Elia Kazan: A Life

Labor for the Wind (Shaw)

La Guardia, Fiorello, 7.1, 29.1, 33.1

Lancaster, Burt

Lang, Fritz

Langner, Lawrence, 15.1, 15.2, 15.3, 18.1

Lasky, Victor

Lastfogel, Abe, 14.1, 15.1, 15.2, 16.1, 16.2, 16.3, 16.4, 17.1, 18.1, 23.1, 25.1, 27.1, 28.1

The Hook and, 23.1, 23.2, 23.3, 23.4

On the Waterfront and, 27.1, 28.1

Lastfogel, Frances, 15.1, 27.1, 27.2

Last Tycoon, The (film), 22.1, 41.1

Boulting in, 41.1, 41.2

casting of

excerpts from Kazan’s diary during

final scene in

Last Tycoon, The (Fitzgerald), 40.1, 40.2

Lawrence, D. H.

Lawrence of Arabia, 28.1, 41.1

Lawson, John Howard, 5.1, 7.1, 7.2, 9.1, 23.1, 25.1, 27.1

Lazar, Irving “Swifty”, 41.1, 41.2

Lazar, Mary

Lean, David, 28.1, 41.1, 41.2

Ledbetter, Huddie “Leadbelly”

Lee, Will

Leeds, Herbert

Left Wing Communism: An Infantile Disorder (Lenin)

Legion of Decency, 23.1, 23.2, 24.1

Leigh, Vivien, 10.1, 20.1, 22.1

Leland, James, 35.1, 36.1, 36.2

Letter to Three Wives, A

Levy, Melvin, 7.1, 8.1

Lewin, Michael

Lewis, Robert, 7.1, 10.1, 10.2, 11.1, 11.2, 13.1, 18.1, 19.1, 20.1, 32.1

in Actors Studio, 18.1, 19.1

Barbara Kazan and, 35.1, 36.1

Leyte, 17.1, 17.2, 17.3, 17.4

Life

Life with Father

Lighton, Bud, 15.1, 15.2, 15.3, 15.4, 15.5, 15.6, 16.1, 16.2, 16.3, 17.1, 17.2, 19.1, 19.2, 19.3, 19.4, 23.1, 25.1

film style of, 15.1, 15.2

Kazan’s HUAC testimony and

Lincoln Center, 33.1, 33.2

all-white board of

Kazan’s doubts about

Lincoln Center Repertory Theatre, 21.1, 32.1, 32.2, 33.1, 34.1, 34.2, 35.1, 37.1, 37.2, 38.1, 39.1, 40.1

After the Fall produced by, 35.1, 36.1, 36.2, 37.1, 37.2, 37.3

Barbara Loden Kazan and

But for Whom Charlie produced by, 37.1, 37.2, 38.1

The Changeling produced by, 37.1, 37.2, 38.1

Danton’s Death produced by

Kazan’s loyalty to

Kazan’s resignation from

Kelman on

Marco Millions produced by

Miller and, 37.1, 37.2

Molly Kazan and

Schuman and, 37.1, 37.2, 37.3

Tartuffe produced by

Whitehead and, 37.1, 37.2, 37.3

Little, Stuart, 36.1, 36.2

Little Carnegie Theatre

Litvak, Anatole “Tola”, 13.1, 13.2

Litvinov, Maxim

Living Newspaper

Loden, Barbara, see Kazan, Barbara Loden

Loeb, Phil

Logan, Josh, 20.1, 20.2

Lombard, Carole

Los Angeles, 11.1, 23.1

Los Angeles Times

Losey, Joseph, 40.1, 40.2

Ludwig, Salem

Lunceford, Jimmie

Lupino, Ida

MacArthur, Douglas, 17.1, 17.2, 17.3, 17.4

MacLeish, Archibald, 1.1, 25.1, 31.1, 31.2, 33.1

Maguire, Charles, 30.1, 32.1.

America America and, 34.1, 34.2, 34.3, 35.1

On the Waterfront and

Malden, Karl, 15.1, 18.1, 19.1, 20.1, 26.1, 27.1, 27.2, 30.1, 31.1, 36.1, 36.2

Maltz, Albert, 7.1, 7.2, 23.1, 24.1, 25.1, 26.1

on art and communism, 23.1, 23.2

Mamoulian, Rouben

Mandaville, Molly

Manila, 17.1, 17.2, 18.1, 18.2

Mankiewicz, Herman

Mankiewicz, Joseph L., 22.1, 24.1, 25.1, 25.2

on Screen Directors Guild loyalty oath controversy

Man on a Tightrope, 26.1, 27.1, 27.2, 27.3, 28.1

Cirkus Brumbach in

commercial failure of, 27.1, 27.2

Zanuck’s cutting of

Mantle, Burns, 7.1, 19.1

March, Florence Eldridge, 13.1, 13.2, 14.1, 14.2, 14.3, 14.4, 14.5, 14.6, 14.7, 26.1, 26.2

anti-communist attacks on

letter to Molly Kazan from

March, Fredric, 13.1, 14.1, 14.2, 14.3, 14.4, 14.5, 14.6, 14.7, 14.8, 26.1, 26.2

anti-communist attacks on

in Man on a Tightrope

revenge taken on Bankhead by

March, Liska, 34.1, 34.2

Marching Song (Lawson)

