INDEX

291 Gallery (New York), 117, 118, 120, 130, 140

291, 140, 141, 142

391, 82, 142–143, 147, 163, 169, 170, 188, 190, 192, 195

Abstract Expressionism, 306

Abstraction-Création, 283

“abstrakten hannover,” 263

Academy of Misapplied Arts, 113

Actionism, 307

“Activist Manifesto for Young People,” 278

Aiken, Conrad, 302

Aktion, 59

Albert-Birot, Pierre, 150, 250

Aleksić, Dragan, 270–274

    Works: “Pharmacopeia of Love,” 270, 272; “Taba Ciklon II,” 272–273

Altmann, Natan, 238

Anderson, Margaret, 133

Andreyev, Leonid, 16

Angkor Wat, 211

Antheil, George, 195–196, 237

“Anti-Dada-Merz” tour, xiii, 103, 245, 258

Apollinaire, Guillaume, 21, 41, 121, 141, 150, 167, 168, 188, 198, 214

    Works: Alcools, 121; Breasts of Tiresias, 168; “The New Spirit and the Poets,” 188; “Zone,” 121

Aragon, Louis, 163, 167, 171, 185, 207, 251, 271

    Works: Paris Peasant, 251; “Suicide,” 271

Ararat, 100

Arendt, Hannah, 67

Arensberg, Louise, 112, 124

Arensberg, Walter, 112, 124, 125, 129, 130, 139, 147, 171

Armory Show (New York), 81, 112–116, 118, 126, 132, 136

Arnauld, Céline, 168, 192

    Works: “Dada Parasol,” 168

Arnold, Mathew, 43

Arp, Hans, 3, 8, 10, 11, 12, 13 ill., 15, 17, 18, 22, 24, 32, 33, 35, 37, 41, 47, 48, 76, 89, 91, 107, 127, 152, 156, 157–158, 163, 166, 172, 198, 199, 201, 204, 205, 208, 216, 217, 225, 227, 238, 242, 245, 247, 248 ill., 249, 250, 261–262, 264, 265, 267, 268, 281, 282–287, 292, 293, 294, 296, 297, 307

    Works: “Call for Elementary Art,” 286; Cloud Pump, 17, 35, 247; Human Concretion, 283; Isms, 264, 267, 268; Weisst du schwarzt du, 282

Art Brut, 307

Art Deco, 283

Artaud, Antonin, 186

Arte Povera, 307

Ashbery, John, 303

Astaire, Fred, 79

Aubette, 283–285

Augustine, St., 44

Aurenche, Marie-Berthe, 212

Auric, Georges, 175, 186, 190, 192

Autumn Salon (Berlin), 90

Avantgarde Almanac, 272

Baader, Johannes, 56, 57, 60, 61, 62, 63, 71, 72, 77, 80, 82, 86, 98, 103, 201, 207, 270, 281, 299, 309

    Works: “An Advertisement for Myself,” 62, 309; Great Plasto-Dio-Dada-Drama, 77; HADO, 63; Honorary Portrait of Charlie Chaplin, 82

Baargeld, Johannes, 200, 202, 203

    Works: The Human Eye and a Fish, the Latter Petrified, 203

Bach, Johann Sebastian, 237

Bakunin, M. M., 1

Ball, Hugo, x, xv, xvi, 1–9, 10, 11, 12, 15, 16, 17, 18, 22, 23, 24–27, 29–30, 32, 34, 36–37, 38, 39, 40, 42, 43–45, 47, 48, 49, 51, 59, 89, 91, 144, 154, 162, 171, 191, 257, 279, 281, 303, 304, 309

    Works: Byzantine Christianity, 282; A Critique of German Intelligence, 281; Flight Out of Time, 44–45, 282; “Gadji Beri Bimba,” 27, 29; Hermann Hesse: His Life and Work, 282; Nativity Play, 24–25; Revolution, 59; “Song of the Flying Fish,” 34

Balthus, 70

Barbusse, Henri, 45

    Works: Under Fire, 45

Barnes, Djuna, 133

Baroness Elsa, see Freytag-Loringhoven

Barr, Alfred Jr., 259, 285

    Works: Cubism and Abstract Art, 285

Barrès, Maurice, trial of, 185–186, 189, 190, 214

Barta, Sándor, 227.

    Works: “The Green Headed Man,” 227

Barzun, Henri-Martin, 20, 21

Basquiat, Jean-Michel, 306

Baudelaire, Charles, 37, 43, 44

    Works: Intimate Journals, 44

Bauhaus, xiv, xvii, 105, 221, 227, 237, 262, 265, 267

Baum, L. Frank, 112

    Works: The Patchwork Girl of Oz, 112–113

Baumeister, Willi, 238

Beatles, 304.

    Works: “Helter Skelter,” 309; Sgt. Pepper’s Lonely Hearts Club Band, 304; White Album, 304

Beckett, Samuel, 168

Beethoven, Ludwig van, 82

Bellows, George, 130

Benjamin, Walter, 154–155, 235, 307

    Works: Arcades Project, 155; “Theses on the Philosophy of History,” 154; “The Work of Art in the Age of Mechanical Reproducibility,” 155

Bergson, Henri, 166

Beuys, Josef, xvii, 306

Biddle, George, 134

Bill, Max, 286

Blake, William, 151

Blanche, Jacques-Émile, 171

Blind Man, 130–132, 144

Blok, 257

Blue Rider, 15, 38–39, 90, 198, 240

Blue Rider Almanac, 38–39, 85

Blumenfeld, Erwin, 69, 253

Blümner, Rudolf, 103, 106.

