Illustration acknowledgements

We are indebted to the people and archives below for permission to reproduce photographs.

Frontispiece Herbert Bayer, Lonely Metropolitan, 1932. Herbert Bayer Collection and Archive, Denver Art Museum. Photograph courtesy of the Denver Art Museum. © DACS 2014.

1.1 Dorothea Lange, Migrant Mother, 1936. FSA Collection, courtesy of the Library of Congress, Washington, LCUSF341–9058C.

1.2–1.5 Dorothea Lange, Migrant Mother, 1936, alternative versions, FSA Collection, courtesy of the Library of Congress, Washington.

1.6 Reference to ‘Migrant Mother’, Bohemia Venezolana, 10 May 1964 issue, courtesy of the Library of Congress, Washington.

1.7 Reference to ‘Migrant Mother’, Black Panther magazine, 7 December 1972, © Huey P.P. Newton, courtesy of the Alderman Library, University of Virginia.

2.1 Susan Meiselas, mask picture from Nicaragua, 1978. © Susan Meiselas/Magnum Photos.

2.2 Moises Saman, Libya, March 9, 2011. © Moises Saman/Magnum Photos.

2.3 Paul Seawright, Room 1, from the book and exhibtion, Hidden, 2003, courtesy of the artist.

2.4 Abu Ghraib, Iraq, 2004 courtesy of Rex Features.

2.5 Adam Broomberg and Oliver Chanarin, Plate 80, War Primer 2, MACK, 2011. Courtesy of the artists and Goodman Gallery.

2.6 An-My Lê, 29 Palms: Mechanized Assault, 2003–04. Gelatin silver prints. 261⁄2 x 38 inches. Courtesy of Murray Guy.

2.7 Jacob August Riis, Lodgers in Bayard Street Tenement – ‘Five Cents a Spot’, 1889. © 2014. The Museum of Modern Art, New York/Scala, Florence.

2.8 Sebastião Salgado, Serra Pelada (Workers in Mud), 1986. © Sebastião Salgado/Amazonas images/*nb pictures.

2.9 William Thomas, Mrs Lewis Waller with a Kaffir Boy, 1903, courtesy of the National Archives, London (Ref Copy 1/464 f. 188).

2.10 Humphrey Spender, Men Greeting in a Pub, Worktown Series, 1937, courtesy of the Mass Observation Archive, Bolton Museum and Art Gallery.

2.11 Arthur Rothstein, Dust Storm, Cimarron County, Oklahoma, 1936, courtesy of the Library of Congress, Washington.

2.12 Drum, March 1952, courtesy of Nasionale Pers Beperk and the Bailey Trust, South Africa.

2.13 Melanie Einzig, Spring Corner, New York City, 2000. © Melanie Einzig. Courtesy of the artist.

2.14 Helen Levitt, New York (broken mirror), c.1942. © Estate of Helen Levitt.

2.15 Sanjeev Saith, Between Houses, Ranikhet, 1992. From India: A Celebration of Independence, Aperture, 1997. © Sanjeev Saith.

2.16 Martin Parr, The Spanish Steps, Rome, 1993. © Martin Parr/Magnum Photos.

3.1 Studio Photograph of Lily Peapell in peasant dress on roller skates, USA Studios, Peckham, South London Branch, c.1912, courtesy of Lily Peapell’s great-grandson, Colin Aggett.

3.2a From the album of Sir Arnold Wilson (No. 3 Persian scenes), 1909, courtesy of the Royal Photographic Society Collection at the National Media Museum/ Science and Society Picture Library.

3.2b From the album of Sir Arnold Wilson (No.7), 1900, courtesy of the Royal Photographic Society Collection at the National Media Museum/Science and Society Picture Library.

3.3 ‘The photographic craze’, Amateur Photographer, 10 June 1887.

3.4 Stereoscopic slide from the late nineteenth century, courtesy of the Science and Society Picture Library.

3.5 Earliest know daguerrotype of a photographer at work. Jabez Hogg photographs Mr. Johnson, c.1843, courtesy of the National Media Museum/Science and Society Picture Library.

3.6 A page from the album of R. Foley Onslow, c. 1860, courtesy of Arthur Lockwood.

3.7 Illustration from Cuthbert Bede, Photographic Pleasures, 1855.

3.8 Pupils at St. Mary’s School, Moss Lane, Manchester, c.1910. Ref: 1343/18 from the Documentary Photographic Archive held at Greater Manchester County Record Office.

3.9 Holiday postcard from a Blackpool studio, 1910. © Martin Parr/ Magnum Photos.

3.10 Mobile sales tent for Bailey’s photographers, Bournemouth,
c.1910. © Martin Parr/ Magnum Photos.

3.11 Studio photograph of Edward and May Bond, c.1910. Ref: 956/36 from the Documentary Photographic Archive held at Greater Manchester County Record Office.

