Index

Page numbers in italics refer to figures. Page numbers in bold refer to tables.

AANAATT (Hattler) 98–99, 165

absolute 37–49

Absolute Film, Der 42

Absolute Maximum 253–254, 256

abstract art 30–31

abstraction 21–22, 97–98, 229–232, 243

abstract stop-motion 98

Abstronics films (Bute) 53

Accident (Engel) 95

Adventure Time 128

Aerosphere and Atmosphere (Randerson) 211, 221, 224

aesthetic diversity 119

Afrofuturism 144

Against the Grain (Chong) 99

Aids Quilt 75

Akel, Diego 8, 120, 205–208

Albedo of Clouds (Randerson) 211–212, 221–225, 223

Alexa 228–229

Alexeieff, Alexandre 92

algorithms 229, 230–233, 243

Allahyrai, Morehshin 127–128

Allen, Rebecca 135–136

All New Gen 140

All Stars (Mack) 154

Allures (Belson) 27, 211, 214–217, 225

Altair (Klahr) 172

alteration-de-la-voix (Kim) 145

Álvarez Sarrat, Sara 119

Amanita Studio 121

Amazing World of Gumball, The 21

Analytical Engine 139

Anger, Kenneth 170

Animals and their Limitations, The (Trainor) 189

Animate! Channel 4 5

Animated ‘Worlds’ (Buchan) 5

Animation in the Home Digital Studio (Subotnick) 119

Anomalies of the Unconscious (Behrens) 107

anthropomorphism 190

Antonioni, Michelangelo 173

Antonisz, Julian 7

Apollinaire, Guillaume 40

Appadurai, Arjun 95

Arabesque (Whitney) 45, 48

Aristotle 212

Art in Motion (Furniss) 20–21

artist: role of 24, 27–30

artists’ film 104

Ascher, Robert 105

Asparagus (Pitt) 169

associational flow of images 176–178

Astronaut’s Dream, The (Belson) 218

Attie, Shimon 74

avant-garde filmmaking 102–104

‘avant-pop’ 51–52, 58, 64

A-Z of Noise (Semiconductor) 240

Babbage, Charles 139

Babble on Palms, The (Woloshen) 110

Baglight (Ross) 108

Balsom, Erika 5–6

Bang! (Breer) 26

Baracchi, P. 221–222, 224

Barad, Karen 213–215

Baret, Julien 59

Barratt, Virginia 139–140

Bass, Saul 52–53, 55, 56–58, 64–65

Bateson, Gregory 220

Bats, The (Trainor) 189–192

Battey, Bret 49

Bears on Stairs 95

Beecher, Carol 105

Behrens, Jon 107

Belknap, Sarah and Joseph 211, 218–219, 225

Bellona (after Samuel R. Delany) (Lislegaard) 123–124

Belson, Jordan 9, 20, 26–28, 38, 43–46, 125, 163, 165, 211, 213–217, 223, 225–226