    Works: “Ango Laïna,” 103; The Spirit of Cubism and the Arts, 106

Blutige Ernst, 66

Bök, Christian, 107

Bonset, I. K., 218, 234, 243–244, 245, 264

    Works: “Antiartandpurereasonmanifesto,” 243; “Manifesto 0,96013,” 243; “Manifesto I K B,” 244; “Metallic Manifesto of Dutch Shampooing,” 244

Bourgeois Gallery (New York), 129

Bowie, David, 92

Bradbury, Ray, 42

    Works: Fahrenheit 451, 42

Brancusi, Constantin, 113, 142, 258

Braque, Georges, 20

Brando, Marlon, 309

Breton, André, xiv, xv, 155, 161, 162, 163, 164, 165, 167, 168, 169, 170, 171, 172, 175, 179, 181, 185–187, 188, 195, 196, 199, 210, 211, 212, 213, 214, 237, 250, 281, 283, 291, 292, 293, 295, 306

    Works: “Characteristics of the Modern Evolution,” 187; “Dada Skating,” 170; “Leave Everything,” 196; Magnetic Fields, 168; “Manifesto of Surrealism,” 213

Breton, Simone, 210

Brisset, Jean-Pierre, 131

Broïdo, Vera, 201

Broom, 128

Brugmann, Till, 291

Brutalism, 307

Buczyńska, Helena, 276

Buffet-Picabia, Gabrielle, 119, 121, 122, 124, 140–141, 146–147, 148, 149, 192, 286

Bulletin Dada, 165–166

Burchard, Otto, 76, 80

Burgess, Gelett, 114

Burian, Emil, 275

Busoni, Ferrucio, 119, 216, 218

Ça Ira, 194

Cabaret Theatre Club (London), 145

Cabaret Voltaire (Zurich), ix–X, xii, xv, xvi, 3, 6, 8, 11, 12, 15, 16, 17, 19 ill., 20, 32, 34, 41, 50, 55, 73, 127, 144, 145, 155, 162, 236, 282, 283, 297, 301, 303, 305

Cabaret Voltaire, 21, 23, 30, 48, 149–150

Cabinet of Dr. Caligari, 262

Café Certa (Paris), 179, 182, 189, 207, 251

Café Cyrano (Paris), 283

Café des Westens (Berlin), 49, 89

Café les Deux Maggots (Paris), 258

Café Terasse (Zurich), 205

Caffin, Charles, 118

Cage, John, xvii

Camera Work, 117

Camini, Aldo, 234

Cannibale, 191, 271

Carmichael, Hoagy, xv

Carrà, Carlo, 70

Carrington, Leonora, 293, 294

Cendrars, Blaise, 41

Černík, Arthur, 274–275

Cézanne, Paul, 113, 169

Chagall, Marc, 94, 147, 229, 232

Chaplin, Charlie, xv, 82, 166, 253, 263, 273, 274, 276, 305

Charchoune, Serge, 190

Chat Noir (Paris), 6

Chekhov, Anton, 17

Cheval, Ferdinand, 303

Chirico, Giorgio de, 69, 70, 199

    Works: Song of Love, 70

Chopin, Frédéric, 255

Citröen, Paul, 253

Clair, René, 121

    Works: Entr’acte, 121

Club Dada (Berlin), xiii, 56, 57, 58, 59, 60, 62, 69, 73, 86, 94, 215, 218, 249, 251, 252, 280

Cocteau, Jean, 161, 163–164, 168, 173, 174, 175–177, 188, 192, 193 ill., 250

Codreanu, Lizica, 196

Congress on the Modern Spirit (Paris), 186–187, 188, 195, 214, 237, 306

Conrad, Joseph, 159

Constructivism, xiii-xiv, xvi, 79, 216–226, 229, 231, 232, 233, 237, 240, 242, 244, 245, 246, 247, 248 ill., 257, 262, 276, 278

Contimpuranul, 278

Corinth, Lovis, 56

Corbière, Tristan, 11

Corray, Hans, 37

Cox, Kenyon, 114

Cravan, Arthur, 147–148

Crevel, René, 292

Cronenberg, David, 59

    Works: A Dangerous Method, 59

Crotti, Jean, 93, 140, 192, 195, 242

Crowninshield, Frank, 132

Cubism, xvi, 20, 32, 38, 43, 44, 50, 55, 87, 91, 106, 111, 113, 114, 119, 125, 142, 146, 162, 187, 189, 198, 205, 224, 250, 252, 265, 266, 267, 268, 271, 275, 285

Dada, xiv, 23, 30, 149, 150, 152, 153 ill., 161, 163, 165, 166, 199, 204, 205, 206

Dada, Der, 59–60, 62, 65, 79, 166, 201, 252

Dada Almanac, xiv, 70, 82, 85, 86, 88, 99, 100, 217, 247, 253, 274, 277, 296, 297

“Dada e Surrealismo,” exhibit (Rome), 295

Dada-Jazz, 144, 274

Dada-Jok, 273, 274

Dada/Surrealism, 295

Dada-Tank, 274

Dada Tour (Holland), 250, 254–258, 259, 263, 285

Dalí, Salvador, 208, 212, 214, 292

Dante Alighieri, 159

Daudet, Léon, 165

Davidson, Jo, 119

Debussy, Claude, 37

“Degenerate Art” Exhibition (Munich), 79, 81, 268, 291, 292 ill.