Marco Millions (O’Neill)

Marivaux, Pierre Carlet de Chamblain de

Marotta, Joe, 28.1, 28.2

Marshall, George, 17.1, 22.1

Marshall Plan

Martin, Mary, 15.1, 15.2, 20.1

Marx, Groucho

Marx, Karl

Massey, Raymond, 29.1, 29.2

Mastroianni, Marcello

Mattei Affair, The

Matthau, Walter

Maugham, W. Somerset, 2.1, 15.1

Mauriello, Tami, 15.1, 28.1

Mayer, Louis B., 15.1, 15.2, 15.3, 15.4, 19.1, 20.1, 20.2

Mayo, Virginia, 15.1, 15.2, 15.3

McBride, John, 42.1, 42.2

McCandless, Stanley

McCarthy, Angela “Anna”

McCarthy, Joseph, 24.1, 31.1

McCarthy, Kevin

McClintic, Guthrie

McGuire, Dorothy, 15.1, 15.2, 16.1, 20.1, 20.2, 20.3, 22.1

McLean, Barbara

Meany, George

Meisner, Sanford, 10.1, 11.1

Memoirs (Williams)

men:

clothing of

feminine characteristics in

in Greece

infidelities sought by

in Turkey, 2.1, 33.1

Menderes, Adnan, 33.1, 33.2

Mengers, Sue

Men in White (Kingsley), 7.1, 7.2, 7.3, 7.4, 7.5, 7.6, 7.7

Menjou, Adolphe, 26.1, 26.2

Menotti, Gian-Carlo

Mercer, Johnny

Merchant, Vivien

Merck Manual, The, 36.1, 42.1

Mercury Theatre, 9.1, 13.1

Meredith, Burgess, 38.1, 38.2

Merlo, Frank, 24.1, 27.1

Williams and

Merry Go Round (Maltz and Sklar)

Metcalf, Colonel

Method acting, 4.1, 5.1, 5.2, 6.1, 10.1, 10.2, 11.1, 33.1

Metro-Goldwyn-Mayer, 15.1, 19.1, 19.2, 27.1

Metropolitan Opera

Mexican Hayride

Meyerhold, V. E., 5.1, 5.2, 10.1, 19.1, 33.1

Soviets’ termination of, 25.1

Midsummer Night’s Dream, A (Shakespeare)

Mielziner, Jo, 2.1, 4.1, 20.1, 20.2, 21.1, 27.1, 29.1, 32.1, 33.1, 35.1, 36.1

Milestone, Lewis, 11.1, 11.2

Milford, Gene

Miller, Arthur, 18.1, 19.1, 21.1, 21.2, 21.3, 23.1, 23.2, 23.3, 32.1, 35.1, 35.2, 35.3, 36.1, 36.2, 37.1, 37.2, 40.1

in breakup with first wife, 24.1, 24.2

conflicts of

The Crucible envisioned by

The Hook abandoned by, 23.1, 23.2

Kazan’s relationship with, 19.1, 19.2, 21.1, 25.1, 26.1, 27.1, 27.2, 27.3, 28.1, 28.2, 34.1

Lincoln Center Repertory Theatre and, 32.1, 37.1, 37.2, 39.1, 42.1

Molly Kazan and, 19.1, 24.1, 25.1, 25.2

Monroe’s marriage to, 24.1, 29.1, 30.1, 36.1, 36.2

Monroe’s romance with, 12.1, 23.1, 23.2, 24.1, 24.2, 24.3, 34.1

parsimonious nature of

success enjoyed by

Williams compared with, 20.1, 21.1, 21.2, 21.3

Willy Loman and, 21.1, 21.2, 21.3

Miller, Gilbert, 14.1, 14.2, 15.1

Miller, Marilyn

Miller, Mary, 21.1, 21.2, 21.3, 23.1, 23.2, 23.3, 24.1, 24.2

Henry Miller’s Theatre

Misfits, The

Mitchum, Robert

Mittelmann, Bela, 15.1, 16.1, 25.1, 25.2, 26.1, 28.1, 31.1

on Kazan-Dowling relationship

on Kazan’s HUAC testimony

Molly Kazan and

Molière

Monroe, Marilyn, 23.1, 23.2, 32.1, 34.1, 34.2, 36.1, 36.2, 37.1, 38.1

background of, 23.1, 23.2

DiMaggio and, 25.1, 29.1

Hyde’s relationship with, 15.1, 23.1, 23.2, 23.3

Kazan’s relationship with, 23.1, 24.1, 25.1, 36.1

Miller’s marriage to, 24.1, 29.1, 30.1, 36.1, 36.2

Miller’s romance with, 12.1, 23.1, 23.2, 24.1, 24.2, 24.3, 29.1, 34.1

as “Miss Bauer”