Benjamin, Walter 121

Bennett, Gregory 8, 127–128, 220, 267–270

Bergson, Henri 118

Berkeley, Busby 165, 269–270

Bickford, Bruce 203

Big MOMA (Schwartz) 135

Bikini Atoll 216

Biophilia 125

Bjork 125

Black Lake (O’Reilly) 32, 32

Blake, Jeremy 116

Blanket Statement [s] #1 and #2 (Mack) 155

Blinn, James 246–248, 250, 252, 255–256

Blutrausch (Fleisch) 108

Bob Monroe 24/7 Out of Body News Network, The (Couillard) 126

Bode, Lisa 117

Bodies in Technology (Ihde) 250

body: artist’s 108; feminism and 138, 140–141, 144

Body I (Gagnon) 138

boiling lines 88

Bolter, Jay 114–115, 129

Bond, Mark Evan 39

Bond, Rose 9, 73–75, 120

Bordwell, David 175

Boris Karloff’s Thriller 57

Borowczyk, Walerian 72, 80

Bors, Sabin 121

Bottle (Lepore) 90

Bourgeois, Louise 269

Brady Bunch, The 57–58

Brakhage, Stan 105–106, 108–109

Bras, Luis 8

Breer, Robert 4, 20–21, 26, 28, 32–33, 88, 154, 269

Broadsided! (Bond) 75

Brose, Lawrence 110

Buchan, Suzanne 5, 118

bump maps 252

Burr, Peter 126, 128

Bus Stop 57

Bute, Mary Ellen 19, 42, 52–54, 59, 61

Butler, Octavia 144

Cabonik, Laboria 143

Ça Ce Soigne? 53, 59–61, 63–65

Caffé, Carla 206

Cage, John 161, 250

Calculated Movements (Cuba) 162

Camargo, Iberê 206

Cameron, Donna 108

Camilo González, Juan 8, 206

Cantrill, Arthur 106

Car Craze 122

Carré, Lilli 145

Carroll, Noël 171, 177

Carusi, Annamaria 235–237

Cassirer, Ernst 254–256

Category 4 Hurricane Matthew on October 2, 2016 229, 231, 232–234, 237–243

Cavell, Stanley 118, 134

cel animation: materiality and 86

Children’s Television Workshop (CTW) 4–5

Chinese Series (Brakhage) 109

Chion, Michel 176

Chong, Jonathan 99

Chua, Daniel K. L. 40–41, 47

Cinema-16 54

circular imagery 44–45, 220

Citron, Jack 47

Cixous, Hélène 137–138

Clarke, Rachel 268

Classroom, The (Krasnova-Shabaeva) 203

Clowes, Simon 52, 64

Colburn, Martha 9, 199–201

Coleman, Jeremy 105

collage animation 171–174; see also Pettifogger, The (Klahr)