Delaunay, Robert, 20, 142, 186, 198

Demuth, Charles, 131

    Works: “For Richard Mutt,” 131

Derain, André, 181

Dermée, Paul, 188, 189, 190, 192, 218

Desnos, Robert, 210

“Destruction in Art Symposium” (London), 307

Dhiagilev, Serge, 145, 163

Dial, 194

D’Indy, Vincent, 119

Disney, Walt, 238

Divoire, Ferdinand, 20, 21

Dix, Otto, 79

    Works: Forty-Five Percent Able-Bodied, 79

Döblin, Alfred, 63

Dorner, Alexander, 89–90, 261

Doucet, Jacques, 181, 279

Douxami, Marcel, 144

Dreier, Katherine, 109, 135, 201, 263

Duchamp, Marcel, xiv, 82, 109, 110, 111–112, 113, 115, 116, 117, 120, 121–126, 123 ill., 127, 128, 129–132, 133, 134, 135–137, 139, 141, 144, 146, 147, 148, 152, 165, 169, 182, 187, 189, 192, 194, 201, 210, 215, 219, 244, 249, 276, 281, 293, 303, 304

    Works: Fountain, 129–132, 148, 219, 244; Large Glass, 122, 126, 129, 133, 135, 141; LHOOQ, 82, 165, 169; “Monte Carlo Bond,” 137; Nude Descending a Staircase, 112–113, 117, 122, 125, 136; “The Richard Mutt Case,” 130; Trébuchet, 129; Tu’um, 135

Duchamp, Suzanne, 111, 125, 192

Duchamp-Villon, Raymond, 111, 122

Duncan, Isadora, 147, 190

Duparc, Henri, 169

Dürer, Albrecht, 202

Ebert, Friedrich, 72

Eddy, Arthur Jerome, 126

Edison, Thomas, 53, 228

Eggeling, Viking, 156, 216, 218, 225, 238, 242

Ehrenburg, Ilya, 218, 227–228, 232–233

Ehrenstein, Albert, 12

Einstein, Albert, 84

Einstein, Carl, 10, 251

Ék, Sándor, 224

Eliot, T. S., 17, 145, 302

    Works: “The Love Song of J. Alfred Prufrock,” 17; The Waste Land, 302

Éluard, Cécile, 207, 209, 211

Éluard, Gala, 197, 206–213, 291, 293

Éluard, Paul, 196, 197, 203, 204, 206–213, 242, 251, 291, 292, 293, 294

    Works: Au Défaut du Silence, 212; Dying of Not Dying, 197; Répetitions, 203, 207

Ernst, Jimmy, 199, 204, 213

Ernst, Max, xiii, 70, 76, 89, 180–182, 183, 197–209, 212, 213, 214, 224, 242, 249, 259, 267, 281, 283, 291–294, 296, 307

    Works: Adolescent Female Dadaists Cohabit Far Beyond the Permitted Extent, 180; The Bedroom of Max Ernst, 180; Cuticulus plenaris, 180; Fiat Modes, 202; Preparation of Glue from Bones, 205, ill. 206; Sleuths, 180; Vegetable Sheaves, 180

Esprit Nouveau, L’, 186, 188, 189, 217–218

Everling, Germaine, 148, 149, 164, 169

Everyman His Own Football, 63, 64, 92

Expressionism, xvi, 38, 49, 50, 55, 69, 86, 100, 113, 198, 216, 217, 224, 227, 238, 239, 240, 257, 268, 271, 275

Fauré, Gabriel, 119

Fauvism, 38, 50, 87, 91, 113, 198, 268

“Film and Photo” (Stuttgart), 298

Firesign Theatre, 305

“First Exhibition of Russian Art” (Berlin), 81, 233

Fitzgerald, F. Scott, 148

Flarf, 308

Flaubert, Gustave, 192

Flechtheim Gallery (Düsseldorf), 197

Flint, F. S., 145

Fluxus, xvii, 307

Ford, Henry, 53

Ford, John, 298

Freie Straße, 58–59

Frejka Theatre (Prague), 275

Freud, Sigmund, 59, 109, 191, 205, 223

Freundlich, Otto, 200

Freytag-Loringhoven, Baroness Elsa, 132–135, 281, 308.

    Works: God, 132; Limbswish, 134

Friedländer, Salomo, see Mynona

Fry, Roger, 118

Futurism, xvi, 4–5, 38, 41, 50, 52, 69, 81, 87, 91, 93, 113, 114, 119, 146, 162, 187, 205, 215, 224, 252, 266, 268, 271, 275, 276

G , 217, 218, 238, 247

Gabo, Naum, 219–220, 229, 238

    Works: “Realistic Manifesto,” 219–220

Galerie Dada (Zurich), 37–38, 39, 40–42, 43, 44, 91, 149, 155

Galerie Dalmau (Barcelona), 187

Galerie Montaigne (Paris), 128

Galerie Povolovsky (Paris), 175–176

Galerie Tanner (Zurich), 14, 15

Gascoyne, David, 168

Gauguin, Paul, 113

Giacometti, Alberto, 292

Gide, André, 167, 171, 172, 188

Giedion-Welcker, Carola, 95, 283

Glauser, Friedrich, 7–8

Gleizes, Albert, 141, 185

Gnedov, Vasilisk, 277

    Works: Death to Art, 277; “Poem of the End,” 277

Goebbels, Joseph, 288

Goldberg, Rube, 262

Goll, Claire, 8

Goll, Yvan, 8, 145, 271

    Works: Paris Burns, 271

Golyscheff, Jefim, 62, 76, 94, 99

Göring, Hermann, 288

Graeff, Werner, 238, 247

Grant, Cary, 173

Gropius, Walter, 257, 262, 290

Gross, Otto, 59

Grosz, George, xiii, 51, 52 ill., 53–55, 56, 57, 60, 64, 65–68, 69, 71–72, 73, 74, 75, 76, 80, 81, 82, 83 ill., 84–85, 88, 89, 99, 100, 106, 146, 158, 205, 215, 217, 219, 222, 233, 251, 252, 253, 281, 287, 196, 306

    Works: “The Art Scab,” 65–66; Christ with Gasmask, 67; ‘Daum’ marries her pedantic automaton, 82; Disdain for a Masterpiece by Botticelli, 82; Face of the Ruling Class, 68; A Little Yes and a Big No, 296; The Mechanic John Heartfield, 82, 205; The New Man, 85; “On My New Paintings,” 84; Republican Automatons, 85

