Chapter 8
IN THIS CHAPTER
Creating text boxes
Working with the shape and appearance of a text box
Linking and unlinking text boxes
Importing and exporting text
Working with word processing applications
QuarkXPress began its life almost 30 years ago with just three kinds of page items: text boxes, picture boxes, and rules (lines). Aside from some additional features to keep up with design trends and new media, it’s still all about text, pictures, and rules. If you master these items, you’ll have a lot more fun designing layouts.
Among the three, you’ll spend the vast majority of your time building text boxes and formatting text. This chapter takes you through building text boxes, linking text boxes, and importing text (and offers a little guidance with exporting text as well). When you’re ready to learn all about formatting text, turn to Chapters 9 and 10.
QuarkXPress is not a word processor. It has many of the features of a word processor, but it is so much more. A word processor creates documents that are essentially one long column of text, perhaps with some pictures inserted into it. Any document as complex as a magazine consists of multiple stories, in multiple locations on the page, with multiple areas of color and pictures. Pick up any magazine and ask yourself, “How would I create this in Microsoft Word?” The answer, of course, is you wouldn’t. You need a tool like QuarkXPress to arrange those items into a layout.
If you like, you can think of each story in a QuarkXPress layout as a separate word processing document. (In fact, each story often begins its life as a word processing document that is imported into a text box.) Logically, you need a separate text box — or chain of linked text boxes — for each story.
The most common way to create a text box is to use the Text Content tool to drag out an area on a page to contain your text. You can then optionally link several text boxes together so that if your text is too long to fit into the first one, it will flow into the others. If you're creating a short document, such as an ad, a brochure, or even an article in a magazine, creating and linking text boxes can be a fun and satisfying way to work. (Text that doesn't fit into a text box is called overset text.)
However, if you're building a long document, such as an entire book or a chapter in a book, you can tell QuarkXPress to automatically add new pages and text boxes as the length of text grows. QuarkXPress links these new text boxes to your current text box, and the new text boxes magically appear whenever you type more text than fits into your current text box (or import text from a text file).
To learn all about automatic text boxes and the master pages that control them, jump back to Chapters 4 and 5. To understand how to manually create text boxes and link them to other text boxes, read on.
Creating a text box is as easy as can be — which is handy because you'll do it 100 million times, or at least as many times as you create new layouts. Just follow these steps:
The Text Content tool is a rectangle with a capital T in its center.
When you move the mouse pointer into the layout page, the mouse pointer changes to look like a crosshair.
Height and Width dimensions appear at the bottom right of the text box as you size it. They also appear in the Measurements palette.
Conveniently, alignment guides and dimension arrows appear on the edges of your text box whenever they align with the edges or centers of other items on the page. These guides and arrows also appear when your text box’s text columns or gutters align with those in another text box.
FIGURE 8-1: The Item tool and the Text Content tool.
When a text box is active (click it with the Text Content tool or the Item tool to activate it), you can use the controls in the Text Box tab of the Measurements palette to adjust all kinds of its attributes, as described in the following sections.
To rotate a box to a precise angle, enter that angle (in degrees) into the Box Angle field. You can also rotate the box by clicking the up and down arrows next to the Box Angle field. Figure 8-2 shows the Box Angle field.
To rotate a text box visually, get the Item tool or the Text Content tool and mouse over to just outside a corner of the box. The pointer changes to a curved arrow, and if you click and drag around the outside of the text box, it rotates. Release your mouse button when you’re satisfied with the position. (The Box Angle field in the Measurements palette updates to indicate the new angle.)
You can also skew the text box as if you’d pushed its top corner to the left or right; the text inside skews along with the shape of the box. This is usually not an attractive effect (yuck!), but should you need to do it, either enter an angle amount into the Box Skew field in the Measurements palette or click the up and down buttons next to it. Figure 8-2 shows the Box Skew field.
FIGURE 8-2: The Box Angle and Box Skew fields.