Collagist, The (Lockhart) 88, 88

Collision (Hattler) 165

commercial animation 20–21, 33

commercialisation 62–64

Composition in Blue (Fischinger) 33

computer animation: cyberfeminism and 132–147

Concerning the Spiritual in Art (Kandinsky) 30

Conner, Bruce 170

Cook, Nicholas 39

Coomaraswamy, Ananda 46

Cooper, Kyle 63

cosmos 211–226, 246–257

Couillard, Jeremy 126

counterpoint 30–31, 41, 55, 57, 59–61

Cox, Paul 9, 80

Creation of the Universe, The 225

Critique of Pure Reason (Kant) 261

Crossroads (Krumme) 93–94

Cuarón, Alfonso 123

Cuba, Larry 4, 9, 42, 125, 161–163

Cubitt, Sean 115, 124

Cusanus (Nicolas of Cusa) 253–257

cut-out animation 87–88, 91–92, 172

cyberfeminism 132–147

Cyberfeminist Manifesto for the Twenty-First Century 140

Cyberflesh GirlMonster (Dement) 141

Cyborg Manifesto (Haraway) 137

Czegledy, Nina 221

Dadson, Phil 219–220

Daniel, Kathleen 145

Danse Macabre (Saint-Saens) 60

da Rimini, Francesca 139–140

Dark Matter (Allahyrai) 127–128

Darnell, Eric 91

Davis, Don 252

Daylight Moon and Other Constellations (Klahr) 172

de Beijer, Evert 120, 122

de Bruyn, Dirk 118

decontextualization 98

Deep, The (PES) 96

deep remixability 116, 122

Deirdre’s Choice (Bond) 74

de León, Tania 8

Deleuze, Gilles 118, 126, 264

DeLoughrey, Elizabeth 217

Del Pieve Gobbi, Rena 105

Delusional Mandala (LuYang) 144

dematerialisation 119

Dement, Linda 139–141, 144

Denning, Peter 230–231

Deren, Maya 40, 177

Dery, Johanna 107–108

‘developmental’ animation 21

Dhalgren 123

Diacono, Estaban 127

Diakur, Nikita 127–128, 128

DiFrancesco, David 250

digital ephemerality 123–126

digital experimentation 114–129

Digital Harmony (Whitney) 46

digital simulations of materiality 90–92

Dimensions of Dialogue (Švankmajer) 89

direct animation 61–62, 102–110

Disney, Walt 53

distribution 5–6, 24

Divisional Articulations (Hattler) 165

Dolls House, The (Hart) 240

Dourish, Paul 239

Dragelj, Zoran 105

Draves, Scott 49

Drucker, Johanna 229, 231–232, 236, 243

Dumała, Piotr 80

Duras, Marguerite 138

Dusty Stacks of Mom (Mack) 153

Earth Shiver (Hughes) 90

Earthstar (Hinterding and Haines) 211, 217–218

Earthworks (Semiconductor) 241

Eastern religions 43

Eco, Umberto 58–59, 61

écriture féminine 137–140

Edwards, Gareth 122

Eggeling, Viking 19, 21, 30, 37–38, 41–43, 46–48, 54, 105, 165

Eisenstein, Sergei 74

Elder, R. Bruce 42

Elevator Music (Klahr) 172

Elsaesser, Thomas 115, 119–121, 126

emotional expression: digital animation and 115–117

Emshwiller, Ed 4

End of Eating Everything, The (Mutu) 144

Energie! (Fleisch) 32

Engel, Jules 19, 21, 154

Engram Sepals (Klahr) 172

environmental animation 90

ephemeral materiality 92–95

Errai 81

essentialism 142

Etyma (Sorenson) 136

Everything (O’Reilly) 124, 128–129

evocation versus explicit statement 17

Expanded Cinema (Youngblood) 74, 219

Experimental and Expanded Animation (Smith and Hamlyn) 5

experimental animation: accessibility of 5–7, 18; context for 1; critical attention and 33; cyberfeminism and 132–147; defining 17–34; definitional flexibility of 1; digital experimentation and 114–129; global context for 7–9; motion graphics and 51–65; overview of discussion of 9–11; parameters for 23–24; plan for discussion of 33; production techniques and 85–100; as term 2–3; visual music animation 37–49; women and 132–147