Guggenheim, Peggy, 286

Gutai, xvii, 307

H2SO4, 277–278

Hapgood, Hutchins, 115

Hamilton, Richard, 306

Hardekopf, Ferdinand, 12

Hartley, Marsden, 130

Hauer, Josef, 237

Hausmann, Elfriede, 75

Hausmann, Raoul, xiii, 56, 57, 58, 60, 61, 62, 65–66, 67, 71, 73–76, 77, 78 ill., 79, 81, 82, 84, 85, 86, 88, 89, 90, 91, 102, 103–104, 106, 107, 145, 146, 201, 207, 222, 225, 227, 233, 241, 242, 245, 247, 249, 250, 252, 255, 258, 267, 270, 274, 275, 279, 281, 289–291, 304, 305

    Works: “Der deutsche Spiesser ärgert sich,” 201; Engineers, 84; Hurra, Hurra, Hurra! 84; Kutschenbauch Composes, 84; Mechanical Head, 84, 242; “New Materials in Painting,” 102; Self-Portrait of the Dadasoph, 82, 84; Tatlin at Home, 84; “What is Dadaism and What Does It Want in Germany?” 62

Haviland, Paul, 141

Hawthorne, Nathaniel, 180

Heap, Jane, 132, 133, 134

Heartfield, John, xiii, 52, 53, 54, 55, 56, 57, 60, 64, 65–66, 68, 69, 74, 76, 80, 81, 88, 200, 215, 219, 222, 281, 287, 294

Hecht, Ben, 61–63, 68, 71–72, 76, 309.

    Works: His Girl Friday, 71

Heckel, Erich, 10

Heer, J. C., 158

Heine, Heinrich, 255

Hélion, Jean, 283

Heller, Joseph, 302

Hennings, Emmy, 1–3, 6, 7–8, 14, 24, 29, 30, 32, 36–37, 38, 41, 42, 44, 47, 154, 216, 281, 283

    Works: Gefängnis, 216

Herbiet, Georges, 194

Herzfeld, Helmuth. See Heartfield

Herzfelde, Wieland, xiii, 36, 51–52, 53, 54, 55, 56, 57, 60, 64, 65, 66, 67, 80, 88, 90, 109, 150, 200, 215, 222, 294

Hesse, Hermann, 282.

    Works: Demian, 282; Siddhartha, 282; Steppenwolf, 282

Het Overzicht, 287

Heusser, Hans, 41, 156, 157

Hindenburg, Paul von, 62

Hitler, Adolf, 51, 62, 288

Hoddis, Jakob von, 16, 41

Höch, Hannah, xi, xiii, 56, 57, 60, 74–76, 77, 78 ill., 79, 81, 82, 84, 88, 103, 104, 105, 107–108, 222, 233, 242, 249, 261, 262, 267, 280, 288, 290–291.

    Works: Cut With the Kitchen Knife, 82, 84; Da Dandy, 82

Hoerle, Heinrich and Angelika, 200, 201

Honegger, Arthur, 237, 255

Huelsenbeck, Richard, x, xii, xiv, 4, 5, 6, 8, 9, 10, 11, 12, 14, 20, 21, 22, 23, 32, 33, 34, 37, 47, 48–50, 56, 57, 58, 60, 61, 62, 65, 68, 70, 76, 82, 83 ill., 84, 85, 86, 88, 99–100, 103, 145, 152, 156, 204, 215, 227, 253, 259, 270, 272, 274, 277, 281, 295–297, 306

    Works: “The Admiral Looks for a Place to Rent,” 20–21, 23; China frisst Menschen, 295; “Dada Manifesto 1949,” 296–297; Dadaco, 70, 85; Dr. Billig at the End, 57, 58; En Avant Dada, 100; Fantastic Prayers, 9, 20, 48, 82, 83 ill., 103; “The New Man,” 50; Schalaben Schaolomai Schalamezo Mai, 48; Der Sprung nach Osten, 295

    See also Dada Almanac

Hugnet, Georges, xi

Huszár, Vilmos, 234, 250, 254, 255, 256

Hylaea, 276

    Works: “Why We Paint Our Faces,” 276

Iliazd, 195, 278

    Works: Les mots inconnus, 278

Impressionism, 38, 65, 125, 205, 224

Independents, see Society of Independent Artists

INKhUK (Institute of Artistic Culture), 220, 240

International Congress of Progressive Artists (Düsseldorf), 240–242, 245, 247

International Dada Fair (Berlin), 76–82, 78 ill., 87, 99, 103, 109, 203, 219, 224, 252, 303

International Exposition of Modern Industrial and Decorative Arts (Paris), 283

International Faction of Constructivists (IFdK), 241–242

Itten, Johannes, 237, 242, 262

Jacob, Max, 16, 172

James, Henry, 194

Janco, Marcel, 3, 8, 10, 19, 20, 21, 22, 24, 29, 30, 32, 33, 35 ill., 37, 40, 41, 43, 145, 152, 157, 158, 163, 216, 242, 247, 280

    Works: “The Admiral Looks for a Place to Rent,” 20–21, 23; Cabaret Voltaire, 35 ill.; Jazz 333, 145

Janis Gallery (New York), 306

Jarry, Alfred, 17, 167, 250

    Works: Ubu Roi, 17

Jasieński, Bruno, 276

jazz, xv, 92, 128, 140, 144–146, 161, 174, 175, 177, 251, 253, 255, 275

Johns, Jasper, xvii

Johnson, Jack, 147

Joris, Pierre, 97

Josephson, Matthew, 128, 207–208, 228–229, 264

    Works: “After and Beyond Dada,” 128

Joyce, James, 21–22, 133, 283, 302.

