Naples, 23, 33, 101, 190, 235, 241, 253, 286, 380, 390n20, 443
Negri, Cesare, 400, 403, 406, 407, 409, 411, 412, 413, 415, 417, 418, 419, 420, 421, 423, 424n6, 425n22, 425n23, 452; La Battaglia, 420; Bizzarria d’amore, 409; Le Gratie d’amore, 402, 427n104
Neopolitans, 41
Nicolai, Johann Michael, 221, 343, 452
Nivers, Guillaume-Gabriel, 250, 252, 265, 267, 452
noël, 444
non-harmonic tones, 141, 143–144, 148n49
North, Roger, 30n107, 33, 103, 186, 190, 225n5, 285, 346, 452
North German Organ School, 261
Notari, Angelo, 29n92, 452; A la caccia, viii, 324
notes inégales, inégalité, 17, 93, 200, 207n58, 267, 268
Notre Dame, 46
Novom, Johanna, 206
Nuremberg, 74, 81, 83, 96n65, 120, 123, 132n7, 135, 145, 146n11, 220, 222, 239, 244n21, 336, 378, 431
Nurse, Ray, 226n23, 286n1, 286n10, 287
obbligato, 12, 44, 45, 59, 102, 103, 107, 139, 223, 275, 278, 279, 280, 393n52
Oberon (masque), 442
oboe, 71, 85, 88–99, 106, 384; hautbois, hoboys, 83, 85, 88, 89, 97n85, 106; hautbois de Poi[c]tou, 87, 98n99; oboe band, 87, 89, 90, 98n122; oboe consort, 409; taille, 84, 85, 89, 90, 97n83, 98n123, 98n124
O’Dette, Paul, v, vi, 272, 461, 462
Őller, Georg Nicolaus, 123, 452
Olsson, Dorothy, vi, 397, 427n84, 427n88, 428, 509
opera, xv, xvi, 9, 11, 13, 23, 26n20, 26n35, 30, 31, 37, 50, 60, 146, 220, 222, 240, 243n5, 261, 265, 275, 277, 278, 293, 320, 333, 339, 340, 343, 344, 347, 348, 362, 363, 366n29, 384, 386, 387, 402, 426n61, 430, 433–445; music director, 439; stage director, 438, 439, 401; stage manager, 439; opera chorus, 47; opera house, 32, 44, 319; opera production, 433, 439, 441
Operathon, 384
oratorio, xvi, 143, 166n41, 212, 230, 270, 294, 340, 343, 359
orchestra, 11, 79, 80, 88, 89, 145, 174, 222, 241
organ, 57, 59; continental organ, 382; organist(s), 62, 72, 84, 128, 144, 231, 234, 249, 250, 251, 252, 254, 257, 258, 261, 262, 318, 323, 332, 336, 380, 382, 383, 385, 391n35; organ music, 261, 264, 265; organ pipes, 276, 278; organ pitch, 377, 379, 383, 384, 385, 392n46; organ verset, 60; pedal (organ), 240, 253, 254, 261; positive, positif, 265; Rückpositif, 254; tremulant stop, 128, 314n25
ornament, 6, 15, 23, 34, 35, 36, 51, 198, 263, 299, 300, 302, 304–308, 311–313, 332; ornamentation, vi, xi, 6, 7, 9, 16, 17, 18, 34–39, 40, 42n21, 42n31, 50–52, 55, 61, 63, 65n47, 65n50, 100, 127, 141, 142, 181, 182, 193, 194, 198, 199, 207n34, 207n35, 207n52, 207n53, 218, 223, 226n21, 230, 244n20, 261, 265, 266, 294–316, 319, 332, 350, 423, 458, 462; ornaments of fluctuation, 6, 302, 303, 310, 311
Ornithoparcus, Andreas, 3, 25, 30, 50, 352, 365n6, 452
Orologio, Alessandro, 135, 146n10, 453
Ospedale dei Mendicanti, 226n17
Otterstedt, Annette, 225n1, 230
overtone, overtone series, 138, 143, 144, 147n35, 159
overture, 363
pabana, 405
Pachelbel, Johann, 67, 453; Hexachordum Apollinis, 261
Padua, 58, 64n25, 213, 234, 427n94; church of San Antonio, 57
Palermo, 213
Palestrina, Giovanni Pierluigi da, Missa sine nomine à 6, xv, 102, 453
Pallavicino, Carlo, 243n5, 453
Palmer, Francis, 453; New Booke of Tabliture, 285
Panofsky, Margaret, 225n8
Paradetas, las, 405
Paras, Jason, 226n19, 226n20, 226n21, 226n22, 230, 344n2, 346
Paris, 205, 206, 207n53, 219, 229, 230, 262, 397, 430, 444; Sainte-Chapelle, 46, 47
Parisi, Susan, 65n40, 65n44, 66
parlando, 12
Parma (Emilia Romagna, Italy), 233, 237, 238, 240, 242
Parrott, Andrew, 66n53, 245n38, 246, 385, 391n34, 393n49, 393n51, 393n52
partbook, 45, 115, 228n52, 241, 273, 320, 321, 342
Pasch, Johann Georg, 398, 405, 407, 412, 418, 419, 425n34, 428, 428n108, 453
paseo, 260
Pasquini, Bermardo, 259, 270n32, 321, 344, 453
passacaglia, passacaille, 208, 257, 262, 265, 412, 416
passagework, 48, 52, 193, 216, 231, 240, 244, 257. See also diminutions; division(s); figuration; passaggi
passaggi, viii, 6, 11, 18, 25n6, 25n9, 25n14, 25n16, 26n18, 42n44, 43, 52, 54n47, 61, 108, 127, 191, 193, 194–195, 199, 200, 206n27, 207nn36–41, 208, 226n21, 293, 294, 295, 296, 299, 300, 301, 301, 302, 303, 304, 306, 310, 310, 311, 311, 312n4, 314n12, 315
passamezzo, passo e mezzo, passing measures, 400, 402, 413, 416, 417, 423, 431; passamezzo antico, 416; passamezzo moderno, 416
Passau, 190
passepied, paspy, 264, 397, 400, 416, 427n93
passion, passions, xvi, 3, 5, 14, 49, 50, 133, 221, 232, 301
Pater, Jean-Baptiste Joseph, 190, 453
Pauls, Karl Heinz, 228n57, 427n79
