Figures

10.1	Two examples of a wide shot
10.2	Two examples of a long shot
10.3	Two examples of a mid-shot
10.4	Two examples of a medium close-up shot
10.5	Two examples of a close-up shot
10.6	Two examples of a big close-up shot
10.7	An example of a wide shot
10.8	An example of a two shot
10.9	An example of a single shot
10.10	Changing shot sizes, wide shot
10.11	Changing shot sizes, mid-shot
10.12	Changing shot sizes, single
10.13	Three examples of a point-of-view shot
10.14	An example of an over-the-shoulder shot
10.15	Three examples of a low-angle shot
10.16	Three examples of an eye-level shot
10.17	Three examples of a high-angle shot
10.18	An example of a bird's eye shot
10.19	An example of an oblique (canted or Dutch) angle
10.20	Tracking at 45-degree angle
10.21	Tracking in front of subject
10.22	Holding the camera for handheld shots
10.23	Two examples of a correct looking room shot
10.24	Two examples of a poor looking room shot
10.25	Two examples of a poor headroom shot
10.26	Two examples of a correct headroom shot
10.27	Two examples of a poor headroom shot
10.28	Rules of thirds
10.29	An example of a long depth of field shot
10.30	An example of a short depth of field shot
11.1	Crossing the line
11.2	Establishing the line of action
11.3	Two examples of a single from correct side
11.4	Re-establishing the line of action
11.5	Two examples of a single from wrong side
11.6	Crossing the line
11.7	Moving the line, establishing shot
11.8	Line of action moved
11.9	An example of a re-establishing shot
11.10	Two examples of a single shot
12.1	Poor camera position
12.2	Exposure set for exterior light
12.3	Exposure set for interior light
12.4	Correct camera position
12.5	Camera position for shooting near windows
12.6	Camera and fill positions
12.7	Camera and bounce
12.8	Without the fill
12.9	With the fill
12.10	Camera position for sunny conditions
12.11	Camera and lighting positions for three-point lighting
12.12	Positions key, fill and backlights
12.13	Effects with three lights
12.14	Position key light and fill
12.15	Effects with key light and fill
12.16	Position with key light only
12.17	Effects with key light only
12.18	Too much blue
12.19	Too much orange
12.20	Correct white balance
12.21	Camera positioning for white balancing
13.1	Omnidirectional microphone
13.2	Figure-of-eight microphone
13.3	A cardioid microphone
13.4	A hyper-cardioid microphone
13.5	A shotgun microphone
13.6	An example of a camera mounted microphone
13.7	An example of the correct way to hold a microphone
13.8	An example of a poor way to hold a microphone
13.9	An example of a lapel microphone
13.10	An example of a table stand
13.11	An example of a large stand
13.12	A boom
13.13	Two examples of a windshield
15.1	An example of a correct eye line shot
15.2	Two examples of a poor eye line shot
15.3	Eye line too high
15.4	Eye line too low
15.5a	An example of a correct eye line shot
15.5b	An example of a correct eye line shot
15.6	Eye line to camera shot
15.7	Eye line too much in profile
15.8	Interviewee looks camera right
15.9	Interviewee looks camera left
15.10	Over-the-shoulder shot
15.11	Two shot, presenter and interviewee
15.12	Single of interviewee
15.13	Single of presenter
15.14	Two examples of matching shot sizes
15.15	Two examples of non-matching shot sizes
15.16	Presenter plus two interviewees
15.17	Two examples of a two shot
15.18	Shooting action, wide shot
15.19	Shooting action, mid-shot/two shot
15.20	Shooting action, mid-shot/two shot
15.21	Shooting action, over the shoulder
15.22	Shooting action, low angle
15.23	Shooting action, close-up
15.24	Shooting action, close-up
15.25	Two examples of shooting action single shots
19.1	A coincident pair