    Works: Ulysses, 21–22, 133, 302

Jung, C. G., 59, 109

Jung, Franz, 56, 60

Jünger, Ernst, 45, 51

    Works: Storm of Steel, 45, 51

Kafka, Franz, 97

    Works: “In the Penal Colony,” 97

Kállai, Ernő, 225, 228, 231, 238

Kandinsky, Wassily, 14, 15, 16, 34, 37, 38–39, 40, 41, 43, 44, 102, 117, 118, 156, 198, 220–221, 234, 236, 238, 240

    Works: Concerning the Spiritual in Art, 39, 117; Sounds, 16, 39, 40, 41; Yellow Sound, 39, 102

Kant, Immanuel, 156

Kaprow, Allan, 306

Kassák, Lajos, 223, 226–227, 264, 270, 271

    Works: Book of New Artists, 226–227, 264, 267

Kaufleuten Hall (Zurich), 155–158, 161, 256

Keats, John, 133

Keményi, Alfred, 225, 238, 247, 265

Kent, Rockwell, 130

Kessler, Count Harry, 54, 64, 67–68

Kestner Gesellschaft, 89–90

Khlebnikov, Velimir, 276

Kineticism, 307

Kirchner, Ernst Ludwig, 10

Klee, Paul, 40, 91, 146, 154, 199

    Works: Angelus Novus, 154

Koebner, F. W., 146

Kokoschka, Oskar, 40, 41, 66

    Works: Sphinx and Strawman, 41

Köpenick, Captain of, 96

Kreymborg, Alfred, 129

Kruchenykh, Alexei, 276

Kruscek, Maja, 10, 33, 204

Kuhn, Walter, 113

Kulbin, Nikolai, 39

Kun, Bela, 223

Kunstblatt, 84

Kupka, František, 117, 118

Küppers, Paul, 89

Küppers, Sophie, 233

KURI, 227

Laban, Rudolf, ix, 10, 32, 33, 34, 41, 156

Lacroix, Adon, 126

Laforgue, Jules, 16, 126

Lasker-Schüler, Elsa, 16, 55, 90

Laurencin, Marie, 141

Lautréamont, 167

Le Corbusier, 188, 217

Léger, Fernand, 186, 285

Lennon, John, 166

Lenormand, Henri-René, 190–191

    Works: “Dadaism and Psychology,” 190–191

Lettrism, 307

Levi-Strauss, Claude, 303

Lewis, Wyndham, 20

    Works: Blasting and Bombardiering, 20

Librairie Six (Paris), 183

Liebknecht, Karl, 58, 91

Life, 136–137

Lissitzky, El, 218, 226, 228, 229–233, 237, 238, 240, 241, 242, 246, 247, 248 ill., 249, 257, 262, 263–266, 267, 268, 291.

    Works: About Two Squares, 266; “Abstract Cabinet,” 232; Isms, 264, 266, 267, 268; New Man, 230 ill.; Nasci, 264–265, 267; Prouns, 228, 230 ill., 231, 233, 262, 265, 267; “Space for Constructivist Art,” 232; “Topography of Typography,” 263–264

Liszt, Franz, x, 15

Littérature, 162, 163, 164, 167, 170, 179, 189, 196, 207, 210

Little Review, 132, 133, 134, 137, 191

Loos, Adolf, 295

Lowell, Amy, 116

Loy, Mina, 129, 136, 140, 147–148, 193 ill.

    Works: “Love Songs,” 129

Lozowick, Louis, 233–234

Ludendorff, Erich, 58, 62

Luxemburg, Rosa, 63, 91

Ma, 218, 223, 226, 227, 270, 271, 272

Macke, August, ix

Magritte, René, 70

Mailer, Norman, 309

Maintenant, 147

Malevich, Kasimir, 265, 266–267.

    Works: Black Square, 266, 267; From Cubism and Futurism to Suprematism, 266; Suprematist Painting: Black and Red Square, 266

Malik Verlag, 51, 63, 66, 67, 81, 90

Mallarmé, Stéphane, 21, 126, 159, 175

Malraux, André, 38–39, 228

Man Ray, xiv, 117 ill., 121, 125–127, 129, 134, 135, 136, 137, 144, 177, 182–184, 184 ill., 193 ill., 195, 201, 204, 206, 207, 213, 214, 242, 249, 267, 280

    Works: Admiration of the Orchestrelle for the Cinematograph, 126; Dancer, 242; Gift, 183, 184 ill.; Jazz, 144; Return to Reason, 195; The Rope Dancer Accompanies Herself, 126; Self-Portrait, 127

Man Who Shot Liberty Valance 298

“Manet and the Post-Impressionists” Exhibition, 81

Manson, Charles, 309

Marc, Franz, 15, 38–39

Marcus, Greil, 309

    Works: Lipstick Traces, 309

Marinetti, F. T., 4–5, 20, 41, 42, 268, 288

    Works: “Down With Parsifal and the Tango,” 4; “Let’s Murder the Moonlight!” 4

Mather, Frank Jewett, 115

Marx Brothers, 96, 305

    Works: Duck Soup, 305

Marx, Karl, 84

Massot, Pierre de, 192, 196

Matisse, Henri, 113, 114

Maxim Ensemble, 2

May, Karl, 53

Mazdaznan, 237

McBride, Henry, 127

McLuhan, Marshall, 308

    Works: The Mechanical Bride, 308

Mécano, 194, 218, 242, 243, 244, 263

Mehring, Walter, 56, 60, 63, 68, 86, 94, 252, 281, 305

Meidner, Ludwig, 53

Merz, xiii, 88, 92, 93, 94, 95, 99, 101, 102, 103, 104, 105, 106, 107, 108, 109, 215, 219, 223, 224, 249, 256, 257, 258, 259, 262, 264, 267, 287, 288, 289, 306

Merz, 257, 258–259, 263, 264, 287

Metzger, Gustave, 307

Metzinger, Jean, 147

Meyer, Agnes Ernst, 140, 141

    Works: “Mental Reactions,” 140

Micić, Ljubomir, 271–274

    Works: Zenitist Manifesto, 271

Mies van der Rohe, Ludwig, 76, 238, 257, 261

Milhaud, Darius, 175, 190, 237

    Works: Ox on the Roof, 175

Miller, Jan Nepomucen, 276

Miró, Joan, 214

Modigliani, Amedeo, ix

Modern Gallery (New York), 120, 140

Moholy-Nagy, László, 217, 223–229, 233, 238, 242, 246, 247, 248 ill., 249, 257, 259, 262, 263, 264, 265, 268, 274, 286, 288, 291

    Works: Book of New Artists, 226–227, 264, 267; “Call for Elementary Art,” 286; “Dynamic Constructive System of Forces,” 225; Light Reflector, 262; “Manifesto of Elemental Art,” 225; The New Vision, 225; Nickel Sculpture, 242

Mondrian, Piet, 234, 235, 236, 239, 242, 243

    Works: “The Grand Boulevards,” 234–235

Monroe, Harriet, 115

Monty Python, 305

Moore, Marianne, 194

Morgenstern, Christian, 16

Motherwell, Robert, 296–297, 298, 304.

