Timothy Hyman and Patricia Wright, Stanley Spencer (London: Tate Publishing, 2001), 77.

5. As quoted in Fiona MacCarthy, Stanley Spencer: An English Vision (New Haven: Yale University Press, 1997), 47.

6. Ibid., 57.

Chapter 47  Death Comes for the Archbishop

1. As quoted in Ralph McInerny, Some Catholic Writers (South Bend, IN: St. Augustine’s Press, 2007), 25.

2. Willa Cather, Death Comes for the Archbishop (New York: Knopf, 2011), 290.

3. Ibid., 19.

4. Ibid., 267.

5. As quoted in Joan Ross Acocella, Willa Cather and the Politics of Criticism (Lincoln: University of Nebraska, 2000), 9.

6. Willa Cather, Willa Cather On Writing (Lincoln: University of Nebraska, 1988), 27.

7. Cather, Archbishop, 50.

8. As quoted in Mildred R. Bennett, The World of Willa Cather (Lincoln: University of Nebraska Press, 1995), 135.

Chapter 48  The Passion of Joan of Arc

1. Carl Theodore Dreyer, Dreyer in Double Reflection (New York: Dutton, 1973), 47.

2. As quoted in Ann Lloyd and David Robinson, Movies of the Silent Years (Maryknoll, NY: Orbis, 1984), 122.

Chapter 49  Head of Christ

1. As quoted in Jose Maria Faerna, Rouault (New York: Cameo-Abrams, 1997), 12.

2. Ibid., 28.

3. As quoted in Frank and Dorothy Getlein, Christianity in Modern Art (Milwaukee: Bruce Publishing, 1961), 51.

4. Charlene Spretnak, The Spiritual Dynamic in Modern Art (New York: Palgrave Macmillan, 2014), 113.

5. As quoted in William A. Dyrness, Rouault: A Vision of Suffering and Salvation (Grand Rapids: Eerdmans, 1971), 53.

6. Ibid., 69.

7. Ibid., 79.

8. Ibid., 63.

9. Jacques Maritain, Rouault (New York: Abrams, 1954), 10.

Chapter 50  The Power and the Glory

1. As quoted in Adam Schwartz, The Third Spring (Washington, DC: CUA Press, 2005), 140.

2. As quoted in Norman Sherry, The Life of Graham Greene, vol. 3 (London: Jonathan Cape, 2004), 188.

3. Graham Greene, Brighton Rock (New York: Penguin, 1991), 246.

Chapter 51  Quartet for the End of Time

1. As quoted in Sander van Maas, The Reinvention of Religious Music (Bronx, NY: Fordham University, 2009), 26.

2. Charles Philip Dingle, ed., Oliver Messiaen: Music, Art, and Literature (London: Ashgate, 2007), 49.

3. Ibid., 14.

Chapter 52  Four Quartets

1. T. S. Eliot, Four Quartets (New York: Harcourt Brace and Company, 1943), 19.

Chapter 53  The Man Born to Be King

1. Dorothy L. Sayers, The Man Born to Be King (San Francisco: Ignatius Press, 1990), 180.

2. As quoted in Mary Brian Durkin, “Dorothy L. Sayers: A Christian Humanist for Today,” Religion Online, accessed March 20, 2015, http://www.religion-online.org/showarticle.asp?title=1267.

3. Dorothy L. Sayers, Letters to a Diminished Church (Nashville: Thomas Nelson, 2004), 1.

4. Ibid., 4.

5. Sayers, Man Born to Be King, 16.

6. Sayers, Diminished Church, 46.

Chapter 54  Rome, Open City

1. Isabella Rossellini, In the Name of the Father, the Daughter, and the Holy Spirits (New York: Prestell, 2006), 117.

Chapter 55  It’s a Wonderful Life

1. Frank Capra, The Name Above the Title (Boston: Da Capo Press, 1997), 241.

2. Ibid., 130.

3. Ibid., 375.

Chapter 56  “I Will Move On Up a Little Higher”

1. As quoted in Margena A. Christian, “Long Live the Divas,” The New Crisis 106:1 (January/February 1999): 53.

2. As quoted in Bill Carpenter, Uncloudy Day: The Gospel Music Encyclopedia (Milwaukee: Hal Leonard, 2005), 208.

Chapter 57  The Chronicles of Narnia

1. C. S. Lewis, Of Other Worlds (New York: Harcourt, 1975), 42.

2. Ibid.

3. C. S. Lewis, Surprised by Joy (New York: Harcourt, 1955), 179.

4. Ibid., 229.

5. Ibid., 228–29.

Chapter 58  The Lord of the Rings

1. J. R. R. Tolkien, The Monsters and the Critics (New York: Houghton Mifflin, 1984), 156.

2. J. R. R. Tolkien, The Letters of J. R. R. Tolkien, edited by Humphrey Carpenter (New York: Houghton Mifflin, 1981), 194.