3.12 Edward and May Bond taken by a street photographer outside their home in Manchester, c.1912. Ref: 956/48 from the Documentary Photographic Archive held at Greater Manchester County Record Office.

3.13 Black Country chain-makers, postcard, 7 August 1911, courtesy of Jack Stasiak.

3.14 Kodak Advertisement, 1926. Artist: Claude Shepperson. Reproduced with permission of Punch Ltd., www.punch.co.uk

3.15 A page from a Kodak ‘Brownie’ album, c. 1900, courtesy of Guillermo Marin Martinez.

3.16 A page from the album of Frank Lockwood, 1927, courtesy of his son, Arthur Lockwood.

3.17a and b Pages from the album of Ursula Kocharian, courtesy of Ursula Kocharian.

3.18 Jo Spence and Tim Sheard, Greedy – I recreate my journey into emotional eating, a rebellion against parental disapproval, 1989, courtesy of Terry Dennett, the Jo Spence Archive, London.

3.19 Valerie Walkerdine as the Bluebell Fairy, courtesy of Valerie Walkerdine.

3.20 Nick Saunders, Eve, Karen and Nick, 2003, digital montage, courtesy of the artist.

3.21 Members of the public recording events at Baroness Thatcher’s funeral, London 2013. © John Gaffen/Alamy.

4.1 Floris Neusüss, Bin gleich zurück (Be right back), photogram and wooden chair, 1984/87, courtesy of the artist.

4.2 Fran Herbello, Untitled, from A Imaxe e Semellanza, 2000, courtesy of the artist.

4.3 Gideon Mendel, Tanzanian mother carrying her son, 2000. © Gideon Mendel/ Corbis.

4.4 Filing Card using Bertillion’s ‘anthropometric’ system, 1898, from ‘Anthropometrical Signalment’ from the McDade Collection. From Photography, Vision and the Production of Modern Bodies by Suren Lalvani, the State of New York Press. © 2014 State University of New York.

4.5 Francis Galton, The Jewish Type, composite photographs, 1883, reproduced on p.371 of Allan Sekula, ‘The Body and the Archive’ in Richard Bolton (ed.) (1989) The Contest of Meaning: Critical Histories of Photography, Cambridge, MA: The MIT Press.

4.6 Anonymous stereoscope photograph from around 1895, from the collection of Serge Nazarieff, reproduced from The Stereoscopic Nude 1850–1930 (1933), Cologne: Benedikt Taschen Verlag GmBH.

4.7 Marlene Dietrich in Shanghai Express, dir. Josef Von Sternberg, 1932. Courtesy of Paramount/ The Kobal Collection.

4.8 L.L. Roger-Viollet, Women Using Stereoscopes, c. Second Empire. © Léon et Lévy/ Roger-Viollet, Paris.

4.9 Etienne-Jules Maray, images reproduced from Marta Braun (1992) Picturing Time: The Work of Etienne-Jules Maray (1830–1904), p.111, Chicago: University of Chicago Press.

4.10 Hannah Höch, Das schöne Mädchen (The Beautiful Girl), photomontage, private collection, reproduced from Maud Lavin (1993), Cut With the Kitchen Knife: The Weimar Photomontages of Hannah Höch, New Haven, CT: Yale University Press.

4.11 Hans Bellmer, Hans Bellmer with First Doll, 1934. © ADAGP, Paris and DACS, London 2014.

4.12 ‘Meet the Superhumans’, Channel 4 advertisement for the Paralympics, 2012. Photo credit: Elliott Brown.

4.13 Advertisement for Saab, 1998 (original in colour), courtesy of Lowe and Partners.

4.14 Lorna Simpson, You’re Fine, 1988. Four dye-diffusion color Polaroid prints (one framed panel), 15 engraved plastic plaques, ceramic letters 39 ´ 1081⁄8 ´ 11⁄8 inches (99.1 ´ 274.6 ´ 4.1 cm) overall. Ringier Collection, Zurich. Courtesy of the artist and Salon 94, New York.

4.15 Marlo Pascual, Untitled, 2010. Digital C-print, fluorescent light, rock. Mount: Plexiglas, sintra. Print Size: 40 ´ 32”/101.6 ´ 81.3 cm, installed dimensions variable. Private Collection. Photo Credit: Cary Whittier. Courtesy of the artist and Casey Kaplan, NY.

4.16 Post-mortem daguerrotype of unidentified child, Boston, c.1850, Southworth and Hawes. Courtesy of George Eastman House, International Museum of Photography and Film.

4.17 Andres Serrano, The Morgue (Fatal Meningitis II), 1992, courtesy of the artist and Nathalie Obadia Gallery, Brussels.