    Works: Dada Painters and Poets, 296–297

Murayama, Tomoyoshi, 223

Museum of Modern Art (New York), 285, 295.

    Exhibits: “Dada, Surrealism, and Their Heritage,” 295

Musil, Robert, 50

    Works: The Man Without Qualities, 50

Mynona, xi, 60, 73–74, 279–280.

    Works: Creative Indifference, 73; “Presentism: The Earth-Emperor’s Address to Humanity,” 279–280

Naville, Pierre, 211

Neo-Dada, 299, 306, 307

Neoplasticism, 226

Neue Jugend, 50, 51, 52 ill., 55, 81, 150

Neumann Gallery (Berlin), 55–56, 85, 262

New Life (Zurich), 163, 216, 218

New York Dada, 135

Nezval, Vítězslav, 274, 275

Nietzsche, Friedrich, 1, 43, 50, 149, 151, 164, 172, 190, 244, 251

    Works: Beyond Good and Evil, 190; The Gay Science, 50, 190; Thus Spoke Zarathustra, 190

Nolde, Emil, 10

Nord-Sud, 150, 167, 214

Nothingists, 277

Nouveau Réalisme, xvii, 307

Nouvelle Revue Française, 171, 186

Novalis, 30, 43

November Revolution, 91, 238, 239

Novembergruppe, 218

Oberdada, see Baader

Obmokhu (Society of Young Artists), 220

Ono, Yoko, 166, 307

Orphism, 38, 198

Osmond, Maria, 27

Ostaijen, Paul van, 252–253

    Works: “Bankruptcy Jazz, 252–253; Bezette Stad, 252

Others, 129

Oud, J. J. P., 234, 235, 264

Ozenfant, Amedée, 186, 188

Pach, Walter, 112

Palais des Fêtes (Paris), 165

Palais Idéal, 303

Pană, Saşa, 279

Pansaers, Clément, 192, 194, 250–251

    Works: “A Defused Bomb,” 251; Le Pan Pan au Cul du Nu Nègre, 251

Parade, 145, 163, 168, 255

Pater, Walter, 118

Paulhan, Jean, 185, 186

Pechstein, Max, 10

Penn, Arthur, 136

Perét, Benjamin, 185

Péri, László, 238

Perrottet, Suzanne, 32, 34, 41

Pessoa, Fernando, 93

Petrov, Mikhailo S., 273

Pevsner, Antoine, 219–220, 238

    Works: “Realistic Manifesto,” 219–220

Picabia, Francis, xi, xiv, xv, 20, 76, 82, 109, 110, 114, 115, 116–122, 117 ill., 121, 125, 128, 129, 131, 133, 137, 139–144, 146–155, 153 ill., 158, 161, 163, 164, 165, 169, 172, 173–174, 175, 176, 177, 180, 181, 182, 185, 187, 188–195, 201, 203, 204, 226, 251, 267, 270, 271, 274, 279, 281, 302, 304

    Works: “Chimney Sperm,” 169–170; “Dada Cannibal Manifesto,” 142, 169; Daughter Born Without a Mother, 154; The Double World, 165; Fifty Two Mirrors, 143; Jésus-Christ Rastaquouère, 173; “Magic City,” 121; L’Oeil Cacodylate, 189–190; Poems and Drawings of the Daughter Born Without a Mother, 143; Portrait of an American Girl, 133; Thoughts Without Language, 164, 194; Virgin Saint, 169, 304. See also 391

Picasso, Pablo, ix, 10, 16, 20, 40, 43, 69, 113, 115, 124, 136, 142, 163, 219, 258

    Works: Les Demoiselles d’Avignon, 10

Pilhaou-Thibaou, Le, 192, 194, 203, 204, 251

Pin, 290

Piscator, Erwin, 67

Pleite, 64, 252

Pine Cone, 195

Poetism, 146, 275

Poljanski, Branko Ve, 270, 271, 273

Pop Art, 299, 306

Popova, Liubov, 221

Poulenc, Francis, 190, 237, 255

Pound, Ezra, 15, 50, 127, 173, 192–194, 193 ill., 195, 243, 250, 301–302

    Works: Guide to Kulchur, 194; “Moeurs Contemporaines,” 194; “Paris Letter,” 194; Pisan Cantos, 15

Presentism, 103, 279–280

Presley, Elvis, 309

Prévot, Marthe, 290–291

Proverbe, 185

“Prussian Archangel,” 79–80

Puni, Ivan, 225, 286

Quinn, John, 115

Rachmaninoff, Sergei, 15

Rat Bastard Protective Association, 307

Rauschenberg, Robert, 306

Ray, see Man Ray

Reed, Ishmael, xv

Reger, Max, 15

Remarque, Erich Maria, 45

    Works: All Quiet on the Western Front, 45

Rembrandt van Rijn, 169

Renoir, Pierre-August, 169

Reverdy, Pierre, 150, 167, 213–214

Ribemont-Dessaignes, Georges, 159, 169, 170–171, 173, 175, 180, 181, 182, 186, 190, 195, 242, 250, 264, 280.

