TABLE OF CONTENTS

FOREWORD by Todd Laffler

INTRODUCTION

About This Book

     Equipment

     Structure

     Terminology

About the Title

1. DIRECTION AND QUALITY OF LIGHT: THE BASICS

Good Light? Bad Light?

Quality of Light

     The Larger the Light Source, The Softer the Light

The Direction of Light

     Short Lighting and Broad Lighting

     Positioning a Soft Light Source

     Positioning a Hard Light Source

2. WORKING WITH AVAILABLE LIGHT

Match the Pose to the Lighting

FEATURE: RAW IS A MUST

Find the Optimal Subject Position

Direction of Light and Choice of Background

Add a Reflector

Even with High ISO Settings, You Need Good Light

3. EXPOSURE METERING

Your Camera’s Built-In Exposure Meter

Selective Exposure Metering with the Histogram

FEATURE: CONTROL THE BACKGROUND

4. FLASH ESSENTIALS

Two Scenarios

Two Exposures

Maximum Flash Sync Speed

High-Speed Flash Sync

Manual Flash

TTL Flash

5. ADD FILL FLASH

Start with the Ambient Exposure

On-Camera TTL Fill Flash

Off-Camera TTL Fill Flash

FEATURE: KEEP IT STEADY

6. ON-CAMERA BOUNCE FLASH

Why Bounce the Flash?

     Softer Light

     More Directional Light

Bounce Angle

Indoor Portraits

     Direction of the Flash

     Flag the Flash

     Control the Background

FEATURE: TTL FOLLOWS YOUR CAMERA SETTINGS

Outdoor Portraits

Mimicking Window Light

7. OFF-CAMERA FLASH

Off-Camera Flash vs. Direct On-Camera Flash

Directional Light

FEATURE: ITS NOT ABOUT THE GEAR

Great Lighting—Anywhere, Anytime

Manual Flash on Location

TTL Flash on Location

High-Speed Flash Sync (HSS)

Direction of Light vs. Your Position

Feathering the Light

FEATURE: NO CAMERA-SHAKE WORRIES

Off-Camera Bounce Flash

     Colorful Portrait in a Lobby

     High-Key Portrait in a Bedroom

Off-Camera Flash as Window Light

Available Light with Flash Rim Lighting

8. MULTIPLE FLASH

Why Use Multiple Flash?

Start Simply

Indoor Portraits

     Manual or TTL?

     Hollywood Glamour

     One Location, Several Options

FEATURE: POWER SETTINGS

FEATURE: ITS NOT OVER UNTIL ITS OVER

Separation with Backlighting

Outdoor Portraits

FEATURE: FLASH GROUPS

9. GELLING THE FLASH

Neutralizing Tungsten Light

     With the Videographer’s Light

     With Streetlights

FEATURE: STAY SHARP

Gel the Flash for Effect

FEATURE: TRY SOME MOVEMENT

Turning Day Into Night

10. PHOTOGRAPHY IN HARD SUNLIGHT

Without Additional Lighting

     Turn the Subject Toward the Light

     Turn the Subject Away from the Light

Shortcut for Bright Sunlight

Find the Shade

Add On-Camera Flash

Add Off-Camera Flash

FEATURE: A WIDER APERTURE

Guide Number Tutorial

11. VIDEO LIGHTS

Video Light vs. Bounce Flash

FEATURE: BE CONSIDERATE

Wedding Portraits

An Intimate Photo Session

FEATURE: LENS SELECTION

CONCLUSION

INDEX