pavan, pavane, pavana, pavin, 97n79, 115, 129, 178, 214, 257, 326, 397, 398, 399, 400, 402, 404, 408, 409, 413, 415, 416, 417, 425n29, 430, 431; pavaniglia, pavan d’Espagne, Spanish pavan, 399, 402, 407, 408, 417, 425
Pécour, Louis Guillaume, 401, 453
pedal (organ). See organ
Pederzuoli, Giovanni Battista, 343, 453
Penna, Lorenzo, 245n41, 324, 326, 328, 331, 332, 333, 337, 345n25, 345n49, 360, 361, 366n26, 453
penny whistle, 73
Pepys, Samuel, 80, 95, 105n55, 148n49, 264, 271n40, 453
percussion, v, 150, 151, 153, 154, 164, 165, 166, 167, 409
perfection, 16, 24, 28, 49, 144, 259, 349, 350
Peri, Jacopo, 6, 9, 24, 318; L’Euridice, 443
Perti, Giacomo Antonio, 67, 241
Peters, Gordon, 166n27
petit choeur, 47
Peuerl, Paul, 431
Pezel, Johann, 67, 114, 135, 453
Phalèse, Pierre, 413, 426n68, 430, 453; furlano l’arboscello, 413; Löwener Tanzbuch, 408
Philidor, Andre Danican, Sr., 426n51, 432, 453; Marche pour deux timballiers, 160
Philip III, King of Spain, 23, 453
Philip IV, King of Spain, 23, 453
Philips, Peter, 261
Phillips, Elizabeth, 227n39
Piacenza, church of Santa Maria di Campagna, 57
piano (dynamic), 34
piano (instrument), 249, 250, 255; pianists, 248, 255, 293, 308, 326
Picart, Peeter, 219, 228n55, 453
Picchi, Giovanni, 112, 130, 453
Piccinini, Alessandro, 273, 275, 280, 281, 285, 286n2, 287, 287n45, 324, 345n21, 453
piffari,100, 101, 102, 116n2, 121, 122, 136
Piffaro, Bernardino, 116n2, 117
pinching, 93
Pinnock, Andrew, 148n49
pirouette (shawm), 85
pirouettes (dance), 400, 406, 407, 418
Pisa, Agostino, 353, 365n9, 453
Pistocchi, Giuseppe, 36, 39, 41, 453
pitch, vi, x, xi, xiii, 5, 6, 8, 12, 13, 14, 15, 18, 19, 24, 30n107, 36, 39, 48, 52, 55, 57, 62, 63, 66n53, 72, 75, 76, 78, 79, 80, 82, 84, 85, 87, 88, 89, 91, 94n24, 94n31, 95n39, 96n57, 96n69, 97n91, 98n120, 98n124, 99n128, 104, 108, 110, 117n11, 119, 120, 121, 122, 123, 124, 125, 131n3, 131n6, 132n9, 136, 137, 142, 146n17, 147n19, 152, 154, 158, 159, 160, 166n38, 176, 179, 209, 225n3, 230, 236, 238, 239, 240, 269n1, 273, 274, 275, 302, 308, 309, 310, 311, 326, 337, 338, 339, 342, 364n1, 370, 374n7, 375–393, 437, 438, 462; Cammerton, Kammerton, 136, 146n17, 147n19, 377–382, 384, 392n36; chapel [chappell] pitch, 115n39, 383; consort pitch, 383, 392n39; Continental pitch, 382; pitch distortion, 12; pitch fluctuation, 6, 8, 12, 18, 19, 30; pitch standard, 24, 62, 72, 75, 79, 80, 82, 108, 117n11, 120, 125, 149n19, 374n7, 375, 376, 378, 379, 380, 383, 385, 388, 389, 389n9, 390n12, 390n29; Roman pitch, 380; vocal pitch, 381, 382, 389
pizzicato, 166n39
Plank, Steven E., v, 41n8, 133, 510
Planyavsky, Alfred, 246
Platti, Giovanni Benedetto, 235, 244n21, 453
Playford, John, 22, 23, 30, 271n37, 284, 354, 419, 428, 429, 453; A Breefe Introduction to the Skill of Musick, 22, 23, 30n101, 30n103, 30n106, 48, 50, 52, 54, 54n28, 188, 194, 196, 203n6, 203n7, 204n13, 207n35, 207n47, 208, 213n7, 217, 271n37, 315; The Division Violin, 181, 183, 183n2, 186, 187, 188, 203n7; The English Dancing Master, 404, 406, 412, 426n51, 427n79; A Musical Banquet, 216; Musick’s Delight on the Cithren, 284, 287n39; Musick’s Recreation on the Viol, lyra Way, 216, 217, 218, 230; Parson’s Farewell, 410, 419, 426n51, 427n79, 428, 429; Theatre of Music, 341
plein jeu, 265
plucked string instruments, v, 272, 364n1
Poglietti, Alessandro, 114, 262, 453
polychoral, 56, 64n6, 107, 156, 240, 338, 339, 342
Pomeranian, 5
pommer. See shawm
pop singing, 15
Porpora, Nicola Antonio, 235, 244n20, 453
Porta, Ercola, 130
portar la voce, 306
port de voix, 17, 29n69, 50, 253, 270n15
Porter, Walter, 22
posaun. See trombone, sackbut
positif. See organ
Poulton, Diana, 287
præambulum, 257, 261, 268, 348
praelude, praeludium, 263
Praetorius, Michael, ix, xiii, 17, 18, 19, 26n22, 29n75, 29n81, 29n89, 30, 56, 57, 59, 63n2, 64n17, 64n18, 64n27, 65n29, 65n46, 66, 68, 72–78, 81–86, 93n3, 93n13, 93n14, 93n15, 94nn17–19, 94n25, 94n27, 96n67, 96n75, 96n80, 98n120, 104, 105, 106, 107, 108, 114, 117n18, 119, 120, 120, 121, 121, 125, 127, 131n1, 131n2, 131n3, 131n6, 132n7, 135, 136, 137, 142, 146n9, 146n18, 147n19, 147n20, 147n21, 147n25, 147n31, 147n37, 147n42, 150, 151, 151, 152, 154, 155, 156, 165nn5–6, 165n8, 165n16, 165n17, 166n31, 166n34, 177, 192, 204n14, 206n31, 221, 221, 222, 225n2, 225n3, 226n22, 228n66, 230, 236, 237, 245n30, 246, 251, 252, 256, 269n7, 270n25, 273, 285, 287n44, 287n46, 310, 313, 315, 320, 324, 332, 336, 342, 345n18, 345n46, 345n58, 348, 355, 356, 358, 359, 365n7, 365n16, 365nn19–20, 371, 373n2, 374, 377, 378, 379, 380, 381, 382, 383, 387, 388, 389nn5–8, 389n12, 390n14, 392n46, 393n59, 393n60, 400, 414, 418, 427n74, 427n75, 429, 431, 453, 509; Allein Gott, 357; La Bourée, 410; Erstanden ist der heilge Christ, 357; In dulci jubilo, 138, 156, 165n26; Musarum Sioniarum, 357; Polyhymnia caduceatrix et penegyrica, 114, 138, 156; Puericinium, 359; Surrexit Christus, 113, 357; Syntagma Musicum II (see Syntagma Musicum II); Syntagma musicum III (see Syntagma Musicum III); Terpsichore, 230, 348, 400, 410, 411, 427n74, 427n78, 429, 431; Urania, 357