Paula Strasberg on sets with

Strasberg and, 24.1, 29.1, 30.1, 38.1, 38.2

Marilyn Monroe Theatre

Montand, Yves

Moore, Terry

Moreau, Jeanne, 41.1, 41.2

Mostel, Zero

Mother Courage (Brecht)

movies:

Munich, 26.1, 26.2

Murphy, Richard, 19.1, 22.1, 22.2

Myerberg, Michael, 13.1, 13.2, 13.3, 13.4, 14.1, 14.2, 14.3, 14.4, 14.5, 14.6, 14.7, 14.8

Neurotic Personality of Our Time, The (Homey), 12.1, 31.1

Newman, Paul, 10.1, 29.1, 38.1, 38.2

on Kazan’s resignation from Actors Studio

New Masses, 7.1, 23.1, 25.1

New Republic, The, 10.1, 19.1, 20.1

New Rochelle, N.Y.

New Rochelle High School, 2.1, 3.1

New Rochelle Public Library, 2.1, 3.1, 10.1

Newsday, 42.1, 42.2

Newsweek

New Theatre, 7.1, 8.1, 9.1, 24.1, 25.1, 25.2

Communist Party confrontation with

New Theatre League, 7.1, 7.2

New York City Ballet

New York Daily News, 19.1, 38.1

New Yorker, The

New York Herald Tribune, 19.1, 30.1, 36.1

Kazan attacked in

New York Journal-American

New York Philharmonic Orchestra

New York Post, 26.1, 26.2, 26.3, 30.1, 34.1, 38.1, 42.1

New York Review of Books

New York Times, 11.1, 14.1, 16.1, 19.1, 24.1, 24.2, 24.3, 24.4, 25.1, 27.1, 33.1, 33.2, 34.1, 34.2, 37.1, 37.2, 38.1, 40.1, 42.1

Kazan’s Actors Studio article in

Kazan’s HUAC testimony and, 25.1, 26.1, 26.2

Steinbeck’s Nobel Prize and

New York Times Magazine

Nichols, Louis

Nichols, Mike, 18.1, 20.1, 26.1, 40.1, 41.1

Nicholson, Jack

Nietzsche, Friedrich

Night Music (Odets), 13.1, 19.1

Night of 100 Stars

Nixon, Raphael

Nixon, Richard M., 15.1, 31.1

Nizer, Louis

Nolan, Lloyd

Norris, Frank

North, Alex, 20.1, 23.1, 24.1, 24.2

Odets, Clifford, 2.1, 6.1, 6.2, 7.1, 7.2, 11.1, 11.2, 12.1, 12.2, 13.1, 14.1, 15.1, 20.1, 26.1, 27.1, 35.1, 36.1.

acclaim of, 5.1, 7.1, 8.1, 8.2, 17.1, 42.1

artistic influence of

Clurman and, 6.1, 13.1, 19.1

Communist Party and, 8.1, 8.2

decline of, 9.1, 36.1

HUAC testimony of, 9.1, 24.1, 42.1

illness and death of, 6.1, 36.1, 40.1, 42.1, 42.2

Kazan’s HUAC testimony and, 25.1, 25.2, 25.3, 25.4, 26.1

marriages of, 6.1, 6.2, 6.3

Molly Kazan and, 5.1, 6.1, 6.2, 24.1, 35.1, 36.1

Strasberg’s insult to, 8.1, 8.2

Oenslager, Don

Office of Strategic Services, 15.1, 15.2

Of Human Bondage (Maugham)

O’Hara, John

Oklahoma! (Rodgers and Hammerstein)

Olivier, Laurence, 10.1, 20.1, 22.1, 30.1

Onassis, Aristotle

O’Neill, Eugene, 27.1, 29.1, 32.1, 38.1

One Touch of Venus (Weill, Perelman and Nash), 15.1, 15.2, 15.3

problems of

On the Waterfront, 10.1, 15.1, 21.1, 23.1, 26.1, 27.1, 28.1, 28.2, 29.1, 31.1, 31.2, 36.1, 40.1, 40.2, 40.3, 41.1, 41.2

Brando in, 28.1, 28.2, 28.3

cost of, 28.1, 28.2

glove scene in

Kazan’s bodyguard on, 28.1, 28.2

New York skyline in

parallels with Kazan’s life in

prizefighters in

Spiegel and, 27.1, 28.1, 28.2, 28.3

studio rejections of

success of, 28.1, 28.2

taxi scene in

Zanuck’s rejection of

Oresteia (Aeschylus)

orgone box, 38.1, 38.2, 42.1

Osato, Sono

Osborn, Paul, 20.1, 21.1, 29.1, 29.2, 31.1, 32.1

Oswald, Gerd

Our Town (Wilder), 13.1, 13.2, 14.1

Overgaard, Andy, 25.1, 25.2

Pacino, Al, 10.1, 10.2, 38.1

Page, Geraldine, 29.1, 35.1, 38.1, 38.2, 38.3

Pagnol, Mariel

Palymyra, Lucy, 2.1, 2.2, 5.1

Panic (MacLeish)