3. Ibid., 172.

4. J. R. R. Tolkien, The Tolkien Reader (New York: Houghton Mifflin, 1965), 5.

5. Tolkien, Letters, 144.

Chapter 59  A Love Supreme

1. As quoted in Ashley Kahn, A Love Supreme (New York: Penguin, 2003), 28.

2. Ibid., 68.

3. As quoted in Ben Ratliff, Coltrane: The Story of a Sound (New York: Macmillan, 2007), 109.

Chapter 60  Au Hasard du Balthasar

1. As quoted in James Quandt, ed., Robert Bresson (Bloomington: Indiana University Press, 1998), 489.

2. Robert Bresson, Notes on the Cinematographer (Los Angeles: Green Integer, 1997), 44.

3. Quandt, Robert Bresson, 494.

4. Ibid., 321.

5. As quoted in Joseph Cunneen, Robert Bresson: A Spiritual Style in Film (New York: Continuum, 2003), 164–65.

Chapter 61  Andrei Rublev

1. As quoted in Vadim Moroz, Andrei Tarkovsky: About His Film Art (Petersburg, VA: Frost Publishing, 2008), 63.

2. As quoted in Jeremy Mark Robinson, The Sacred Cinema of Andrei Tarkovsky (Kent, UK: Crescent Moon, 2007), 183.

3. As quoted in Moroz, Andrei Tarkovsky, 83.

Chapter 62  Cancer Ward

1. Aleksandr Solzhenitsyn, Cancer Ward (New York: Farrar, Straus, and Giroux, 1991), 523.

2. Ibid., 509.

3. As quoted in Edward E. Ericson Jr., Solzhenitsyn: The Moral Vision (Grand Rapids: Eerdmans, 1980), 48.

4. Joseph Pearce, “An Interview with Alexander Solzhenitsyn,” Catholic Education Resource Center, 2003, http://www.catholiceducation.org/en/culture/literature/an-interview-with-alexander-solzhenitsyn.html.

5. As quoted in Ha Jin, The Writer As Migrant (Chicago: University of Chicago Press, 2008), 11.

6. Aleksandr Solzhenitsyn, The Solzhenitsyn Reader: New and Essential Writings, 1947–2005, edited by Edward Ericson Jr. and Daniel J. Mahoney (Wilmington, DE: ISI Books, 2006), 577.

7. As quoted in Daniel J. Mahoney, Aleksandr Solzhenitsyn: The Ascent from Ideology (New York: Rowman & Littlefield, 2001), 50.

8. Ericson, Solzhenitsyn, 16.

9. Ibid., 7.

Chapter 63  At Folsom Prison

1. As quoted in Leigh H. Edwards, Johnny Cash and the Paradox of American Identity (Bloomington: Indiana University Press, 2009), 157.

Chapter 64  The Complete Stories

1. Flannery O’Connor, The Letters of Flannery O’Connor: The Habit of Being, edited by Sally Fitzgerald (New York: Farrar, Straus, and Giroux, 1979), 275.

2. Flannery O’Connor, Mystery and Manners (New York: Farrar, Straus, and Giroux, 1962), 34.

3. Lorine M. Getz, Flannery OConnor: Literary Theologian (Lewiston, NY: Edwin Mellen Press, 1999), 34.

4. Flannery O’Connor, A Prayer Journal (New York: Farrar, Straus, and Giroux, 2013), 21.

5. O’Connor, Letters, 92.

6. O’Connor, Mystery and Manners, 159.

7. Richard Giannone, “Introduction,” in Flannery O’Connor: Spiritual Writings, edited by Robert Ellsberg (Maryknoll, NY: Orbis, 2003), 26.