prelude, prélude, vii, 72, 95n44, 180, 256, 257, 260, 261, 262, 265, 267, 268, 269, 348, 364n2; unmeasured prélude, 268, 364n2. See also præambulum; praelude; præludium
préludes non mesures, 348
Pressacco, Gilberto, 426n67
Price, Curtis, 230
principal, principale (trumpet), 136, 138
Prinner, Johann Jacob, 186, 187, 188, 190, 203n2, 204n15, 208, 453
Printz, Wolfgang Caspar, 19, 20, 29n81, 29n82, 29n83, 29n85, 29n86, 29n87, 29n88, 30, 41n1, 43, 361, 362, 366n28, 366n32, 453
Priuli, Giovanni, 67, 118, 343, 453
program music, 262
pronunciation, 5, 13, 14, 17, 18, 20, 22, 25n5, 27n53, 30, 48, 49, 50, 54, 61, 65n46, 66, 117, 462. See also diction; enunciation
proportion, 20, 63, 77, 78, 88, 193, 219, 347, 350–362, 366, 367, 369, 391n27, 409, 423, 435, 459; proportion sign, 351, 354, 355, 362; proportio sesquialtera, 351, 353, 355, 357, 358, 359, 362; proportio tripla, 351, 355, 357, 358, 360, 362, 363; submultiple proportions, 360; superparticular proportions, 360
Protestant, 44, 55, 56, 59, 260, 261; Protestant church, 260
psalm, 33, 45, 46, 47, 68, 114, 118, 138, 139, 156, 324, 339, 345n17, 346, 357; psalm motet, 138
Puglisi, Filadelfio, 94n25, 95n39, 391n27
Puliaschi, Giovanni Domenico, 300, 315, 323, 345n13, 453
punteado, 283
Purcell, Henry, 140, 147n35, 174, 207n35, 208, 227n34, 263, 271n37, 278, 279, 341, 370, 428, 453; A Choice Collection of Lessons, 263; Come Ye Sons of Art, 442; Dido & Æneas, 433–438, 440–442, 444, 445n2; Dioclesian, 137, 442; The Fairy Queen, 137; “How pleasant is this flow’ry plain,” 278; The Indian Queen, 137, 442; In nomine, 215; King Arthur, 442; Sonatas in III Parts, 342; Sonatas in IV Parts, 342; The Tempest, 442; Timon of Athens, 442
Pure, Michel de, Idee des spectacles, 401, 449
pyramid. See vocal pyramid
Pythagorean pitch ratios, ditone, ditonic, 158, 369
Quantz, Johann Joachim, 27n40, 72, 93n3, 99n128, 234, 243n12, 246, 453
quartertone, 12, 376, 382, 384, 392n38, 392n39
Queen Anne, 53n6
Quiclet, Mr., 383
quire, 103; quire pitch, 382, 389n3
racket, 86, 87, 98n98, 98n106, 461
radoppiate, 300
Ragin, Derek Lee, 11
Raguenet, François, 27n48, 453
Raison, André, 265, 270n15, 453
Rameau, Jean-Philippe., 47, 253, 453
Rameau, P(ierre), Le maître a danser, 402
Ranum, Patricia, 27n52, 30, 95n38, 99n125
Raoul, Jean-Marie, 246n45, 453
Rasch, Rudolf, 227n50, 228n52, 228n58, 230
Rauschpfeiffen, 86. See also Schreierpfeif
Raymon (lutenist), 266
Rebel, Jean-Féry, 206, 208, 453
recitative, 3, 7, 12, 14, 21, 329, 333, 340, 342, 347, 348, 359
récit de trompette, 265
recorder, recorder family, x, xii, 71–83, 88–99, 102, 103, 107, 109, 168, 213, 220, 318, 333, 364n1, 376, 383, 384, 388, 390n15, 426n51, 430, 461; fipple flute, ix, 151, 153; fluste à neuf trous, 73; fluste à six trous, 73; fluste à trois trous, 73; flute à bec (recorder), 79, 81, 95n47; flûte d’Allemagne, flûte allemande, 79, 95n47; flûte d’Angleterre, 79; flûte douce, doltzflöten, 73, 75, 81, 95n47; flûte traversière, 95n47; gar kleine Plockflötlein, 75; quartflöte, 82, 97n78; register, 74, 78, 90, 91, 92, 96n66; Swiss fipple flute, ix
reeds, reed instruments, 79, 82–89, 92, 98n115, 101, 116n2, 390n15, 391n30, 458, 461
reentrant tuning. See tuning
Reformation, Protestant, 190, 260
Regensburg, 262
Reggio, Pietro, The Art of Singing, 22, 30n104, 453
register, 391; register, vocal, 7, 8, 11, 16, 39, 43n44; register break, 39, 91. See also specific instruments
registration, organ, 259, 265, 324
Reiche, Gottfried, 67, 135, 137, 147n22, 148n57, 453
Reilly, Edward, 243n12
Reincken, Johann Adam, 221, 453
Remnant, Mary, 93
Restoration (English), 22, 51, 174, 331, 341, 382, 389n3
rhetoric, rhetorical, 5, 8, 20, 21, 30n95, 192, 193, 207n33, 230, 249, 253
ribattuta di gola, viii, 6, 307
Riccio, Giovanni Battista, 112, 113, 453
ricercare, 118, 210, 256–258, 262, 266, 270n29, 431
Richard family, 270n35
Riedel, Friedrich, 147n34
rigaudon, rigadoon, 417
ripieno, 56–58, 61, 102, 107, 109, 113, 234, 308
