Table of Contents
Title page
Copyright page
Acknowledgments
Introduction: Celebrity and Modernity
Notes
1: Voltaire in Paris
“The Most Famous Man in Europe”
Voltaire and Janot
Notes
2: Society of the Spectacle
The Birth of Stars: The Economics of Celebrity
Scandal at the Opera
“Something Idolatrous”
A European Celebrity
The Invention of the Fan(atic)
Notes
3: A First Media Revolution
The Visual Culture of Celebrity
Public Figurines
Idols and Puppets
“Heroes of the Hour”
Private Lives, Public Figures
Notes
4: From Glory to Celebrity
Trumpeting Fame
Conceptualizing Celebrity
Celebrity
“Chastisement for Merit”
Notes
5: Loneliness of the Celebrity
“The Celebrity of Misfortune”
Ami
Jean-Jacques
Eccentricity, Exemplarity, Celebrity
The Burden of Celebrity
Rousseau Judge of Jean-Jacques
The Disfiguration
Notes
6: The Power of Celebrity
A Fashion Victim?
Revolutionary Popularity
The President is a Great Man
Sunset Island
Notes
7: Romanticism and Celebrity
Byromania
Prestige and Obligations
Women Seduced and Public Women
Virtuosos
Celebrity in America
Democratic Popularity and Popular Sovereignty
“Celebrities of the Hour”
Toward a New Age of Celebrity
Notes
Conclusion
Notes
Postface
Notes
Illustration Credits
Index
Color Plates
End User License Agreement
List of Illustrations
Graph 1: Use of the term “celebrity” in French publications.
Graph 2: Use of the term “celebrity” in English publications.
Figure 1: Jean Huber,
Le lever de Voltaire
, oil on canvas, 1772. The many engraved copies of this painting and the enthusiasm of the public irritated the Ferney patriarch.
Figure 2: George Romney,
Emma Hamilton as Circe
, 1782, one of the numerous paintings of Emma Hamilton, whose face was among the most celebrated of her time.
Figure 3: James Gillray,
Dido in Despair
, engraving, 1802, turns the celebrity of Emma Hamilton into caricature.
Figure 4: Joseph Siffred Duplessis,
Portrait of Benjamin Franklin
, 1783. An often reproduced semi-official portrait that became the one fixed in the public mind.
Figure 5: Jean-Baptiste Houdon,
Bust of Benjamin Franklin
, 1778. There were many plaster copies made of this sculpture.
Figure 6: Pierre Adrien Le Beau,
Benjamin Franklin
, engraving, 1777. A cheap engraving, sold by Esnault and Rapilly.
Figure 7: Jean-Baptiste Nini, a medal in terracotta representing Franklin, 1777. Numerous variations of this medal exist.
Figure 8: A candy box, with a miniature by François Dumont, 1779.
Figure 9: A porcelain cup by Sèvres which testifies to the celebrity of Franklin in the 1780s.
Figure 10: One of the first ceramic medals of Franklin created by Josiah Wedgwood around 1774.
Figure 11: A ceramic bowl ornamented with a portrait of Franklin, copying an engraving by Cochin. On the other side is a portrait of Washington.
Figure 12: Thomas Gainsborough,
David Garrick
, 1770, one of the numerous portraits of the greatest English star of the eighteenth century, who knew how to manage his public image.
Figure 13: Gilbert Stuart,
George Washington
, 1796, the great official portrait of the first president, austere and distant.
Figure 14: After Élisabeth Vigée-Lebrun,
Marie-Antoinette
, 1783, an English-style portrait considered too informal, created a scandal when it was exhibited in the Academy salon.
Figure 15: Allan Ramsay,
Jean-Jacques Rousseau – Vitam impendere vero
.
From an original Picture by Mr. Ramsay, in the Possession of David Hume
, engraving, 1766.
Figure 16: Auction sale of tickets for Jenny Lind performances in America, engraving, 1850.
Guide
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