    Works: “To the Public,” 170–171

Richter, Hans, xiii, 7, 12, 13 ill., 14, 33, 37, 53, 97, 104, 108, 145, 151–152, 156, 157, 161, 172, 182, 195, 199, 216, 218, 222, 225, 233, 238, 240, 241, 242, 247, 248 ill., 249, 261, 280, 291, 298–299

    Works: 8 x 8: A Chess Sonata, 298; “Against Without For Dada,” 218; Dada: Art and Anti-Art, 298–299; Dadascope, 298; Dreams That Money Can Buy, 298; Enemies of Film Today–Friends of Film Tomorrow, 298; Ghosts Before Breakfast, 298; The New Dwelling, 298; Russia and Us, 298

Rieti, Vittorio, 255

    Works: “Funeral March for a Little Bird,” 255; “Military March for Ants,” 255; “Wedding March for a Crocodile,” 255

Rietveld, Gerrit, 234, 264

Rimbaud, Arthur, 25–26, 37, 50, 164, 167

    Works: Illuminations, 25; A Season in Hell, 25, 50

“rings neuer werbgestalter,” 263

Ripley, Robert L., 60

Ripley’s Believe It Or Not, 27

Rivière, Jacques, 172

Roché, Henri-Pierre, 130

Roche, Juliette, 140, 141

    Works: Demi Cercle, 140

Rodchenko, Alexander, 220, 221

Rodia, Simon, 303

Rodker, John, 250

Roh, Franz, 205

    Works: Foto-Auge, 205

Rongwrong, 144

Rosenquist, James, 306

Rothenberg, Jerome, 97

Rousseau, Jean-Jacques, 44

Rrose Sélavy, 135, 137, 210

Russell, John, 293

Russolo, Luigi, 216

    Works: Art of Noises 216

Saint-Saëns, Camille, ix, 16

Sainte-Julien-le-Pauvre (Paris), 179–180

Salle Gaveau (Paris), 173, 174

Salmon, André, 16

Salon Dada Exposition International (Paris), 128, 182,

Salon d’Automne (Paris), 189

Sans Pareil (Paris), 175, 180, 181, 204, 207

Satie, Erik, 145, 156, 183, 237, 255

Schad, Christian, 177, 192

Schamberg, Morton, 132

Schammade, Die, 224, 307

Scheidemann, Philipp, 58, 72

Schlegel, Friedrich, 43

Schlichter, Rudolf, 79–80, 84

    Works: Dada Roof Atelier, 84

Schmalenbach, Werner, 105–106, 261

Schmalhausen, Otto, 82

Schmidt-Rottluff, Karl, 10

Schoenberg, Arnold, 34, 37, 39, 41, 94, 124, 156, 237

Schulhoff, Erwin, 146

    Works: Cloud Pump, 146; Sonata Erotica, 146

Schwarz, Arturo, 127

Schwitters, Ernst, 89, 259, 263, 288–289

Schwitters, Helma, 89, 91, 103, 289

Schwitters, Kurt, xiii, 86, 87–109, 135, 145, 180, 215, 219, 223, 226, 227, 233, 235, 238, 242, 245, 247, 249, 250, 252, 253–263, 265, 267, 268, 270, 272, 274, 275, 281, 285, 286–290, 293, 295, 302, 303, 304, 305

    Works: Anna Blume, 86, 96, 97, 98 ill., 100, 101, 106, 135, 252, 254; “The Artist’s Right to Self-Determination,” 99; Auguste Bolte, 108; “Call for Elementary Art,” 286; Cathedral of Erotic Misery, 89, 261; “Cigar,” 103; Ebing, 93; “General Pardon,” 96; “He,” 287; Das große Ichbild, 93; Das Kreisen, 105; Merzbau, 258–262, 260 ill., 268, 287, 289, 290, 303; “National Art,” 287; okola, 93; “The Onion,” 96–97; Oskar, 93; Otto, 93; Monna Hausmann, 261; “Revolution in Revon,” 103; Rosa, 93; Rossfett, 93; Sonata in Primal Sounds, 107, 108, 255, 263; “To Anna Blume,” 94–95, 100, 101, 103, 254, 305; “Tran,” 96; Undbild, 93; Der Weihnachstmann, 93