Robertson, Michael, 426n55, 428
Robinson, Thomas, 95n39, 445, 453; New Cilharen Lessons, 284; The Schoole of musicke, 217, 218
Roche, Jerome, 56, 64n4, 64n17, 66, 113, 117, 129, 132n17
Rodgers, Julane, 269n1, 269n2, 269n10
Rogniono, Richardo, 213
Rognoni Taeggio, Francesco, 129, 191, 193–195, 200, 206n27, 307, 309, 311, 313–315; Selva di varii passaggi, viii, 191, 306, 310, 311, 315
romanesque, 397
Rome, ix, 9, 13, 101, 144, 190, 195, 213, 214, 225n14, 233, 240, 241, 245n37, 275, 281, 293, 294, 308, 311, 315, 318, 340, 380, 390n20, 396, 402; Concerto Capitolino, 102; papal chapel, 33, 60, 233, 346; Roman dialect, 5; Roman opera, 434, 435; Roman oratorios, 320; Roman organs, 144, 380; Roman pitch, 380; Sistine Chapel, 11, 26n38, 56, 57, 65n39; St. Peter’s basilica, 56, 257, 258, 380
Rosand, Ellen, 26n35, 26n37, 30, 445
Rose, John, 217, 284, 344n7, 346, 453
Rosenkron, Nikol, 83
Rosenmüller, Johann, 68, 320, 342, 453
Ross (= John Rose?), 217
Rosseter, Philip, Lessons for Consort, 216, 227n42, 453
Rossi, Luigi, 39, 340, 453; Orfeo, 319
Rossi, Salomone, Gagliarde, 334, 453
Rostirolla, Giancarlo, 64n9, 65n31, 66
Rotterdam, 219
rotto, 34
Rousseau, Jean, 27n48, 211, 224, 227n49, 229n80, 230, 267, 271, 359, 362, 363, 366n34, 453; Traité de la viole, 224
Rovetta, Giovanni, 113, 339, 453
Rovigo, Francesco, 113, 115, 453
Ruckers, Hans, 264
Ruckers, Jean, 264
Rückpositif. See organ
Rudolf II, Holy Roman Emperor, 135, 454
Rule of down-bow, 174, 196, 198
Russell, Tilden, 243n8, 246, 287
Russo, Paolo, 117
Sabbatini, Galeazzo, 333, 336, 454
Sabol, Andrew J., 425n23, 428, 429, 442
sackbut, sacqueboute. See trombone, sackbut
Sadie, Julie Anne, 230, 286n18, 344, 346
Sadie, Stanley, 54
Saint Cecilia’s Day, 142
Saint-Hubert, M. de, La Maniere de composer . . . les ballets, 401, 454
Saint-Lambert, Michel de, 251, 252, 267, 268, 270n15; Les principes du clavecin, 252, 269n8
Saint Mark’s in Venice, 56, 58, 134
saltarello, saltarelle, 402, 410, 416, 417, 426n71, 427n99, 430, 431
Salter, Humphrey, 91, 94n34, 454
Salzburg, 156, 184, 190, 195; cathedral, 56, 57, 59, 156
Sances, Giovanni Felice, 103, 106, 114, 116, 280, 343, 454
Sandman, Susan, 98n100
Sanford, Sally, v, 3, 25–30, 65n46, 65n47
Santa Maria, Tómas de, 23, 269n1, 269n10
Santucci, Ercole, 398, 403, 406, 407, 413, 414, 417–420, 424–428, 454
Sanz, Gaspar, 337
saraband, sarabande, zaravanda, seraband, 198, 202, 257, 263, 288, 359, 397, 400, 401, 405, 412, 415, 418, 431, 432, 440
Sartori, Claudio, 270n30, 315, 316
Satoh, Toyohiko, 287
Saunders, Steven, 84–86, 226n20, 230, 475
Savage, Roger, 445
Savan, Jamie, 118
Sawkins, Lionel, 27n39, 27n50, 30, 46, 54
Scaletta, Orazio, 40, 304, 307, 313–315, 454
Scarlatti, Alessandro, 66, 143, 259, 321, 340, 344n9, 454
Scarlatti, Domenico, 259, 283, 454
schalltrichter, 158–160
Scheidemann, Heinrich, 261, 454
Scheidt, Samuel, 66, 114, 208, 254, 261, 270n21, 342, 454; Est-ce Mars, 260, 261; Fortuna, 261
Schein, Johann Hermann, 68, 76, 114, 431; Banchetto Musicale, 128, 220, 228n60; Hosiana, dem Sohn David, 83
Schelle, Johann, 68, 94n28, 156, 454
Schenck, Johann, 220, 454; L’echo du Danube, 220, 228n57, 228n62; Le Nymphe di Rheno, 220, 228n57; Scherzi musicali, 220, 225n11, 228n57; Uitgevonende tyd en konst-oeffeningen, 220
schläge, 161–163
schlagmanieren, 161
Schleswig-Holstein, court of, 114, 220
Schlundt, Christena, 428
Schmelzer, Johann Heinrich, 108, 114, 183, 186, 187, 190, 204n12, 208, 221, 343, 426n51, 454; Sonata à 7 Flauti, 77, 94n29
Schmid, Mandred, 246n41
Schneider, Herbert, 230
Schnitzer, Anton, 124, 137, 454
Schnoebelen, Anne, 147n34, 346
Schratt[enbach], Hans Rauch von (woodwind maker), 75
Schreierpfeif, 86, 87, 461. See also Rauschpfeiffen
Schulze, Christian Andreas, 108, 454
Schünemann, Georg, 147n27, 346
Schütz, Heinrich, xiii, xvii, 55, 59, 76, 106, 109, 114, 139, 147n30, 221, 320, 332, 335, 342, 454; Attendite, popule meus, 130; Benedicam Dominum, 107; Buccinate in neomenia tuba, 139; Dafne, 444; Danket dem Herren, 138; Fili mi Absalon, 130; Kleine geistliche Konzerte, 359; Musicalische Exequien, 319, 322, 324; Psalm, 156, 345n17; Psalmen Davids, 68, 114, 118, 138, 324, 345n17, 346; Symphoniæ sacræ, 107, 114, 342; Weihnachts-historie, 342
schwägel (tabor pipe), 75
Schwartz, Judith, 428
Schwendowius, Barbara, 230
Schwerin, 280
Scipriani, Francesco, 235, 246, 454
scivolato, 32
scordatura tuning. See tuning
Segerman, Ephraim, 225n3, 230, 245n25, 389n9, 389n11, 392n39, 393n61