8. O’Connor, Letters, 489.

Chapter 65  Only Visiting This Planet

1. “Larry Norman,” Wikipedia.com, accessed March 23, 2015, http://en.wikipedia.org/wiki/Larry_Norman.

2. “Hallelujah, the 2013 National Recording Registry Reaches 400,” News from the Library of Congress, April 2, 2014, http://www.loc.gov/today/pr/2014/14-052.html.

3. Sarah Pulliam, “Larry Norman, ‘Father of Christian Rock,’ Dies at 60,” Christianity Today, February 26, 2008, http://www.christianitytoday.com/ct/2008/februaryweb-only/109-22.0.html.

Chapter 66  Symphony no. 3, The Symphony of Sorrowful Songs

1. “Henryk Górecki,” Wikipedia.com, accessed March 23, 2015, http://en.wikipedia.org/wiki/Henryk_G%C3%B3recki.

2. “Sacred Music: Gorecki and Pärt,” YouTube video, 58:44, posted by Art History Channel on February 9, 2013, https://www.youtube.com/watch?v=w7C8c7oh1xc.

Chapter 67  Dancing in the Dragons Jaws

1. Susan Adams Kauffman, “Fire in an Open Hand: An Interview with Bruce Cockburn,” The Other Side, November/December 2009, as quoted by The Cockburn Project, http://cockburnproject.net/issues/personal/christianity.html.

Chapter 68  The Second Coming

1. Walker Percy, Signposts in a Strange Land (New York: Farrar, Straus, and Giroux, 1991), 154.

2. Ibid., 206.

3. Ibid., 162.

4. Ibid.

5. Ibid., 180.

6. Ibid., 221.

Chapter 69  The Last Supper

1. As quoted in Anne Pyle, Printing the Word: The Art of Watanabe Sadao (New York: American Bible Society, 2000), 25.

2. Ibid., 9.

3. Ibid., 15.

4. Ibid., 26.

Chapter 70  Godric

1. Frederick Buechner, Godric (New York: Harper and Row, 1980), 3.

2. Frederick Buechner, Now and Then (New York: Harper and Row, 1983), 106.

3. Buechner, Godric, 20.

4. Ibid., 96.

5. As quoted in Dale Brown, The Book of Buechner (Louisville: Westminster John Knox, 2006), 75.

6. Buechner, Now and Then, 87.

7. Frederick Buechner, Wishful Thinking (New York: Harper and Row, 1973), 20.

Chapter 71  Infidels

1. Jonathan Cott, Bob Dylan: The Essential Interviews (New York: Wenner Books, 2006), 396.

Chapter 72  The Joshua Tree

1. Cathleen Falsani, “Bono’s American Prayer,” Christianity Today, February 21, 2003, http://www.christianitytoday.com/ct/2003/marchweb-only/2.38.html.

2. “Band FAQ,” U2FAQs.com, accessed March 23, 2015, http://www.u2faqs.com/band/.

3. As quoted in Michka Assayas, Bono (New York: Riverhead, 2006), 203.

4. Ibid., 203–4.

5. Ibid., 204.

6. Jeremy Weber, “Six Surprises from Bono’s Interview with Focus on the Family,” Christianity Today, June 21, 3013, http://www.christianitytoday.com/gleanings/2013/june/bono-interview-with-focus-on-family-jim-daly.html?paging=off.

Chapter 73  Paradise Garden

1. J. F. Turner, Howard Finster: Man of Visions (New York: Knopf, 1989), 101.

2. As quoted in Robert Peacock with Annibel Jenkins, Paradise Garden (San Francisco: Chronicle Books, 1996), 31.

3. Turner, Howard Finster, 148.

Chapter 74  The Four Holy Gospels

1. Makoto Fujimura, “Gallery: The Four Gospels Frontispieces,” Makoto Fujimura, accessed March 23, 2015, http://www.makotofujimura.com/works/the-four-gospels-frontispieces/.

2. Makoto Fujimura, Refractions: A Journey of Faith, Art, and Culture (Colorado Springs: NavPress, 2009), 70.

3. Thomas S. Hibbs, Roualt/Fujimura: Soliloquies (Baltimore: Square Halo, 2009), 32

4. Makoto Fujimura, River Grace (New York: Poeima Press, 2007), 3.

5. Makoto Fujimura, The Splendor of the Medium (New York: Poiema Press, 2004), 4.

6. Fujimura, River Grace,16.

7. Ibid., 6.