To change the shape of the box's corners, hold your mouse button down on the Box Corner Shape control (it looks like an orange box corner) and choose one of the following options: Rectangle, Rounded, Concave, and Beveled. To control how far the corner intrudes on the text box, use the Box Corner Radius control to the right of the Box Corner Shape control. You can either type in a number or click the up and down arrows to increase or decrease the radius of the corner, respectively. Figure 8-3 shows the Box Corner Shape field.
FIGURE 8-3: The Box Corner Shape field.
Every box in QuarkXPress has a background color (even if it’s None), and that color can have any level of opacity (or transparency). It can also blend from one color to another in various ways. You can read all about color control in Chapter 11; then you can apply your knowledge to the controls shown in Figure 8-4.
FIGURE 8-4: The color controls for a text box.
A text box is just like any other box, so you can add various kinds of striped, dashed, and dotted frames to it (see Chapter 3 for more about frames) as well as an impressive drop shadow on either the text itself, the box, or both (see Chapter 13 for more about drop shadows).
In QuarkXPress, any box can be a text box, even if it began its life as something else. For example, you can put text in any of the following:
Chapter 3 explains how to create all these kinds of boxes. The secret to converting one of them into a text box is this: With the item active, choose Item ⇒ Content ⇒ Text. This converts the item to a text box, and you can then type or import text into it.
The text in each text box has a relationship to its box in much the same way that page items have a relationship with the page. You can control the number of columns of text in the box, the text’s nearness to the edge of the box, whether the text aligns to the top or the bottom of the box, and more. Read on to discover the various ways your text and its box can relate to each other.
The text in each text box can have its own number of columns, margin between the columns, and inset from the edge of the box. (These settings are separate from the margins and columns of your layout page and apply only to the active text box.) Use the Columns control to choose how many columns of text you want in your text box, and the Gutter Width control to adjust the space between the columns, as shown in Figure 8-5.
FIGURE 8-5: Column and margin controls for a text box.
Your text doesn’t have to be glued to the top of the box; it can be attached to the bottom (leaving room at the top), float in the center of the box, or stretch out to fill its height. Figure 8-6 shows the text alignment options. If you choose Justify, QuarkXPress adds space between paragraphs to fill the box, and you can specify the maximum amount of space you want in the Inter Paragraph Maximum field.
FIGURE 8-6: The vertical text alignment controls.
In QuarkXPress, the text inside a text box never bumps into the edge of the box — it’s always inset a tiny amount. Sometimes, such as when a text box is filled with a color or has a frame around it, you may want to increase the amount of inset so that the text isn’t cramped by the frame or appear to be pushing its way off the background. To increase the amount of inset, use the Inset controls, shown in Figure 8-7.
For a uniform amount of inset on all sides, enter an amount in the first text inset field. To apply a different inset to various sides, click the Multiple Insets check box and then enter amounts for each side.
FIGURE 8-7: The text inset controls.
You can also control the vertical position of your first line of text in the box. Sometimes a font is so tall that it sticks its neck out of the top of the box, interfering with what’s above it. Or maybe you used a big font in one box and a smaller font in a box next to it, but you need their first lines of text to line up in both boxes. That’s where the controls in Figure 8-8 can save you.
FIGURE 8-8: The First Baseline alignment controls.
The top control (named First Baseline Minimum) has three options: Cap Height, Cap + Accent, and Ascent. Because not all font designers follow the same rules, you may need to try each of them to achieve the result you want.
The lower control (named First Baseline Offset) simply nudges all the text up and down in the box. Depending on the font and font size, you may need to enter a large number before you see a change.
You can achieve some creative text effects by changing the angle of the text within the box (for example, to make it look as though it’s marching uphill), or by skewing the text (so that it’s leaning over). Figure 8-9 shows the text angle and skew controls.
FIGURE 8-9: The text angle and skew controls.
When you have more text than will fit into one text box and you want it to continue in another, it’s time to link the boxes together into one long story. For example, newsletter and magazine stories often begin on one page and continue on another (and another). You use the Linking tools to flow a story from one text box to others.
To link two text boxes together use the Text Linking Tool, follow these steps:
Create two or more empty text boxes.
You can’t link text boxes that already contain text. To do that, you use the Linkster utility (see the “Using Linkster” section, later in this chapter).
Get the Text Linking Tool shown in Figure 8-10.