Scriabin, Alexander, 15

Segal, Arthur, 224, 264

Seldes, Gilbert, 146

    Works: Seven Lively Arts, 146

Semina, 307

Sennett, Mack, 208

Sensationism, 93

Serner, Walter, 156–157, 163, 177, 192

    Works: “Last Loosening,” 156–157

Shakespeare, William, 258

Sheeler, Charles, 195

    Works: Manhatta, 195

Shinkichi, Takahashi, 277, 280–281

    Works: Poems of Shinkichi the Dadaist, 277

Shklovsky, Viktor, 106–107, 219

SIC, 150

Simbolul, 11

Simmel, Georg, 54

Simón, Jolan, 227

Simultanéisme, 41

Sirius, 156

Situationist International, 307

Slap in the Face of Public Taste, 276

Smith, Mamie, xv–xvi

    Works: “That Dada Strain,” xv–xvi

Societé Anonyme (New York), 109, 135, 201, 263

Society of Independent Artists (New York), 129–130, 148

Soirée of the Bearded Heart (Paris), 195–196, 269, 278

Soirées, Zurich, 29, 31, 34, 41–42

Sonderbund Exhibition (Cologne), 113, 198

Soupault, Philippe, 163, 166, 167, 168, 170, 173, 183, 210, 280

    Works: Magnetic Fields, 168

Spartacus League, 58, 63, 64

Spengemann, Christoph, 99

    Works: Reality According to Anna Blume, 99

Spies, Werner, 205

Spoerri, Daniel, 306

Steegemann, Paul, 95–96, 97, 100

Steichen, Edward, 122, 123 ill., 136

Steinitz, Kate, 258, 261, 265, 287

Stella, Joseph, 129

Stepanova, Varvara, 221

Stern, Anatol, 276

    Works: Europa, 276

Stevens, Wallace, 125

Stewart, James, 298

Stieglitz, Alfred, 117, 119–120, 130, 132, 135, 140, 141

Stijl, De, 226, 238, 241, 244, 245, 256, 257, 264, 267, 284

Stijl, De, 150, 217, 218, 233, 234, 236, 241, 242, 243, 244, 247, 272, 284, 285

Stramm, August, 41, 95

Strand, Paul, 195

    Works: Manhatta, 195

Straus-Ernst, Luise, 198–199, 204, 207–209, 212

Stravinsky, Igor, 177, 255

Stupid, xvi, 201

Sturm, 90, 92, 94, 95, 99, 223, 225, 279, 287

Sturm Gallery (Berlin), 41, 90, 91, 92, 100, 103, 198, 224, 226, 227

Suprematism, 229, 265, 266

Surrealism, xvii, 155, 168, 170, 171, 172, 179, 181, 182, 195, 199, 211, 213–214, 268, 282, 283, 291, 293, 295, 305

Symbolism, 159

Szittya, Emil, 224

Tabu Dada, 93, 192, 195

Taeuber, Sophie, 14, 15, 33, 34, 35 ill., 41, 47, 157, 163, 208, 216, 217, 249, 261, 265, 266, 267, 281, 283–286, 287, 307

Talking Heads, 27, 302

    Works: “I Zimbra,” 27; Stop Making Sense, 302

Tam Tam, 275

Tanguy, Yves, 292

Tanning, Dorothea, 212

Tapié, Michel, 304

    Works: Un art autre, 304

Tatlin, Vladimir, 77, 84, 219, 220, 229

    Works: Monument to the Third International, 77, 219

Teige, Karel, 146, 274

    Works: On Humor, Clowns, and Dadaists, 274

Théâtre de l’Oeuvre (Paris), 169

Théâtre Michel (Paris), 195–196

Tokin, Boško, 271

Torre, Guillermo de, 192

Tschichold, Jan, 205, 263

    Works: The New Typography, 263

Turgenev, Ivan, 16

Tzara, Tristan, x, xi, xiii, xiv, xv, 3, 7, 8, 9, 10–12, 13 ill., 20, 21, 22, 23, 24, 29, 30–32, 33, 36, 37, 40, 41, 42, 44, 47, 55, 58, 61, 70, 72, 85, 86, 127, 128, 131, 134, 135, 139, 149–157, 159, 161–170, 172, 173, 174, 175–177, 179, 186, 187, 188, 190, 193 ill., 195–196, 200, 201, 203, 204, 205, 207–208, 209, 211, 214, 216, 222, 236, 242, 243, 245–246, 247, 248 ill., 250, 258, 264, 269, 274, 277, 279, 279, 281, 288, 293, 295, 296–298, 302, 304, 305, 306, 308

    Works: “The Admiral Looks for a Place to Rent,” 20–21, 23; “Dada Manifesto of Feeble and Bitter Love,” 176–176; “End of Dada,” 279; First Celestial Adventure of Mr. Antipyrine, 29, 30–31, 36, 139; “Introduction to Dada,” 296–297; “Manifesto of Mr. Aa the Antiphilosopher,” 274; Gas Heart, 195–196; “Note for the Bourgeois,” 20–21; Seven Dada Manifestos, 279

Union of International Progressive Artists, 240, 242

UNOVIS, 229

Vaché, Jacques, 162

Václavec, Bedřich, 223, 270

Valéry, Paul, 167

Valori Plastici, 199

van der Leck, Bart, 234, 236

Van Diemen Gallery (Berlin), 81

van Doesburg, Nelly, 238, 247, 248 ill., 249, 250, 255, 256, 291

van Doesburg, Theo, xiii, 150, 218, 225,, 233–244, 245, 247, 248 ill., 249, 250, 254–258, 262, 263, 264, 267, 281, 283–285, 287, 291

    Works: Classical–Baroque–Modern, 267; “Creative Demands of ‘De Stijl’,” 241; “What Is Dada?” 254. See also Bonset

Van Gogh, Vincent, 113

van Rees, Otto and Adja, 14, 37

Vanity Fair, 120, 128, 132

Vantongerloo, Georges, 236

Varèse, Edgard, 147

Ventilator, 200

Verlaine, Paul, 167

Veshch/Objet/Gegenstand, 218, 232–233, 241, 242

Vesnin, Alexander, 221

Villon, Jacques, 111, 122

Vitrac, Roger, 186

Vkhutemas (Higher Art-Technical Studios), 220

Vogue, 253

Voiceband, 275

Voltaire, 3

Vorticism, 145

Wagner, Richard, 1, 102, 182, 221, 253

Walden, Herwarth, 41, 87, 90, 91, 95, 103, 105, 224, 226

Warhol, Andy, xvii, 136

Wat, Alexander, 276

Watts Tower, 303

Wayne, John, 298

Wedekind, Frank, 16

Westheim, Paul, 267

Weststupidia, 200

Whitman, Walt, 59, 74, 108–109

Wigman, Mary, 33, 34

Wild One, The, 309

Wilde, Oscar, 43, 147

Williams, William Carlos, 125, 129, 134

Wilson, Edmund, 128

Witkiewicz, Stanisław Ignacy, 276

    Works: “Festo-Mani,” 276

Wizard of Oz, 26

Wollheim, Gert, 240

Wolpe, Stefan, 101

Wood, Beatrice, 122, 124, 130, 281

Woolf, Virginia, 81

Wordsworth, William, 289

Wulff, Käthe, 34

Yeats, William Butler, 17

Zeltweg, Der, 34

Zenit, 271, 272, 273, 274

Zayas, Marius de, 120, 139, 141

    Works: African Negro Art, 139

Zdanevich, Ilya, see Iliazd

Zeltweg, 158

Zola, Émile, 53