4.18 Rineke Dijkstra, Julie, Den Haag, Netherlands, 1994, courtesy of the artist. © Tate, London 2014.

5.1 Wolfram Hahn, #1 from Disenchanted Playroom, 2006, courtesy of the artist.

5.2 Margaret Bourke White, The American Way, 1937, courtesy of Time Life Pictures/ Getty Images.

5.3 Stock image of a woman floating, courtesy of Getty Images.

5.4 Advertising stock sheet W1910783 from the Photographic Advertising Agency, London, 1940s (1945–49). © Science and Society Picture Library/ Photographic Advertising Ltd/ National Media Museum.

5.5 Protest at Mehdiganj to shut down Coca-Cola, photo courtesy of Amit Srivastava/India Resource Center.

5.6 ‘The Coke Side of Labor Union’ by Julien Torres, courtesy of KillerCoke.org.

5.7 Illustration from Mrs Christine Frederick’s The New Housekeeping, 1913.

5.8 Carte D’Or ice cream advertisement, Good Housekeeping, June 1998 (original in colour).

5.9 Pretty Polly ‘Love Legs’ cosmetics advertisement, 2008.

5.10 ‘Night Diva’, Marie Claire, July 2003. Photographer: Darren Feist, courtesy of Marie Claire/IPC Syndication. © Darren Feist/ Marie Claire/ IPC+ Syndication.

5.11 Cindy Sherman, Untitled, 2007/2008. Chromogenic color print. © Cindy Sherman. Courtesy of the artist and Metro Pictures, New York.

5.12 French Colonial postcard c. 1910, from Malek Alloula (1985) The Colonial Harem, Manchester University Press, p. 26, courtesy of Malek Alloula.

5.13 Paolo Roversi, Multi Ethnic Gallery, 2013. © Paolo Roversi/ Arts + Commerce.

5.14 Afternoon Dream from ‘Indian Summer’, Marie Claire, June 1994. Photographer: Christian Moser. Courtesy of Marie Claire/ IPC Syndication. © Christian Moser/ Marie Claire/ IPC+ Syndication.

5.15 ‘The Golden Age of Hollywood’, Marie Claire, June 1994. Photographer: Matthew Ralston, courtesy of Marie Claire/ IPC Syndication. © Matthew Ralston/ Marie Claire/ IPC+ Syndication.

5.16 Tourist photograph, courtesy of Sita Ramamurthy.

6.1 Karen Knorr, ‘The Rooftop’, from the series Villa Savoye, 2008, courtesy of the artist.

6.2 Camille Silvy, River Scene, France, 1858. © Victoria and Albert Museum, London.

6.3 Henry Peach Robinson, The Lady of Shallot, 1860–1, courtesy of the Harry Ransom Center, University of Texas, Helmut Gernsheim Collection.

6.4 Thurston Thompson, Exhibition Installation, 1858. © Victoria and Albert Museum, London.

6.5 Bill Brandt, Prior Park, near Bath, 1942. © Bill Brandt Archive.

6.6 Alexander Rodchenko, White Sea Canal, from USSR in Construction 12, 1933. © Rodchenko & Stepanova Archive, DACS, RAO, 2014.

6.7 Laszlo Moholy-Nagy, ‘Flower’, c.1925–7. © Hattula Moholy-Nagy/ DACS, 2014.

6.8 Edward Weston, Dunes, Oceano, 1936. © Center for Creative Photography, The University of Arizona Foundation/ DACS, 2014.

6.9 Lee Miller, Portrait of Space, near Siwa, Egypt, 1937. © Lee Miller Archives, England, 2014. All Rights Reserved. www.leemiller.co.uk

6.10 Keith Arnatt, Self Burial, TV Interference Project, 1969. © Keith Arnatt Estate/Tate, London 2014.

6.11 Jeff Wall, A Sudden Gust of Wind (after Hokusai), 1993, courtesy of the artist. © Jeff Wall/ Tate, London, 2014.

6.12 Ingrid Pollard, from Pastoral Interludes, 1987, courtesy of the artist and Autograph APB.

6.13 Susan Derges, ‘Larch’ from The Streens, 2002, courtesy of the artist.

6.14 Chrystel Lebas, ‘Blue Hour’, untitled no. 4, 2005 from Between Dog and Wolf, courtesy of the artist.

6.15 John Kippin, ‘Monument’ from Futureland Now, 2012, courtesy of the artist.

6.16 Edward Burtynsky, SOCAR Oil Fields #9 Baku, Azerbaijan, 2006. © Edward Burtynsky, courtesy Nicholas Metivier Gallery, Toronto/ Howard Greenberg Gallery and Bryce Wolkowitz Gallery, New York.

6.17 Anne Noble, ‘Spoolhenge’ no.3, South Pole, Antarctica, 2008, courtesy of the artist.

6.18 Trevor Paglen, ‘Keyhole Improved Crystal’ from Glacier Point (Optical Reconnaissance Satellite; USA 224) from The Other Night Sky, 2011. Courtesy of the artist.

Disclaimer

Whilst every effort has been made to trace copyright holders and obtain permission, this has not been possible in all cases. Any omissions brought to our attention will be remedied in future editions.