Experimental Animation (Russett and Starr) 2–4

exposure of materials/medium 17, 31–32

External World, The 23

fabula 175, 181

Fantasia 60, 61

Fellini, Federico 173

feminism 132–147

Fetishist, The (Trainor) 186–189, 195

film: as medium 102–104

Film Ist Rhythmus (Richter) 56

Final Fantasy 117

Fincher, David 122

Finn, Ed 232, 236

Fischinger, Oskar 19, 21, 33, 38, 42–43, 47–48, 54, 59, 105, 163, 165, 206

Five Film Exercises (Whitney and Whitney) 43

Fleisch, Thorsten 32, 108

Flusser, Vilém 118

formal diversity 119

form and space 119–123

For the Rest of Your Natural Life (Klahr) 172

found-object animation 88–90, 95–97

Fragrant Portals, Bright Particulars and the Edge of Space (Gatten) 109

Friedman, Alexander 214

From Point to Pixel (Hoy) 124

Fugitive, The 176

Fundamentals of Animation, The (Wells) 206

Funny Games (Haneke) 125

Furniss, Maureen 20–22, 89, 115, 119, 126

Gagné, Michel 33

Gagnon, Madeleine 138

Gaia’s Dream (Bond) 73–74

Gajjala, Radhika 141–142

Galileo Galilei 212–213, 250, 252

Gallese, Julian 8

Garden of Earthly Delights (Brakhage) 108

Gascoigne, Damian 121

Gas Planet (Darnell) 91

Gatten, David 109

Gehman, Chris 5, 186

Geiser, Janie 170

Gerhardt, Joe 228, 237, 240–242

Get Real! 122

Ghost Algebra (Geiser) 170

Gibson, Sandra 104–105

Gillie, Johnathan 32, 125

Glabicki, Paul 154

Glass, Philip 43

Glenn, John 220

Glistening Thrills (Mack) 154

glitch effects 128

glitch feminism 144–145

Glitch is a Glitch, A 128

Global Precipitation Mission (GPM) Core Observatory 234–235

Goehr, Lydia 38, 41

Golden, William 57

golden record 249–250

Goldmann, Lucien 257

Gondry, Michel 121

Graham, Rodney 264

Gravity 123

Greenberg, Clement 31, 40, 46

Grusin, Richard 114–115, 129

Gunning, Tom 171–172, 174

Gurevitch, Leon 117

Hadid, Zahar 122

Hagener, Malte 119

Haines, David 211, 215, 217–218, 225

Hamlyn, Nicky 5

Haneke, Michael 125

Hanslick, Eduard 37, 39–42

Harada, Goh 105

Haraway, Donna 137

Hardstaff, Johnny 119

Harlequin (Mack) 155

Harman, Graham 96

Harmony (Trainor) 189, 191–193

Hart, Claudia 115, 117–118, 121, 127, 240, 268–269

Hart, Emma 108

Hattler, Max 8, 89, 98–99, 125, 164–166

Hautnah (Fleisch) 108

Hay, Meredith 115

Hays, Ron 52, 59

Heaven and Earth Magic (Smith) 169

Heaven and Hell (Hattler) 165

Hébert, Pierre 109–110

Heidegger, Martin 96–97

Heirens, William 186–188

Her (Jonze) 120, 126

Hertz, Betti-Sue 119

Hester, Helen 143

Hillbilly (Daniel) 145

Hilton, Stuart 17, 88

Hinterding, Joyce 211, 215, 217–218, 225

Hoffmann, ETA 39

Hofmann, Hans 40

Hollywood Flatlands (Leslie) 119

Hommage à Paul Klee, 13/9/65 Nr. 2 (Nake) 134

Horrocks, Roger 220

Hosea, Birgitta 115, 118, 122

Hoskins, Courtney 105

Hoy, Meredith 124

Hubble, Edwin 214

Hudson, Tom 239

Huffman, George 235–236

Hughes, John ‘Hobart’ 90

Husbands, Lilly 25, 29–30, 127, 238

Idealism 44, 47

identity 85–100

Ihde, Don 250, 252

Illumination No 1 (Bond) 74–75

Illusionist, The 23

imaging board: art as 24–27

Inception 123

Indian classical music 44–46, 49

individualism 17–18

In My Gash (Dement) 141

Institute Benjamina 118

Interception (Del Pieve Gobbi) 107

International Animated Film Association (ASIFA) 4

intersectionality 142

intertextuality 58–62, 64–65