Selfridge-Field, Eleanor, 96n76, 117, 230
Selma y Salaverde, Bartolomeo de, 237, 454
semibreve, 299, 314, 348–356, 358–361, 419
semiminim, 358–362, 365n16, 366n30
Semmens, Richard, 99n125, 99n126, 99n128
sesquialtera, 351, 353, 355, 357, 359, 362
Severi, Francesco, 315
Sexton, Peggy, 167
sgagateata, 32
Shaw, William, 148n51
shawm, ix, 59, 71, 75, 82–88, 90, 95n46, 96n75, 96n76, 97n79, 97n85, 97n94, 100, 103, 115, 116n2, 119, 152, 377, 383, 385, 388, 391n30, 461; Catalan shawms, 85; nicolo shawm, 83; schalmey, 83, 85, 97n78, 97n85, 98n113; shawm band, 84, 86, 90, 97n79, 97n94
Sherman, Bernard, 43
Sherman, Joy, 26n6, 26n7, 26n8, 30, 52, 53, 54, 54n27
Sherr, Richard, 63n2, 64n10, 66
Sicard, Michel, T. A., 230
Silesia, 244n23
Simonneau, Charles, 95n53, 454
Simpson, Christopher, The Division-violist, 186, 187, 203n7, 203n8, 207n47, 208, 216–220, 227n48, 228n60, 230, 345n24, 346, 354, 365n13, 454
Simpson, Thomas, 217, 220, 430, 431, 454
sinfonia, 131, 243n5, 341, 386, 387
sistro, 154
slide trumpet, 100
slur, 35, 92, 141, 176, 195, 200, 270n15, 314n25
Smit, Lambert, 243n6, 243n10, 246n43
Smith, Anne, 93n11, 94n28, 94n30, 390n24, 393n47
Smith, David Hogan, 124, 132n13
Smithers, Don, 135, 138, 146n1, 146n4, 146n8, 146n10, 146n16, 147n24, 147n28, 147n33, 148
Snyder, Kerala, 64n17, 64n22, 65n29, 65n32, 65n33, 65n37, 65n51, 66, 97n78, 323, 342, 346, 374, 374n6, 391n30
Society for Seventeenth-Century Music, xv, 116
Soderini, Agosto, 113
Soderlund, Sandra, 251, 269n1, 269n2, 270n14
soft instruments, 35, 46, 47, 86, 106, 142, 166n30, 324
soft palate, 32
solo song, solo singing, xvi, 8, 20, 44, 318, 319, 333, 339, 341, 366
sonata, vii, viii, xvi, 76, 117, 125, 128, 129, 130, 131, 138, 139, 140, 140, 144, 145, 182, 193, 204n11, 206, 223, 229, 235, 244n23, 314n25, 323, 354, 357; sonata da camera, 340; sonata da chiesa, 340, 344n8; Sonata pian e forte (see Gabrieli, Giovanni); trio sonata, xvii, 115, 117, 225n13, 229, 340, 346
sordunen, 86
soundboard, 273
spagnoletta, espagnolette, 402, 403, 418, 427n104
Sparti, Barbara, 425n19, 425n24, 425n25, 425n26, 425n28, 426n70, 427n104, 428
speech mode, 7, 12, 21. See also declamatory style
Speer, Daniel, vii, 114, 125, 128, 129, 147n29, 157, 158, 162, 166n29, 454; Grundrichtiger Unterricht, 82, 132n14, 165n25; Vierfaches musikalisches Kleeblatt, 162, 166n44
Spencer, Robert, 285, 286n3, 286n11, 286n27, 287, 287n41
Speth, Johann, Ars magna, 254, 270n22, 454
spinet, 264, 339, 342, 343, 374
Spink, Ian, 22, 29n92, 30, 30n103, 54, 227n43, 230, 286n25
sprezzatura, 8, 9, 24, 294, 295, 313n3
Staden, Johann, 328, 336, 343, 454
Stadtpfeifer, 102, 104, 107. See also piffari; municipal bands; waits, waits’ pipes
stamientienpfeiff, 75
Ste. Colombe, Le Sieur de, 221, 223, 224, 229n72, 454
Steffani, Agostino, 280, 343, 454
Steigleder, Johann Ulrich, 261, 454
Stein, Louise, 24, 30n109, 30n112, 286n33, 287, 344, 346, 444, 445
Steinkopf, Otto, 148n50
Stevenson, Robert, 30, 30n110, 427n102
stile brisé, style brisé, style luthée, 15, 223, 261, 266, 267
stile rappresentativo, 7, 12, 26n20, 347
stile recitative. See recitative
Stockholm, 123
Störl, Johann Georg Christian, 114, 454
Stradella, Alessandro, 22, 39, 454
strascino, 35
Strauss, Christoph, 107, 454; Missa Veni sponsa Christi, 139
strawfiddle, 154
stringed instruments, 107, 377
string ensemble, 140, 320, 339, 341, 344
string quartet, 89
strings, 45, 46, 58, 62, 79, 107, 172, 175, 179, 180, 187, 189, 191, 212, 213, 214, 218, 226n17, 227n36, 232, 233, 234, 235, 237, 238, 239, 240, 242, 244n20, 244n21, 256, 269n1, 272, 273, 274, 276, 278, 280, 282, 283, 284, 285, 319, 320, 333, 339, 341, 343, 377, 381; gut strings, 191, 192, 231, 236, 272, 276; metal-strung, 286; plucked strings, 213, 226n17, 458; wire-wound, 231, 236, 238, 242
Strozzi, Barbara, 24, 454; Cieli, stelle, deitadi, 359
Strunk, Oliver, 25n13, 26n22, 26n25, 30, 225n11, 230, 315, 344n1, 346, 366n38
Stuart court, 442
stylo ecclesiastico, 462
stylo oratorio, 359
stylus phantasticus, 348
suite, 223, 235, 242n3, 263, 407, 410, 411, 412, 414, 415, 426n55
Susato, Tielman, 425n40, 454; Danserye, 429
Sutton, Julia, 424n6, 424n16, 425n21, 425n27, 425n35, 427n91, 427n96, 427n99, 427n100, 427n105, 427n106, 428, 428n11, 428n12
Swabian dialect, 5
Sweelinck, Jan Pieterzoon, 256, 259, 260, 261, 263, 454; Est-ce Mars, 260, 261; Mein junges Leben hat ein End’, 260
