CHAPTER 6
My Studio—How Big and What Shape?
Feature: Understanding the room resonance problem.
CHAPTER 7
Elements Common to All Studios
Features: Sound lock treatment, doors and sealing, combatting air conditioner noise, wall constructions, floor-ceiling constructions, wiring precautions, lighting, observation windows, the permit.
CHAPTER 8
Audiovisual Budget Recording Studio
Features: “Contracarpet” ceiling, standing a room “on end” to get volume, detailed calculation of reverberation time.
CHAPTER 9
Studio Built in a Residence
Features: Polys on the ceiling, HVAC duct layout for minimum noise and crosstalk.
CHAPTER 10
A Small Studio for Instruction and Campus Radio
Features: Window plugs, reversible wall modules, large poly diffuser/absorber, discrepancies between published coefficients and experience.
CHAPTER 11
Small Ad Agency Studio for AVs and Radio Jingles
Feature: Use of midband absorbers.
CHAPTER 12
Multitrack in a Two-Car Garage
Feature: Understanding the room resonance problem.
CHAPTER 13
Building a Studio from Scratch for Radio Program Production
Feature: Adjustable acoustics, service areas, splayed walls.
CHAPTER 14
Studios for a Commercial Radio Station
Feature: Measurements for trimming acoustics, perils of concrete block walls.
CHAPTER 15
One Control Room for Two Studios
Features: Small modules for treatment, use of cork, semicylindrical elements, room air conditioners.
Feature: Adjustable acoustics, saw-slot low peak resonators.
CHAPTER 17
A Video and Multitrack Studio
Features: Adjustable acoustics, using a small studio as an isolation booth, service boxes for microphones and television equipment.
CHAPTER 18
A Screening Facility for Film and Video
Features: Listening room characteristics, projection facilities, stepped seating area.
Features: Splaying of walls, space saving in studio suites, proprietary wall panels, sand for noise insulation, floating floors.