In the Month of Crickets (Klahr) 172

IntraMuros (Bond) 75

Introspection (Yonesho) 158

Irigaray, Luce 137

Islamic art 48

Ito, Takashi 7

It’s Such a Beautiful Day 23

Iturralde Rúa, Víctor 8

Jackson, Peter 116

Jacobs, Henry 213–214

Jacobs, Ken 170

Jafri, Faiyaz 120, 126

James, David E. 43

Janetzko, Christophe 110

Jarman, Ruth 228, 237–241

Jeu de Paume (Mosley) 123

Jill (Carré) 145

Jingle Bells (Theobald) 29

Jittlov, Mike 206

Jonze, Spike 120

Jordan, Lawrence 20, 170

Joy, A (Mack) 154

Jukebox (Wrake) 170

Kahn, Douglas 216, 219

Kamler, Piotr 9, 80

Kandinsky, Wassily 30, 40–41

Kant, Immanuel 261

Kantor, Tadeusz 80

Kawamoto, Kihachiro 159

Kebab World (Theobald) 29, 29, 127

Kefali, Joel 121

Kemp, Martin 234

Kennedy, Jason 127

Kentridge, William 9, 31, 77–78, 80, 102, 118

Kenworthy, Richard 61, 65

Kijowicz, Mirosław 80

Kildiyarova, Flura 204

Kim, Wednesday 145

King Kong 116

Kitson, Clare 5

Klahr, Lewis 169–183, 175

Klee, Pauol 30, 40

Kohlhase, Charles E., Jr. 247–248, 255–256

Kovalyov, Igor 72

Kracauer, Siegfried 270

Krasnova-Shabaeva, Masha 8, 202–204

Krauss, Rosalind 118

Kravitz, Amy 125

Krumme, Raimund 88, 93–94

Kucia, Jerzy 9, 72, 80

Kumar, Annapurna 120

Kupka, František 30

Kuri, Yōji 7, 72

Kurokawa, Ryoichi 125

Lacan, Jacques 188

Lachaise, Gaston 135

La Coda (Toccafondo) 33

Lake, The (Krasnova-Shabaeva) 203–204

Land (Leiser) 90

Landreth, Chris 127

landscape animation 90

Language of New Media, The (Manovich) 104

Lapis (Whitney) 45

La Pista (Toccafondo) 33

Larkin, Ryan 23

Latour, Bruno 232, 264

Laughton, Kim 127

Leaf, Caroline 72–74

Legend of the Boneknapper Dragon 21

Le Grice, Malcolm 18, 134

Leiser, Eric 90

Lenica, Jan 80

Leonardi, Paul M. 231–232

Lepore, Kirsten 89–90

Lesage, Augustin 165

Leslie, Esther 119

Lessing, Gotthold 174

Let Your Light Shine (Mack) 154

Light (Belson) 223

light-drawn animation 92–93

Light Magic (Pruska-Oldenhof) 107

light-stick animation 95

Lillemon, Geoffrey 28, 126

Lilly (Mack) 155

Line films (McLaren) 43–44

Liotta, Jeanne 107

Lislegaard, Ann 116, 123–124, 128

Lissitzky, El 165

Lockhart, Amy 88, 88

logos 253–254, 256–257

loops 265–267, 270

Lorenzo Hernández, María 119

Loretta (Liotta) 107

Lovelace, Ada 139

Lowne, James 170

Lucky (Prendergast) 92

Lucy 122

LuYang 126, 144

Luyet, Claude 71

Lye, Len 8–9, 19, 21, 31, 33, 59, 61, 80, 106–107, 125–126, 154, 206, 220, 269

MacDonald, Scott 215–216

Macha’s Curse (Bond) 74

Mack, Jodie 8, 153–156

Madden, Paul 5

Magic Dream (Welss) 208

Magic Kingdom, The (Trainor) 189, 191–193

Magnetic Movie (Semiconductor) 239

Mamidipudi, Annapurna 141–142

Man From U.N.C.L.E., The 178

Manovich, Lev 104, 115–116, 118, 121–122, 270

Man with a Movie Camera 78

Man With The Golden Arm, The 52–53, 56–58, 60, 64–65

Marey, Étienne-Jules 269

Marks, Laura 118

Martell, Craig 230–231

Mary and Max 23

Massumi, Brian 264

material identity 95–99

materiality 85–100, 119–123, 127–128, 229, 231–237, 239

Matisse, Henri 31

Matrix III (Whitney) 48

Maxwell, Stephanie 107, 125

Maya 121–122, 124

Maze of Noumenon (Tianran) 261

McCafferty, Larry 51, 58, 64

McCay, Winsor 187

McLaren, Norman 9, 19, 33, 42–44, 61, 72–73, 78, 102, 106, 163, 206, 269

Menabrea, Luigi 139

Menotti, Gian Carlo 180

