A
Accent lights, 99–100
Adobe Lightroom, 108
Adobe Photoshop, 108
Angle of incidence/reflectance, 99–102
Assistant, working with, 62–63, 119
B
Background control, 56, 72, 83–85, 116–19
Background extractions, 100
Backlighting, 110–14
Basic daylight exposure, 20–24
C
Clipping, highlight/shadow, 30–31
Clothing selection, 120
Color temperature, 103–8
Contours, revealing, 94–95
D
Daniel, Gregory, 8–9
Diffusing light, 50–56
Direction of light, 10–11, 29, 94–102, 115–6
Direct sun, 109–11
E
Exposure, appropriate, 17–20, 20–24, 25–31
Exposure, balancing flash/ambient, 76–80
Exposure reciprocity, 16–17, 20–24
Expression, 124
Exterior lighting, adding, 121
Extractions, digital, 100
F
File formats, 108
Film photography, 11–13
Flash equipment, 85–86
Flash plus ambient, 29, 75–93, 120–23
Flash triggers, 85–86
Furniture, moving, 119
G
Garage doors, 66–67
H
High-speed flash sync, 85
Histograms, 30–31
Home, client’s, 119–24
Hull, Rob, 44–45, 60–61, 64–65, 70, 118
I
Incident light meters, 27–29
Intensity, sun, 14–15
Inverse Square Law, 36–39
K
Kelvin settings, 103
Kicker lights, 99–100
L
LCD screen
Light meters, 24–29
Light ratios, 72–74
Location portrait settings, 109–24
Location scouting, 119
Lundy, Mandy Lynn, 122–24
M
Metering, 17–20, 20–24, 24–31, 72–74, 76–80, 87–89, 96–99
O
Overhead light, blocking, 60–67
P
Panels, diffusion, 54–56
Panels, subtractive, 57–58
Percentage metering, flash, 87–89
Planning, 120
Porches, 64–65
Posing, 124
Q
Quality of light, 32–49
R
Reflected light meters, 25–27
S
Scrims, 54–56
Size of light source, 34–36, 114
Subtracting light, 57–67
Sunlight, direct, 109–11
Sunlight, indirect, 113–14
Sunset, 19
T
Texture, revealing, 95–96
Three-dimensional contrast, 38–49
Trees, 60–63
True tonality, 38–39
W
White balance, 103–8
Whitmire, Ken, 109
Window light, 113–19