Syntagma Musicum II, ix, 72, 73, 82, 93n4, 94n17, 96n67, 97n80, 120, 121, 131nn1–2, 146n18, 147nn20–21, 147n37, 151, 152, 155, 158, 165n5, 165n8, 165n16, 166n31, 166n34, 221, 225n2, 226n22, 228n66, 230, 234n25, 245n30, 246, 251, 269n7, 287n44, 373n2, 374, 378, 388, 389nn5–8, 390n14, 393n60
Syntagma Musicum III, 17, 29n75, 29n81, 29n89, 30, 63n2, 64n17, 64n18, 65n29, 65n46, 66, 72, 75, 76, 93n4, 93nn13–15, 94n19, 94n26, 96n75, 107, 142, 146n9, 147n25, 147n42, 204n14, 206n31, 270n25, 279n25, 315, 333, 336, 345n18, 345n46, 345n58, 355, 365n7, 365n16, 365n19, 365n20, 388, 393n59
tablature, 93n11, 363; angélique, 280; flute, 93n11; guitar, 280; keyboard, 364n1; lute, 280, 364n1, 408, 419; lyra viol, 216, 227n36, 364n1; mandore, 285; theorbo, 279, 364n1; three-holed tabor pipe, flageolet, 73; viola da gamba, 218, 223, 229n76, 238n38, 364n1; violin, 180, 237
tableaux vivants, 442
tabor, 75, 152, 153, 165n7, 409; tabor pipe, 73, 75
Tabourot, Jehan, 165n7, 167, 424, 447, 454
Tabulatura Nova. See Scheidt, Samuel
tactus, 347, 350, 351, 352–363, 367
Tagliavini, Luigi Fernando, 270n13, 345n23, 346
Taglietti, Giulio, 454
Taglietti, Luigi, 454
tailpiece, 231
Talbot, James, 454
Tallis, Thomas, 454; Lamentations of Jeremiah, 50
Tallis Scholars, 45
tambourine, 150–152; tabour de bisquaye, 151
Tarling, Judy, 203n4, 203n5, 204n17, 204n23, 206n26, 207n31, 207n32, 207n33, 207n49, 208
Tarr, Edward, 117, 117n17, 145, 146n4, 146n11, 146n16, 147n32, 147n33, 147n36, 148, 391n28
tasto solo, 333
Tate, Nahum, 433, 434, 435, 436, 438, 440, 441, 454
Taverner, John, 454; In nomine, 214
Taylor, Ralph McDowell, 29n90, 204n9, 204n16, 207n62, 208
tedesca, 409
Telemann, Georg Phillipp, 220, 280, 454
temperament, xi, 12, 27n43, 62, 173, 179, 255, 368–372, 374, 387; circulating temperaments, 371, 372; equal temperament, 62, 110, 255, 369–373; irregular temperaments, 371, 372; meantone temperament, 62, 91, 110, 179, 255, 329, 370, 371, 372, 373, 387, 391n35; tempérament ordinaire, 372; unequal temperaments, 12, 108, 175, 255; Werckmeister temperament, 65n51
tempo, vi, x, 6, 8, 9, 20, 25n10, 26n18, 38, 52, 55, 63, 66n55, 66n56, 66n57, 142, 164, 195, 197, 255, 257, 258, 259, 263, 268, 347–367, 399, 403, 404, 408–418, 420, 422, 423, 425n38
tempus perfectum/imperfection, 350, 357
Teplow, Deborah A., 207n37, 208, 230
tessitura shifts, 193
theater music, 238, 341, 343, 344
theatrical choreography, dance, 398, 401–404, 407, 409, 412, 416, 417, 418, 422, 424n6, 426n60
theatrical effects, performances, productions, techniques, vi, 80, 145, 163, 227n41, 281, 341, 398, 403, 409, 422, 434–445
Theatrum instrumentorum (Syntagma Musicum II). See De organographia (Syntagma Musicum II)
theorbo, vii, 15, 45, 46, 47, 59, 108, 215, 216, 240, 273–282, 286n23, 288, 319, 322, 331, 332, 333, 336, 337, 338, 339, 340, 341, 342, 343, 344, 364n1; English theorbo, 278, 279, 319, 335; theorbo lute, 278; and the Thirty Years War, 131, 184, 220; tiorba, viii, 273, 279, 325, 339; tiorbino/a, viii, 275, 325
Thomas, Bernard, 226n27, 425n39, 426n51, 428, 429
Thomsen, Magnus, 147n25, 147n26
thoroughbass, 81, 14, 19, 23, 25, 27, 33, 48, 49, 50, 53, 55, 58, 345n11, 346. See also basso continuo
thumb, 73, 80, 89, 96n56, 126, 175, 176, 186, 187, 188, 189, 190, 218, 224, 227n49, 242, 244n22, 246, 246n46, 251, 274, 281, 284; thumb-on-wood, 189, 190; thumb under, 188, 189, 190, 204n13, 206, 209, 281; thumb vent (see under trompe de chasse, trumpet, vent holes)
Tillière, Joseph Bonaventure, 246n45, 454
timbale musicale, 154
timbre, tone color, 11, 14, 38, 43n44, 59, 105, 132n10, 137, 139, 145, 157, 190, 266, 282, 283, 328, 370, 372, 373, 375, 377, 378, 387, 388
time signature, 63, 352, 357, 362, 363, 364
timing shifts, 193
timpani, ix, 138, 150, 151, 152, 155–167. See also drum
Tinctoris, Johannes, 454
Tischler, Hans, 18, 19, 22, 26, 27, 29, 31, 33, 34, 270n17, 271n53
Titelouze, Jean, 265, 266, 454; Hymnes de l’Eglise, 265; Le Magnificat, 265
Tittle, Martin B., 374n7
toccata, vii, 147n25, 256–258, 262, 262, 268, 269, 248, 393n56
Tombeau, 263
Tomlinson, Kellom, The Art of Dancing, 404, 454
ton de chapelle, 95n39, 383, 384, 392n40, 41
ton d’écurie, 384
ton de la harpe, 276
ton d’opéra, 384
tonguing, double. See double tonguing
tonguing, reverse. See lingua riversa, lingua roversa
Tonini, Bernardo, 321, 344n8, 454
tonos, tonadas, 24
tordiglione, tordion, 399, 402, 418, 426n71
Torelli, Giuseppe, 139, 149, 245n33, 246n41, 454
tornebout, 87
Torrejón, Tomás de, La Púrpura de la rosa, 444