Merleau-Ponty, Maurice 118

Mesquita, Newton 206

metaphor 188

metonymy 174, 188, 195

Mihailova, Misha 117

Mission Impossible 57–58

Mitchell, W.J.T. 104

mixed-media 21

Mizue, Mirai 121

Mizushiri, Yoriko 7

Model Starship: Unclear Proof (Hattler) 165

Modernism 51–52, 54, 57–58, 64, 125

modernist art 31

Modern Wonder (Theobald) 127

Moholy-Nagy, László 165

Mollaghan, Aimee 27

Momentum (Belson) 211, 216

Monaghan, Jonathan 126–127

Mondrian, Piet 31, 40

Mood of the Planet (Sorensen) 137

Moonlight (Neubauer) 108–109

Moritz, William 37

Moschops, The (Trainor) 186, 189–192, 194

Mosley, Joshua 120–121, 123

Mothlight (Brakhage) 108

Mo-Ti 212

motion graphics 51–65

Mountain (O’Reilly) 124

Mounument Valley 124

Mouris, Frank 154

Movie-Dome (VanDerBeek) 4

Moving Gods (LuYang) 144

MTV 4–5

Mulloy, Phil 186

Murata, Takeshi 116, 126

music: absolute 37–39

musicality 21–22, 30–31

music videos 33, 121

Musique Non-Stop 136

Mutu, Wangechi 144

Muybridge, Eadweard 269

Nachtmaschine (Hattler) 165

Nake, Frieder 134

Nam June Paik 155, 222

narrative: as hermeneutic 170–171; Klahr and 172–176; role of 22–23

Nash, Adam 115, 126

Natural History of Harris Ave, Olneyville (RI), The (Dery) 107–108

Neubauer, Bärbel 105, 108–109

New Fancy Foils (Mack) 154

Newman, Barnett 46

Nexus (Bond) 73–74

Nicolas of Cusa (Cusanus) 253–257

Night Light (Theobald) 29

Noble, Paul 269

No Kill Shelter (Mack) 154

Nolan, Christopher 123

nominalism 248–249, 253–254

nomos 253–254, 256

Norstein, Yuri 72, 87, 128, 269

Novak, Shannon 125

nuclear imagery 216–217

Numerical Engagements (Walton) 106

Ocelot, Michel 87

Odell, Jonas 120–121

Old Maid and the Thief, The 180

1:1 (Reeves) 105

On the Musically Beautiful (Hanslick) 37

Oration (Pico della Mirandola) 256

O’Reilly, David 23, 32, 115, 120, 124–125, 128–129

Organ Minder’s Gronkey, The (Klahr) 172

Ouroboros 107

Our Relationships Will Become Radiant (Lowne) 170

Outer Limits, The 57

Owl Who Married a Goose, The (Leaf) 74

Pajek, Marta 7

paleocybernetic interpretative lens 215

Paley, Nina 105

Panic Room 122–123

Papamargariti, Eva 126

Parker, Claire 92

Pärn, Priit 203

Pascal’s wager 257

Passage (Neubauer) 108–109

Patel, Ishu 206

Pelletier, Mike 127

pencil on paper animation 88, 91, 93–95

performative digital materiality 229, 232–237, 243

Permutations (Whitney) 45, 48

Persepolis 23

Persian pattern construction 48

Persian Pickles (Mack) 155

persistence of vision effect 94

Pervasive Animation (Buchan) 5

PES 89, 95–96, 99

Peterson, James 171, 173, 177

Pettifogger, The (Klahr) 169–183, 175

Picasso, Pablo 31

Pico della Mirandola 256–257

Pierce, Julianne 139–140

Pink Egg, The (Trainor) 194

Pitt, Suzan 169, 203

Plant, Sadie 139, 143

Please Say Something (O’Reilly) 124–125

Plumb (Wood) 31–32

Point de Gaze (Mack) 155

polyvalence 171–174, 177, 182–183

Pony Glass (Klahr) 172

Post, Jeffrey 238, 241–242

Posthaste Perennial Pattern (Mack) 155

Potter, Ralph K. 53–54

Poulette Grise, La (McLaren) 102

Power (Sink) 94, 94

Power, Patrick 115, 119, 121

Powers, John P. 173

Practice of Light, The (Cubitt) 124

Precarious Path (Givson) 105

Prendergast, Darcy 90, 92–93, 93

‘present-at-hand’ objects 97

Presentation Theme (Trainor) 193–194

Priestley, Joanna 88