As you move your mouse over any text box, your pointer changes to a chain link. (You may have to wiggle your mouse to see it.)
Click the first text box.
The outline of the text box changes to marching ants.
Click the next text box you want to add to the chain.
A hollow arrow appears, attached to the bottom-right corner of the first box and pointing to the top-left corner of the second box, as shown in Figure 8-10.
Click the next text box you want to add to the chain.
Repeat to link to additional boxes.
FIGURE 8-10: The Text Linking tool and the Text Unlinking tool with three linked text boxes.
You can easily click the wrong box when using the Text Linking Tool. To fix your mistake and break the link between two text boxes, use (surprise!) the Text Unlinking Tool and follow these steps:
Get the Text Unlinking Tool.
Press and hold on the Text Linking Tool to show the Text Unlinking Tool and then slide over onto it to make it your active tool.
Click any text box in the chain.
Arrows appear that connect the boxes.
Click the head or tail of an arrow to break the chain at that location.
If you click the pointy head of the arrow, the box it was pointing into remains selected. If you click the tail of the arrow, the box it came from remains selected.
If those boxes had text in them, the story stops flowing where you unlinked them and remains in the box(es) in the chain ahead of where you unlinked it.
Copying linked text boxes is fraught with peril, unless you remember this simple rule: All the text downstream from the box(es) that you copy comes along for the ride. For example, if you have three boxes and you copy box number two, the copy will include box two and all the text inside boxes two, three, four, and so on. If you copy boxes two and three, the copy will include those two boxes and all the text inside boxes four, five and so on.
If you delete a linked text box from the middle of a chain, QuarkXPress reflows the story as if the box was never there. For example, if you delete box number two, the story flows from box one to box three.
If all this linked-box logic makes your head swim, or you need to creatively link and unlink text boxes in ways that QuarkXPress normally doesn’t allow, try using the Linkster utility, available in the Utilities menu and shown in Figure 8-11.
FIGURE 8-11: The Linkster dialog box.
You can use Linkster to
To use Linkster, first select one or more linked text boxes and then choose Utilities ⇒ Linkster. In the Linkster dialog box, choose a scope — either your selected text boxes or all the text boxes on your choice of pages. Then choose an action — either Unlink or Link.
The Unlinking action has four choices:
The Link action links text boxes, even if they already contain text. If Pages is enabled in the Scope section at the top of the dialog box, only those boxes that have been unlinked by Linkster will be relinked. If Selection is enabled, Linkster tries to link the selected boxes in the order you selected them.
Click Keep Text in Same Boxes to keep the existing text in their original boxes after linking. Otherwise, the text from all the boxes is combined into one story that flows from the first box through all the other linked boxes — usually not landing where they originally were.
Although typing text into QuarkXPress is easy (it behaves very much like Microsoft Word), you can also import text from word processing documents and other applications in several ways, including the following:
The following sections explain how to get text into a text box using each of these techniques.
The most common way by far to import text is from a document created in Microsoft Word or another word processing application. To do so, follow these steps:
Click the Open button.
The text from the word processing document is imported into the text box.
This File ⇒ Import technique is popular for one reason: QuarkXPress can clean up and apply style sheets to the text as it’s imported. In the Import dialog box, click the Options button to see the following options, as shown in Figure 8-12:
FIGURE 8-12: Text import options for a Microsoft Word document.
On Mac OS X or Windows, rather than following the File ⇒ Import approach described in the preceding section, you can drag the text file from your computer’s desktop into an empty text box. The hardest part is arranging your windows so that you can see the text box at the same time that you see the text file!
If your text is already open in another application, you can drag text from the other application into a text box in QuarkXPress. Of course, you need to be able to arrange your windows so that you can see your QuarkXPress document and your other document, which may not be easy!
So your client doesn’t have QuarkXPress and wants the text from the project you’ve created. You could copy and paste it into a word processor, or you could save a step and export it directly from QuarkXPress. (Who wants to muck around in a word processor, anyway?) Here’s how export text directly from QuarkXPress:
Name your file and click Save.
A new file appears in the location you selected, with its text formatted just as it was in QuarkXPress!