Panic in the Streets, 22.1, 24.1, 24.2, 26.1, 27.1

shooting of

Papp, Joseph

Paradise Lost (Odets), 9.1, 10.1, 11.1, 11.2, 13.1

Kazan in

Parc Oteli, 29.1, 33.1

Patricola, Tom

Pavese, Cesare

“Pearl, The” (Steinbeck), 23.1, 23.2

Pearl Harbor, Japanese attack on, 5.1, 13.1, 15.1

Peck, Gregory, 20.1, 20.2, 20.3, 20.4, 22.1

Peer Gynt (Ibsen)

People of the Cumberlands, 7.1, 16.1

People’s Worker, 23.1, 23.2

People’s World

Perelman, S. J., 15.1, 15.2

Period of Adjustment (Williams), 32.1, 32.2

Perkins, Osgood, 6.1, 6.2, 6.3

Philippines, 17.1, 18.1

tribute to Roosevelt in, 17.1, 17.2

Pidgeon, Walter

Pinchot, Rosamund

Pinebrook Country Club

Pinky, 15.1, 22.1, 22.2, 22.3, 22.4, 27.1, 27.2

Barrymore in

Ford’s quitting of

Pinter, Harold, 40.1, 41.1, 41.2, 41.3, 41.4, 41.5, 41.6, 41.7, 41.8, 41.9

marital problems of

Piscator, Irwin, 10.1, 10.2

Planned Parenthood

Platt, Louise

Playwrights Company, 18.1, 27.1

Plummer, Christopher

Plunkett, Walter, 19.1, 19.2, 19.3

Poros, 31.1, 31.2

Portrait of a Madonna (Williams)

Posada, José Guadalupe, 24.1, 27.1

Pound, Ezra

Powell, William

Power, Tyrone

Preminger, Otto, 22.1, 28.1

Prince, Harold

Prince Valiant

Proferes, Nick, 40.1, 40.2, 41.1, 42.1, 42.2, 42.3, 42.4

Barbara Kazan and, 40.1, 42.1

Proust, Marcel, 10.1, 17.1

Public Enemy, The

Pulitzer Prize, 7.1, 14.1, 23.1, 23.2, 29.1, 31.1, 31.2

Pure in Heart, The (Lawson), 5.1, 6.1, 6.2

Quiet City (Shaw), 13.1, 13.2

Quigley, Martin, 24.1, 30.1

Quinn, Anthony

in Viva Zapata!, 24.1, 24.2

Raft, George

Raging Bull

Raimu, Jules

Rainer, Luise, 6.1, 11.1, 11.2

Ray, Nick, 7.1, 15.1, 16.1, 16.2, 17.1, 29.1, 42.1

career of

death of, 42.1, 42.2

Reagan, Ronald, 13.1, 14.1, 31.1, 36.1

Rebel Without a Cause, 29.1, 42.1

Redgrave, Michael, 13.1, 38.1

Reed, Florence, 14.1, 14.2, 14.3, 14.4, 14.5

Reeve, Christopher

Reflections in a Golden Eye

Reich, Wilhelm, 38.1, 42.1

Reis, Mae, 24.1, 26.1

Relais Bisson

Remick, Lee, 10.1, 32.1

Revere, Anne

Richard III (Shakespeare)

Rinaldo, Reverend, 42.1, 42.2

Rivoli Theatre

Robards, Jason, 10.1, 36.1, 36.2, 37.1, 37.2, 39.1

Rockefeller, John D., III, 31.1, 31.2, 31.3, 32.1, 32.2, 33.1, 33.2, 33.3, 37.1, 37.2, 37.3, 37.4, 37.5, 42.1

Rocket to the Moon (Odets), 12.1, 13.1

Rodgers, Richard, 18.1, 42.1

Rodriguez y Gonzalez, Pancho, 20.1, 20.2, 20.3, 20.4

Rogell, Al

Rooney, Mickey

Roosevelt, Franklin D., 4.1, 7.1, 9.1, 15.1, 17.1, 17.2, 17.3, 32.1, 36.1

Roosevelt and Hopkins

Rose Tattoo, The (Williams), 22.1, 22.2, 23.1

Rossen, Robert, 26.1, 26.2

Rostova, Mira

Rousseau, Jean Jacques, 32.1, 37.1

Russell, Theresa, 41.1, 41.2, 41.3, 41.4

Saarinen, Eero, 32.1, 33.1, 33.2, 35.1

Saint, Eva Marie, 28.1, 28.2

St. Clement’s Protestant Episcopal Church, 36.1, 36.2

Schreiber, Lew, 16.1, 23.1, 23.2

Schulberg, B. P., 13.1, 15.1, 27.1

Schulberg, Budd, 2.1, 23.1, 27.1, 27.2, 28.1, 28.2, 28.3, 28.4, 28.5, 29.1, 31.1, 40.1