Primitives (Warburton) 240

Prince, Stephen 121

process: experimental 85–100

Prolix Satori (Klahr) 172

Prudence, Paul 125

Pruska-Oldenhof, Izabella 107

Pythagorean conception of harmony 46–47

Quay Brothers (Stephen and Timothy) 20, 89, 116–118, 269

quotation: contemporary 58–62

Rad Plaid (Mack) 155

raga 45

Randerson, Janine 125

Ratatouille 33

Razzle Dazzle (Mack) 155

‘ready-to-hand’ objects 96–97

realism 62–64, 248–249, 253–254

Recreation (Breer) 32

Re-entry (Belson) 218, 220

Reeves, Richard 105

reflexivity 119, 126–129

Reich, Steve 43

Reihana, Lisa 8

Re-Imagining Animation (Wells and Hardstaff) 119

Reinhardt, Ad 17

Reiniger, Lotte 87

Reinke, Steve 5

Remediation: Understanding the Media (Bolter and Grusin) 114

Remote Senses, Storms Nearby (Randerson) 221

Report to Darmstadt (Randerson) 211, 220, 224

Rhythmus 21 (Richter) 31, 42, 52, 56–57, 65

Richter, Hans 19, 30–31, 37–38, 41–44, 46–48, 52, 54–57, 65, 105, 119, 165

Riefenstahl, Leni 165

Riley, Terry 43

Rippled (Prendergast) 90, 92, 93

Road Runner cartoons 22

Robin Hood 33

Robinson, Marcus 107

Rojas, Bibiana 8

Romanticism 37–39, 41, 48

Romney, Jonathan 123

Rope Dance (Krumme) 93–94

Rosenbaum, Jonathan 25

Ross, Rock 108

Rossin, Rachel 126

Rostron, Edwin 33

Rovner, Michal 269

rule building 230–231

Russell, Ben 191

Russell, Erica 23

Russell, Legacy 144–145

Russett, Robert 2–4, 30, 86, 169

Ruttmann, Walter 19, 30, 37, 43, 48, 54, 59, 105, 119, 165

Rybczynski, Zbigniew 72

Sagan, Carl 249

Saint-Saens, Camille 60

Samadhi (Belson) 46, 211, 215–217

Scanimate 4

Scheiner, Christoph 212–213

Schelling, F.W.J. von 38–39, 44, 47

Schlesinger, Leon 51

Schopenhauer, Arthur 38–39, 41

Schulnik, Allison 31

Schwartz, Lillian 4, 135

Schwizgebel, Georges 9, 71–72

science: art and 211–226

Scott Pilgrim Vs. the World 33, 59, 61–65

Seidel, Robert 125

Self Song/Death Song (Brakhage) 106

Semiconductor 228–229, 232, 237–243, 238

Sensology (Gagné) 33

Separate States (Gillie) 32

‘Sesame Street’ 4–5

Seven Year Itch, The 55

Sexual Saga (Brakhkage) 106

Shabaev, Timur 203–204

Shankar, Ravi 44

shapes 228–243

Shaping Grows, The (Semiconductor) 241

Sharits, Paul 32, 154

Sharpest Point, The (Gehman and Reinke) 5, 186

Shift (Hattler) 165

Shiri, Mehdi 121

Shrigley, David 186

Silly Symphonies 22

Sims, Robert 44

Sin City 116

Sink, Dana 94, 94

Sitney, P. Adams 215–216

Sixty Six (Klahr) 172

Skin Film (Hart) 108

Smith, Alvy Ray 247, 250–251, 255–256

Smith, Harry 20, 106, 165, 169

Smith, Jack 170

Smith, Vicky 5

Snibbe, Scott 125

Snow White and the Seven Dwarfs 24

Sobchack, Vivian 115–117

Social Life of Things, The (Appadurai) 95

Sophie’s Place (Jordan) 170

Sorenson, Vibeke 125, 136–137

sound and sound effects 176, 180, 241–242

Sound Ship (descender 1) (Hinterding and Haines) 218

South Park 91–92

South Park: Bigger, Longer and Uncut 91

Sowa, Robert 8–9, 79–81, 120

Spin (Hattler) 165

Spinoza, Baruch 126

Standing Women (Lachaise) 135

Starewicz, Władysław 80

Stark, Scott 154

Starr, Cecile 2–4, 86, 169

Starrs, Josephine 139–140

Star Trek: The Motion Picture 251

Stauffacher, Frank 57

Stein, Gertrude 128

Steinkamp, Jennifer 125, 155

Sternbach, Rick 252

stop-motion animation 91, 95, 97–99

Stop the Show (Hattler) 165