Tosi, Pier Francesco, 454; Opinioni de’ cantori antichi, e moderni, 11, 27n42, 31–43, 54
touch (keyboard), 250, 252–253, 256, 335
Toy, 163
Trabaci, Giovanni, 254, 270n17, 270n18, 454; Libro primo, 254; Partite sopra Zefiro, 254
Traficante, Frank, 36, 37, 227n35, 230
tragédie lyrique, 434
tragedy, 16
tragende zungen, 164
transpose, 7, 84, 377, 381, 382, 383, 384, 385, 387, 388, 391n35, 393n54, 393n56; non-transposing instruments, 239, 240, 242; transposing instruments, x, 167n45, 381, 382, 383
transposition, vi, xi, 57, 60, 62, 63, 66n53, 75, 78, 94n31, 98n129, 117n11, 131n3, 146n17, 225n3, 230, 371, 375–393, 437
treatise, ix, xiii, xiv, 4, 13, 17, 22, 23, 31, 41, 43n44, 48, 65n46, 72, 82, 87, 90, 94n36, 127, 134, 137, 139, 146n2, 148n55, 150, 155, 161, 162, 164, 165n25, 166n28, 167, 181, 186, 191, 193, 199, 200, 203n7, 204n13, 206n27, 208, 211, 212, 217, 218, 224, 229n80, 230, 231, 232, 234, 235, 236, 239, 249, 252, 260, 269n1, 299, 314n13, 333, 336, 348, 353, 355, 365n4, 365n5, 365n6, 385, 399, 401, 403, 404, 407, 409, 422, 424n1
tremolo, viii, 3, 6, 15, 18, 19, 25n14, 28n63, 29n81, 128, 309, 310, 310, 311, 312, 312, 313, 314n25, 314n26; metti il tremolo, 128, 314n25; tremoletto, vii, 19, 19, 29n84, 311, 314n26; tremolo col strumento, 128, 314n25; tremolo con l’arco, 128, 314n25; tremolo groppizato, viii, 311, 312; triangle, ix, 152, 154
Trichet, Pierre, 150–154, 158, 165n8, 165n10, 165n11, 165n12, 165n15, 165n19, 167, 454; Traité des instruments, 156, 165n4
tricinium, 260
trill, trillo, 37, 38; chain of trills, vii, 37, 38; mezzotrillo, vii, 37; trilletto, 19, 29n83; trillo calato, 37; trillo cresciuto, 37; trillo lento, 37; trillo maggione, vii, 37; trillo minore, vii, 37; trillo mordente, vii, 37; trillo raddoppiato, vii, 37; trio, 45, 80, 95n44, 117, 223, 229n79, 265, 322
Triomphe de l’amour, Le, 95, 401
trip/a, 351, 353, 357–360, 362, 363
triple meter, triple time, 47, 63, 193, 197, 198, 202, 259, 264, 351, 355–363, 409–419, 426n63, 427m96
triple proportion, 63, 357–359
trombæ breves, 136
Trombon, Giovanni Alvise, 116n2, 454
trombone, sackbut, v, ix, 78, 84, 90, 100–132, 147n29, 213, 319, 339, 378, 387, 389n11, 461; alto trombone, 119, 120, 125; bass trombone, 121, 123, 127, 129, 131n7, 132n9; octav-posaun, 107, 120, 121; pedal tones, 120; quart-posaun, 107, 120, 121, 147n29; quint-posaun, 107, 120, 121, 125; register, 108; soprano trombone, 117n13, 122, 132n11; trombone bastarda, 108, 116n1, 129, 131; trombone grande, 107; trombonist, 102, 108, 112, 124, 126–128, 132n10, 389n11
trompe de chasse, 145; Baroque trumpet, natural trumpet, xvii, 100, 106, 146n2, 148n48; field trumpet, 133–135; guild of trumpeters, 133–134; register, 135, 136, 137, 138, 143, 146n15; slide trumpet, 100; trompe Dufouilloux, 145; trompettes de la garde du corps, 133; trompettes non servants, 133; trompettes ordinaires, 133; trumpet, v, ix, 26n31, 106, 109, 110, 133–145, 146n1, 147n34, 147n35, 152, 163; trumpet calls, 146n1; trumpet ensemble, 147n25; trumpeter, 134, 135, 142, 143, 145, 146n2; trumpet pitch, 393n56; vent holes, xvii, 148n50
Tudor period, 382
tuning, vi, vii, xi, xii, 12, 24, 30, 55, 61, 62, 63, 79, 90, 98n123, 110, 120, 123, 125, 148n48, 148n50, 152, 179, 180, 218, 236–237, 239, 242, 244n20, 245n25, 245n39, 255, 272, 273, 276, 277, 367–374, 380, 388, 459, 462; alternative tuning, 235; D-minor tuning, 279, 288; field drum tuning, 152; French flat tuning (lute), vii, 276, 289; French sharp tuning (lute), vii, 276, 289; guitar tuning, 282, 284; lirone tuning, 339; lute tuning (à cordes avalées), vi, 276, 289; lyra viol tuning, 227n36; mandore, mandola, mandolino tuning, 285, 286; old tuning, 279; orpharion tuning, 285; reentrant tuning, 274, 278, 279, 283; Renaissance tuning, 277–280; scordatura tuning, 245n25, 276; timpani tuning, 160, 167n45; tuning box, 12; tuning fork, 376, 380; tuning slide, 121–123; variable tuning, 242; vieux ton, 276, 288; viol tuning, 211, 218, 222; violin tuning, 173, 179, 180; well-tempered tuning, 62, 371, 372. See also temperament
tuono corista, 380
Turkish instruments, 150
tutto punto, 379–381, 384, 390n19
Tyler, James, 282, 283, 286, 287n38, 287n44, 287n48, 462
tympanum of St. Jerome, 155
Uberti, Mauro, 40, 41, 42n43, 42n44, 43, 65n45, 66
Uccellini, Marco, 203, 208, 213, 241, 246n41, 340, 455
Uffenbach, Zacharias Conrad von, 271n41, 455
t’Uitnement Kabinet, 220
Ulrich, Friedrich, Duke of Braunschweig and Lüneburg, 400, 450