Communist Party and, 23.1, 25.1, 25.2, 26.1, 26.2, 31.1

in Hoboken, 27.1, 27.2, 27.3, 28.1

Kazan’s first meeting with

waterfront script written by

Watts riot and

Zanuck and

Schulberg, Geraldine Brooks

Schulberg, Vicki, 27.1, 28.1

Schuman, William, 37.1, 37.2, 37.3

Scorsese, Martin

Scott, Elaine Anderson, see Steinbeck, Elaine

Scott, George C., 38.1, 38.2, 38.3

Screen Directors Guild of America, 22.1, 24.1, 40.1, 40.2

screenplays:

direct experience and

pacing of

Screen Writers Guild

Sea of Grass, The, 19.1, 22.1, 22.2

blizzard scene in

costumes for

horses in, 19.1, 19.2

rear projection film used in

Seaton, George

Selznick, David O., 15.1, 15.2, 20.1

on producing

Selznick, Irene, 20.1, 20.2, 20.3, 20.4, 20.5, 20.6, 20.7, 25.1

Seven Descents of Myrtle, The (Williams)

Shadow, The

Shakespeare, William, 10.1, 21.1, 27.1, 31.1, 33.1, 33.2

Shamroy, Leon

Shanahan, Eileen, 37.1, 39.1, 42.1

Shanghai Gesture, The

Shank, Anna B., 2.1, 3.1, 32.1

Kazan encouraged by, 2.1, 2.2, 3.1, 5.1

letter to Kazan from

Shaw, Irwin, 5.1, 13.1, 18.1, 25.1, 41.1

Molly Kazan and

Sheridan, Ann

Sherwood, Robert, 18.1, 26.1, 27.1, 27.2

Shishmanoglou, Isaak (grandfather), 2.1, 2.2, 32.1

Shishmanoglou, Murda (great-grandfather)

Shishmanoglou, Odysseus (uncle), 2.1, 2.2

Shishmanoglou, Sultana (great-grandmother)

Shishmanoglou, Vassiliki “Queenie” (aunt)

Shubert, Lee

Sidney, Sylvia

Silent Partner, The (Odets), 6.1, 11.1

Silvera, Frank

Simon, Abe

Sinatra, Frank, 22.1, 28.1, 28.2

Sing Out, Sweet Land! (Kerr and Kerr)

Sismanson, Evangelos

Sister Carrie

Skin of Our Teeth, The (Wilder), 13.1, 14.1, 14.2, 14.3, 14.4, 14.5, 19.1, 20.1, 26.1, 26.2, 32.1

Aronson on

Bankhead in, 14.1, 14.2

Skouras, Spyros, 15.1, 26.1, 27.1, 27.2, 32.1, 32.2, 34.1

background of

Kazan praised by

Kazan’s HUAC testimony and, 25.1, 25.2, 25.3

Slesinger, Tess

Smith, Art

Smith, Bessie

Smith, Betty, 15.1, 15.2

Smith, Oliver

Sokolow, Anna, 24.1, 27.1, 36.1

Sokolsky, George, 26.1, 26.2

exposure of Kazan’s past threatened by, 25.1, 25.2

Sothern, Ann

Soviet Union, 9.1, 15.1

Spellman, Francis Cardinal, 24.1, 24.2, 39.1

Baby Doll attacked by, 30.1, 30.2

Spiegel, Sam (S. P. Eagle), 5.1, 15.1, 27.1, 28.1, 28.2, 39.1

Brando obtained by

Kazan’s anger with, 41.1, 41.2

Lastfogel and

The Last Tycoon and, 40.1, 40.2, 41.1, 41.2

late night calls of

Mengers’s snubbing of

as mythological figure

as negotiator

On the Waterfront and, 27.1, 28.1, 28.2, 28.3, 28.4, 28.5

Russell and, 41.1, 41.2

Splendor in the Grass, 1.1, 32.1, 34.1

Barbara Loden Kazan in

casting of

drowning scene in

Inge and, 32.1, 32.2, 32.3

Spoleto Festival of Two Worlds, 34.1, 34.2, 35.1

Stanislavski, Konstantin, 5.1, 7.1, 10.1

Stanley, Kim, 38.1, 38.2, 38.3

Stark, Ray, 34.1, 34.2

Starkey, Marion

Steiger, Rod, 28.1, 28.2

Stein, Gertrude

Stein, Sol, 33.1, 35.1, 39.1

The Arrangement and, 39.1, 40.1

Steinbeck, Elaine, 22.1, 23.1, 32.1, 32.2, 42.1, 42.2, 42.3, 42.4

Steinbeck, Gwyn, 42.1, 42.2

Steinbeck, John, 1.1, 17.1, 28.1, 29.1, 29.2, 29.3, 32.1, 39.1, 42.1, 42.2

cross-country journey of

Dean approved by

death of, 42.1, 42.2, 42.3, 42.4

depression of

on filmmaking in Mexico

Kazan advised by

marriages of, 42.1, 42.2

Nobel Prize of, 42.1, 42.2

plays and musicals written by

psychoanalysis attacked by

spinal surgery of

Viva Zapata! script written by, 22.1, 22.2, 23.1, 25.1, 42.1, 42.2

as war correspondent, 42.1, 42.2

writing warm-up of

Zanuck’s snubbing of

Steiner, Ralph, 7.1, 35.1, 35.2

Sterling Farms

Stevens, George, 22.1, 22.2, 22.3, 25.1, 27.1, 41.1

on filmmaking

Stevens, Liz

Stewart, James, 13.1, 15.1

Stimson, Henry

Stone, Lewis

Stormie Seas, 31.1, 31.2, 31.3, 32.1

Stowe, Harriet Beecher, 14.1, 14.2

Strand, Paul

Strasberg, Anna

Strasberg, Lee, 5.1, 5.2, 6.1, 7.1, 10.1, 11.1, 14.1, 18.1, 24.1, 31.1, 36.1, 38.1, 42.1

