1 |
Marquis de Sade: Selections from his Writings |
2 |
Franz Kline, New York, NY |
3 |
Cody’s Books display |
4 |
Jack Kerouac, The Subterraneans |
5 |
Samuel Beckett, The Unnamable |
6 |
Samuel Beckett, Molloy |
7 |
Grove Press catalog cover |
8 |
Donald Keene, Modern Japanese Literature |
9 |
Amos Tutuola, My Life in the Bush of Ghosts |
10 |
Martin Williams, The Art of Jazz |
11 |
Samuel Beckett, Waiting for Godot |
12 |
Frontispiece, Waiting for Godot |
13 |
Eugène Ionesco, Four Plays |
14 |
Jean Genet, The Blacks |
15 |
Harold Pinter, The Birthday Party & The Room |
16 |
Vivian Merchant and Michael Brennan in The Room |
17 |
Vivian Merchant in The Room |
18 |
Jack Gelber, The Connection |
19 |
Musicians in The Connection |
20 |
Photographers in The Connection |
21 |
D. H. Lawrence, Lady Chatterley’s Lover (Grove Press paperback) |
22 |
Lady Chatterley’s Lover (Signet paperback) |
23 |
Evergreen Review (July–August 1962) |
24 |
Evergreen Review after change in format (April–May 1964) |
25 |
Jean Genet, The Miracle of the Rose |
26 |
Pastedown endpaper, The Marquis de Sade: The Complete Justine, Philosophy in the Bedroom, and Other Writings |
27 |
Two Novels from the Victorian Underground |
28 |
Frantz Fanon, The Wretched of the Earth |
29 |
Frantz Fanon, Black Skin, White Masks |
30 |
The Autobiography of Malcolm X |
31 |
Julius Lester, Look Out, Whitey! Black Power’s Gon’ Get Your Mama! |
32 |
Turner Brown Jr., Black Is |
33 |
Che Guevara on cover of Evergreen Review |
34 |
Tuli Kupferberg and Robert Bashlow, 1001 Ways to Beat the Draft |
35 |
Back cover, 1001 Ways to Beat the Draft |
36 |
Carl Oglesby, The New Left Reader |
37 |
Text and image layout, Marguerite Duras and Alain Resnais, Hiroshima mon amour |
38 |
Images of Alain Robbe-Grillet and Alain Resnais, Last Year at Marienbad |
39 |
Alain Robbe-Grillet, Two Novels by Robbe-Grillet |
40 |
Text and image layout, Last Year at Marienbad |
41 |
Samuel Beckett, Film |
42 |
Buster Keaton and Samuel Beckett in the room set in Film |