Street of Crocodiles (Quay Brothers) 89

Sturhahn, Larry 215

Subotnick, Steven 119–120

Sundén, Jenny 145

Sun Ra 144

surface details 30–31

Suter, Daniel 71

Švankmajer, Jan 7, 9, 20, 28, 89, 116–117, 269

Svirsky, Sasha 121

Symphonie Diagonale (Eggeling) 41

synaesthesia 54–55, 62–64

Sync (Hattler) 165

‘synchresis’ 176

synchronisation 55–56, 55, 61, 63

synecdoche 174

syuzhet 175

Szczechura, Daniel 7, 80

Tabaimo 7

Taberham, Paul 127, 171

Tablecloth (Gibson) 105

Take Me Out 121

Tales of the Forgotten Future (Klahr) 172

Tanaami, Keiichi 7

Tarantella (Bute) 52–53, 61

technical image 118

Tezuka, Osamu 7

Themerson, Franciszka 7, 80

Themerson, Stefan 7, 80

Theobald, David 28–30, 127, 263–266

Thorstensen, Gina 121

3/78 (Objects and Transformations) (Cuba) 162

3D printed characters 95, 127

Tianran Duan 9, 261–262

Time Machine 124

Time Tunnel, The 57–58

title sequences 51–53, 56–58, 59–64

Toccafondo, Gianluigi 33

Tom and Jerry 22

Tomić, Miloš 206

Torn, Katie 28, 126

Toscanelli, Paolo 212

totalization of illusory solids 92

T:O:U:C:H:I:N:G (Sharits) 32

Toy Story 115, 120

Trainor, Jim 186–195

Treasure Planet 21

Trębacz, Ewa 81

Triangle (Russell) 23

Trinka, Jiri 87

Trois Inventeurs, Les (Ocelot) 87

Trois Visage (Schwartz) 135

Turkle, Sherry 235

12 Months of the Sun (Belknap and Belknap) 211, 218–219

Twilight Zone, The 57–58

Two Hundred Feet (Mack) 154

Two Space (Cuba) 162

Typhoid Mary (Dement) 141

Tzara, Tristan 41

Ugly (Diakur) 128, 128

Uman, Naomi 110

Understanding Animation (Wells) 20–21

Undertone Overture (Mack) 154–155

Unititled films (Klahr) 172

Universelle Sprache (Richter and Eggeling) 41

Upshaw, Dawn 180

Urbański, Kazimierz 80

Ustwo Games 124

Uterus Man (LuYang) 144

Vaevae, Veronica 8

VanDerBeek, Stan 4

Van Helden, Albert 213

Vaughn, Robert 178

Vertigo 52

Vertov, Dziga 78

Virilio, Paul 211, 214, 225

visualisation of music 18

visual music/visual music animation 37–49, 52–54, 56, 60, 63–64

VNS Matrix 139–140

von Rebay, Hilla 42, 55, 57

Vortex Concerts 213–214, 216, 224–225

Voyager 246–257

Wada, Atsushi 7

Wagner, Richard 39

Walking (Larkin) 23

WALL-E 116

Wallinger, Mark 264

Walton, Chelsea 106

Waltz with Bashir 81

Warburton, Alan 127, 240

Wees, William C. 43

Weidenaar, Reynold 4

Wells, Paul 20–22, 89, 97, 115, 119, 126, 206, 230

Welss, Tomas 207–208

Western Spaghetti (PES) 95–96

Where Shapes Come From (Semiconductor) 228, 231–232, 237–243, 238

Whitehead, Alfred North 98

white space: empty 93–94

Whitney, James 20, 38, 43–46, 165

Whitney, John 4, 9, 19–21, 38, 42–43, 45–48, 52, 163

Wiesing, Lambert 97

Wilding, Faith 139, 141

Williams, Christopher 62–63

Wilmott, Mike 222–224

Wimbledon 63–64

Wittig, Monique 137

Wizard of Speed and Time, The (Jittlov) 206

Wodiczko, Krzysztof 74

Woloshen, Steven 110

Wood, Aylish 115, 117, 123–124

Wood, Caleb 31–32

Worlds in the Making (Semiconductor) 241

World Trade Alphabet (Cameron) 108

Wrake, Run 170

xenofeminism 143–144

X-Men: First Class 52, 64

Yantra (Whitney) 44, 45

Yard Work is Hard Work (Mack) 155

Yonesho, Maya 8, 158–160

Yong-Baek, Lee 155

Young, Lamonte 43

Youngblood, Gene 27, 74, 215–216, 219–220, 225

Zeros + Ones (Plant) 139, 143

Žižek, Slavoj 193

Zurkow, Marina 126