ambivalence of

Baldwin’s telling off of

Clurman and, 5.1, 8.1, 11.1, 19.1, 42.1

Crawford’s estrangement from

death of

dignity brought to actors by, 10.1, 38.1

Group Theatre dominated by, 5.1, 5.2

Kazan interviewed by

on Kazan’s betrayal of Actors Studio, 33.1, 33.2, 33.3, 34.1

Kazan’s HUAC testimony and, 25.1, 25.2

Lincoln Center Repertory Theatre and, 32.1, 32.2, 33.1, 33.2, 34.1, 35.1, 38.1

Molly Kazan and, 5.1, 35.1, 35.2

Monroe and, 24.1, 29.1, 30.1, 38.1

at Night of 100 Stars

Odets insulted by, 8.1, 8.2

resignation from Group Theatre by

Russian theatre explored by

second marriage of

Stella Adler and, 8.1, 10.1, 11.1

teaching of, 5.1, 5.2, 10.1, 10.2, 10.3, 11.1, 18.1, 33.1, 35.1, 38.1, 38.2

Tone and

Torn and, 38.1, 38.2

Strasberg, Paula, 6.1, 8.1, 9.1, 11.1, 24.1, 25.1, 25.2, 30.1, 32.1, 34.1, 35.1, 38.1

Kazan’s infidelities revealed to wife by, 13.1, 34.1

Lee Strasberg Institute, 38.1, 38.2

Streetcar Named Desire, A (film), 10.1, 19.1, 22.1, 22.2, 23.1, 23.2, 23.3, 24.1, 24.2, 25.1, 25.2, 25.3, 28.1

censorship problems of, 23.1, 23.2, 24.1, 24.2

four minutes cut from

set of

studio protests to Kazan during

Streetcar Named Desire, A (Williams), 5.1, 6.1, 7.1, 13.1, 18.1, 20.1, 20.2, 21.1, 21.2, 21.3, 27.1, 29.1

Brando in, 20.1, 20.2, 20.3

casting of, 20.1, 20.2, 20.3

Clurman and, 20.1, 20.2

Irene Selznick and

Kazan’s reservations about

opening of

other productions of

rehearsals of

Waiting for Lefty compared with

Williams’s life reflected in, 20.1, 20.2

Success Story (Lawson), 5.1, 5.2, 5.3, 5.4, 5.5, 5.6, 5.7, 6.1, 6.2, 6.3, 6.4, 7.1

Sullavan, Margaret

Summer and Smoke (Williams)

Superman

Susann, Jacqueline

Sutter’s Bakery

Sweet Bird of Youth (Williams)

casting of

television screen device in

“Sweet Georgia Brown” (Bernie, Pinkard, and Casey)

Sweet Thursday (Steinbeck)

Syndicate of Film Technicians and Workers, 23.1, 23.2

Tacloban, 17.1, 17.2, 18.1

Taksim

Tamiris, Helen, 5.1, 5.2, 15.1

Tandy, Jessica, 20.1, 20.2, 20.3, 22.1, 39.1

Brando and

Williams and

Tartuffe (Molière)

Tavenner, Frank, 25.1, 26.1

Taylor, Elizabeth, 19.1, 29.1, 32.1

Taylor, Laurette

Taylor, Robert

Tea and Sympathy (Anderson), 18.1, 27.1, 27.2, 27.3, 27.4, 27.5, 39.1

casting of

final scene of

Kazan’s revitalization of

Kerr in

Ten Blocks on the Camino Real (Williams)

Tennessee Valley Authority, 29.1, 32.1

Tenney Committee

Thacher, Alfred Beaumont

Thacher, Molly, see Kazan, Molly Day Thacher

Thalberg, Irving

theatre

Broadway

Clurman’s views on, 5.1, 42.1

collaboration in, 19.1, 21.1

communism in

failures in

film vs.

friendship in, 13.1, 13.2

themes in, 1.1, 27.1

Theatre Guild, 6.1, 15.1

Theatre of Action, 7.1, 7.2, 9.1, 9.2, 11.1, 11.2, 12.1, 14.1, 26.1

communal living in

Communist Party line followed by

improvisation in

socialist criticism meetings in

Theatre Union, 7.1, 9.1, 23.1, 24.1

They Live by Night

This Is the Army

Three Sisters, The (Chekhov), 38.1, 38.2, 38.3, 38.4

critical reactions to

Thunder Rock (Ardrey)

