Chapter 1: The Black and White on All of the Gray Areas of Black and White
Desaturation: Why You Should Not
Believing Is Seeing: The Way the Eye “Sees” What it Saw
Chapter 2: Variations on a Theme
Film and Filter: Three Approaches
Approach One: The Classic Film and Filter
Approach Two: Neo-Classic Film and Filter
Approach Three: Neo-Neo-Classic Film and Filter
The Black and White on Convert to Grayscale
The Black and White on Split Channel Conversions
The Black and White on Lab Color Space Conversions
The Black and White on Equalizing Lab
Chapter 5: Somewhere Over the Grayscale
The Black & White Adjustment Layer Basics
The Black and White on Using the Black & White Adjustment for Color
Chapter 6: The Black and White on the Zone System
What You See Is What Will Take You
Chapter 7: The Black and White on the Channel Mixer Adjustment Layer
The Soul of the Art of Black-and-White Photography
How to Dance with Multiple Partners on the Channel Mixer Dance Floor
Image 1: Using a Multiple Channel Mixer Conversion Approach on a Portrait
Image 2: Using a Multiple Channel Mixer Conversion Approach on a Landscape
Chapter 8: The Black and White on Silver Efex Pro 2
The Black and White on the Silver Efex Pro 2 User Interface
Image 1: Using a Single Silver Efex Pro 2 Smart Filter Layer
Image 2: The Harmonics of Chording—The ABCs of Playing the RGBs