Tolstoi, Leo, 2.1, 17.1, 33.1

Tone, Franchot, 5.1, 5.2, 5.3, 8.1, 19.1, 19.2

Torn, Rip, 35.1, 38.1, 38.2, 38.3, 38.4

Toscanini, Arturo, 18.1, 35.1

Townsend, Ruby, 40.1, 40.2, 40.3, 40.4, 41.1, 41.2, 41.3, 41.4, 41.5, 41.6

Toy Theatre

Tracy, Spencer, 15.1, 19.1, 19.2, 19.3, 19.4, 19.5, 19.6, 19.7, 22.1, 31.1

Travels with Charley (Steinbeck), 42.1, 42.2

Treasure of the Sierra Madre, The

Tree Grows in Brooklyn, A (film), 15.1, 15.2, 15.3, 15.4, 16.1, 17.1, 17.2, 17.3, 19.1, 19.2, 19.3, 25.1, 42.1

Tree Grows in Brooklyn, A (Smith), 15.1, 15.2

Trenton Six, 27.1, 27.2

Trilling, Steve, 13.1, 24.1, 24.2

Truckline Café (Anderson), 18.1, 20.1, 20.2

Turkey, Turks:

Barbara Kazan in

Greeks and, 2.1, 2.2, 29.1, 32.1

hamals in

Kazan’s second trip to

men in, 2.1, 33.1

political trial in, 33.1, 33.2

women in

Turner, Lana

Twentieth Century-Fox, 15.1, 19.1, 19.2, 25.1, 26.1, 27.1, 27.2, 34.1

Kazan’s downfall at

27 Wagons Full of Cotton (Williams)

United Artists, 28.1, 40.1

United States:

foreign vs. native appreciation of

Molly Kazan on

Odets on

Up in Arms, 15.1, 15.2, 15.3, 15.4

Vakhtangov, Yevgeny, 10.1, 19.1, 33.1

Valentine, Marjorie, 3.1, 3.2

Van Fleet, Jo

Variety, 14.1, 37.1, 40.1

View from the Bridge, A (Miller)

Kazan’s bank loan for, 40.1, 40.2

Losey and, 40.1, 40.2

New York audience reactions to

non-union crew of

reviews of

Screen Actors Guild and

Viva Zapata!, 15.1, 22.1, 22.2, 22.3, 22.4, 22.5, 22.6, 22.7, 23.1, 23.2, 23.3, 24.1, 24.2, 25.1, 26.1, 26.2, 27.1, 27.2

Brando in

Crowther’s review of

filming of

meeting on communism in Mexico and

Mexican location desired for

negotiations with Zanuck for

official Mexican position on

Quinn in, 24.1, 24.2

script for, 22.1, 22.2, 23.1, 25.1, 42.1, 42.2

Skourass anxiety over

Zanuck’s suggestions for, 23.1, 23.2

Vizzard, Jack

Voice of America, 14.1, 16.1

Voice of the Turtle, The

Wagner, Robert, 32.1, 32.2

Waiting for Lefty (Odets), 7.1, 8.1, 8.2, 10.1, 11.1, 11.2, 25.1, 29.1, 36.1

durability of

Kazan in, 7.1, 7.2, 7.3

Kazan attacked with line from

Wald, Jerry, 15.1, 23.1

Waldorf Peace Conference

Wallace, Henry

Wallach, Eli, 27.1, 30.1

Walsh, Raoul

Wanda, 42.1, 42.2, 42.3

Wanger, Walter

War and Peace (Tolstoi), 2.1, 13.1, 13.2, 17.1

Warner, Jack, 13.1, 15.1, 19.1, 19.2, 23.1, 23.2, 24.1, 24.2, 24.3, 24.4, 25.1, 29.1, 32.1

East of Eden and, 28.1, 29.1

on Harris

Kazan and Miller accused of subversion by

A Streetcar Named Desire and

Warner Brothers, 13.1, 15.1, 15.2, 15.3, 22.1, 24.1, 27.1, 28.1, 29.1, 32.1, 34.1, 34.2, 37.1, 40.1

America America funded by

Kazan’s office at

Warton, John

Washington Square Theatre

Wasserman, Lew

Waterfront Crime Commission

Waters, Ethel, 22.1, 22.2

Waxman, Samuel, 42.1, 42.2, 42.3, 42.4, 42.5, 42.6

Wayne, David

Wayne, John

Way of All Flesh, The (Butler)

Webb, Clifton

Webber, Julie

Webber, Marguerite

Weill, Kurt, 5.1, 7.1, 11.1, 11.2, 11.3, 15.1, 15.2

Weisbart, David, 23.1, 24.1, 24.2

Weisbart, Gladys

Welch, Constance

Welles, Orson, 9.1, 9.2, 13.1, 13.2, 15.1, 17.1, 35.1

death of

Wellman, William, 15.1, 15.2, 15.3

Wenders, Wim, 42.1, 42.2

Werfel, Alma Mahler

Werfel, Franz, 5.1, 15.1

Wexler, Haskell “Pete”, 34.1, 34.2, 34.3

Wharton, Carly, 13.1, 13.2

Wharton, John, 27.1, 28.1

What Every Woman Knows (Barrie)

What Makes Sammy Run? (Schulberg), 23.1, 25.1, 27.1, 27.2

Whitehead, Robert, 1.1, 1.2, 31.1, 32.1, 32.2, 33.1, 34.1, 34.2, 34.3, 35.1, 37.1, 37.2, 37.3, 37.4, 37.5, 38.1, 38.2, 39.1, 39.2, 42.1

background of

Lincoln Center and, 37.1, 37.2

Woods’s dislike of

Widmark, Richard, 15.1, 22.1

Wilder, Billy, 15.1, 15.2, 16.1

on Miller-Monroe match

Wilder, Thornton, 13.1, 13.2, 13.3, 14.1, 14.2, 14.3, 20.1, 20.2

on direction

Pulitzer Prize won by

Wild River, 32.1, 32.2

Barbara Loden Kazan in

Williams, Tennessee, 2.1, 17.1, 20.1, 20.2, 20.3, 22.1, 22.2, 22.3, 24.1, 25.1, 25.2, 26.1, 27.1, 27.2, 29.1, 35.1, 36.1, 39.1, 40.1, 42.1, 42.2

artists as viewed by

autobiography of

Baby Doll and, 30.1, 30.2

Bel Geddes and, 29.1, 29.2

Blanche compared with

Brando adored by, 20.1, 20.2

on Camino Real

censorship of A Streetcar Named Desire and, 24.1, 24.2, 24.3

children desired by

on desire

in disagreements over Cat on a Hot Tin Roof

dual nature of

importance of work to

Kazan’s Lincoln Center offer and

Kazan’s refusal of play by

Kazan’s writing encouraged by

letters to Kazan from, 20.1, 20.2, 20.3

memorial service for

Merlo and

Miller compared with, 20.1, 21.1, 21.2, 21.3

Molly Kazan and, 11.1, 20.1, 20.2, 20.3, 24.1

on mornings

nightmares of

as outsider

Pancho and, 20.1, 20.2, 20.3, 20.4

on A Streetcar Named Desire

on Tandy

Williams College, 2.1, 2.2, 2.3, 3.1, 4.1, 4.2, 24.1, 33.1

Willkie, Wendell

Winkler, Henry

Winter of Our Discontent, The (Steinbeck), 16.1, 42.1, 42.2

Winter’s Tale, A (Shakespeare)

women, 2.1, 21.1

sexual adventures desired by

surrounding film directors

in Turkey, 2.1, 32.1

unfulfilled desires in marriages of

Wood, Audrey, 19.1, 20.1, 20.2, 27.1, 29.1

Wood, Natalie, 32.1, 32.2

Woods, George, 33.1, 33.2, 33.3, 33.4, 37.1, 37.2, 37.3, 37.4, 37.5, 42.1

Woodward, Joanne

Woolley, Monty

World Theatre Festival, 38.1, 38.2

World War I, 2.1, 5.1

World War II, 5.1, 13.1, 15.1

Wyatt, Jane

Wykagyl Country Club, 2.1, 4.1

Wyler, William, 10.1, 11.1, 15.1, 22.1, 22.2, 22.3

on directing

Wynn, Ed

Yale Drama School, 1.1, 4.1, 4.2, 6.1, 23.1, 24.1, 27.1, 36.1, 42.1

faculty of

Kazan at, 4.1, 24.1

mannered acting taught at

Yale University

Yank, 16.1, 16.2, 17.1

Yearling, The (Rawlings)

Yeremia, Stellio, 29.1, 29.2, 34.1, 39.1, 39.2

in Athens

George Kazan and, 29.1, 29.2

Yeremia, Vili, 29.1, 4.1

Young, Stark

Young Go First, The (Martin, Scudder and Freidman), 7.1

Zanuck, Darryl F., 15.1, 15.2, 15.3, 16.1, 19.1, 20.1, 22.1, 22.2, 22.3, 23.1, 23.2, 23.3, 24.1, 24.2, 25.1, 27.1, 28.1, 28.2, 28.3, 36.1, 42.1, 42.2

Boomerang script and

croquet party of

demise of Kazan’s relationship with, 27.1, 27.2, 32.1

as family man

film editing of, 15.1, 24.1

film style of, 15.1, 15.2, 20.1

Gentleman’s Agreement and

The Golden Warriors and

The Hook refused by

importance of work to

Kazan esteemed by, 16.1, 16.2, 17.1, 18.1, 19.1, 20.1, 22.1

Kazan’s first meeting with

Kazan’s HUAC testimony and, 23.1, 25.1, 26.1, 26.2

Kazan’s respect for

Man on a Tightrope and, 26.1, 26.2, 26.3, 27.1, 27.2

On the Waterfront rejected by

Schulberg’s meetings with

on social issues in films

son fired by

Steinbeck snubbed by

telegrams to Kazan from

vanity of

Viva Zapata! and, 23.1, 24.1, 24.2

Zanuck, Darrylin

Zanuck, Richard

Zanuck, Virginia, 15.1, 27.1

Zapata, Emiliano, 22.1, 23.1, 24.1, 42.1

see also Viva Zapata!

Zeta Psi fraternity

Zola, Emile

Zolotow, Sam