unaccompanied, 61, 180, 182, 210, 222, 223, 229n72, 230
Valentini, Giovanni, 108, 116, 118, 226n20, 230, 246n41, 343, 455
Valentini, Pietro Francesco, 353, 359–361, 365n10, 365n11, 365n21, 367, 455
van der Straeten, Edmond, 228n50, 230
Vandini, Antonio, 234–235, 244n20, 455
van Eyck, Jacob, Der Fluyten Lust-hof, 76–77, 94n30, 426n51, 455
Van Heyghen, Peter, 94n35
Vanscheeuwijck, Marc, v, 117, 206n27, 206n28, 225n9, 231–247, 337, 510
variation, 51, 59, 256, 260, 300, 413; variation technique, 259–261
Veilhan, Jean-Claude, 270n16
Vejvanovský, Pavel Josef, 136, 140, 144, 455
Vélez de Guevara, Juan, Los celos hacen estrellas, 444
Venice, 214, 225n11, 237, 241–242; Basilica of San Marco, 96n76, 134; Venetian composer, 58, 130; Venetian concerted music, 113, 117; Venetian dialect, 4; Venetian manufacture, 74; Venetian opera, 9, 11, 36, 434; Venetian piffari, 116n2; Venetian pitch, 79, 381; Venetian publishers, 56, 58; Venetian wind instruments, 4, 116n2, 117, 134, 139, 235, 239, 240, 344n3, 379
Verona, 64n25, 66, 315; Accademia Filarmonica, 137
Versailles, 16, 28n66, 46, 54, 401
verso piano, verso scrucciolo, verso tronco, 7
Viadana, Ludovico Grossi da, 57, 130, 320, 324, 331–332, 335–336, 338, 455; Cento concerti ecclesiatici, 64n6, 64n15, 66, 318, 336, 338
vibrato, 6, 8, 12, 15, 18, 19, 20, 23, 26n17, 27n45, 29n79, 30, 30n107, 33, 38, 41, 45, 48, 51, 52, 61, 66, 143, 191, 194, 206n30, 270n20, 310
Vienna, 75
viol, viola da gamba, v, ix, xiv, 107, 168, 178, 210–235, 238–242, 243n11, 244n22, 245n28, 318, 364; pardessus de viole, 222, 224; viola bastarda, 108, 127, 194, 212, 213, 216, 225n11, 226n19, 226n20, 226n21, 226n22, 230, 318; viola da braccio, 108, 212, 214, 225n9, 233, 236, 237, 238, 239, 240, 244n22
violin, v, ix, xi, xvii, 19, 79, 86–87, 89, 95n46, 106–108, 117, 129, 130, 131, 134, 168–213, 215–216, 220–223, 225n9, 226n17, 231, 234, 236–237, 243n9, 245n28, 275, 286, 310, 461, 507, 508; bass violin, 179, 180, 232, 233, 235, 236, 237, 238, 239, 240, 241, 245n28, 245n39; violin band, ix, 45, 81, 171, 173, 177, 178, 179, 237, 243n5, 409, 508; violinist, 168, 174, 175, 181, 189, 190, 195, 259
violon, violone, v, xi, 59, 102, 108, 129, 130, 208, 211, 222, 225n9, 229, 231–247, 277, 319, 322, 332, 342, 346, 432; violone piccolo, 236
violoncello, v, xi, 43, 208, 211, 225n9, 231–247, 337, 338, 346; register, 236, 239, 240; violoncello piccolo, 232, 234, 235, 238
Virdung, Sebastian, Musica getutscht, 150, 153, 155, 157, 165n1, 165n15, 165n23, 166n31, 455
Virgiliano, Aurelio, Il dolcimelo, viii, ix, 107, 213, 225n2, 230, 296, 297, 298, 298, 299, 300, 314n9, 314n10, 387, 393n58
virginal(s), 260, 264; Elizabeth Rogers’ Virginal Book, 263; virginalists, 260
virtuoso, virtuosi, 38, 100, 106, 108, 212, 231, 261, 266, 293, 298, 307, 318, 354, 387, 509
Vitali, Giovanni Battista, 241, 244n20, 246, 246n41, 355, 455
Vitali, Tommaso Antonio, 245n33, 455
Vivaldi, Antonio, 235, 239, 244n21, 455
Viviani, Giovanni Buonaventura, 139, 455
vocal ensembles, 48, 55, 216, 338
vocal model, 182
vocal pyramid, 8
voce di testa, 8, 11, 39. See also falsetto, falsettists; head voice
voce obtuse, 8
voice types; basse, basse-taille, 17, 28n71; dessus, 17; haute contre, 17; taille, 17, 28n69, 28n71
volgan, vulgano, faulstimme, 138
voluntary, 256
vowels, 4, 14, 15, 18, 20, 33, 34, 50, 141, 249, 299, 314n12
vox capitis, 7
vox gutturus, vox gutturis, 7
vox humana (organ stop), 38
vox pectoris, 7
vox pulminis, 7
Wagner, Richard, 437
waits, waits’ pipes, 83, 97n85, 104. See also piffari; municipal band; Stadtpfeifer
Waldhorn, 145
Walls, Peter, 187, 204n10, 204n20, 204n22, 228, 230
Ward, John, 215, 287, 287n40, 427n83, 428, 455
Weaver, John, Orchesography, 404, 455
Weckmann, Matthias, 108, 114, 261, 455
Weigel, Christoph, Abbildung der gemein-nützlichen Haupt-Stände, 137, 455
Weiner, Howard, 117, 117n13, 131, 132n11, 132n12
Weiss, Sylvius Leopold, 275, 282, 455
Werckmeister, Andreas, 371, 372, 373; Musicalische Temperatur, 371; Orgel-Probe, 371
Werner Icking Music Archives, 115, 116
Whitehall chapel, 41, 341, 391n36
William and Mary, King and Queen of England, 45, 455
Williams, Peter, 336, 345n43, 345n47, 346
wind band, 98n100, 101, 102, 116n2
wind consort, 44–45
wind instruments, 32, 79, 102, 103, 107, 116n6, 117, 127, 207n36, 214, 333, 338, 377–379, 382
Windsor chapel, 45
Winkler, Klaus, 117
Wissick, Brent, 243n6, 243n10, 244n22, 246, 507
wolf chord, wolf fifth, 62, 370
Wood, Bruce, 45
Woodfill, Walter, 53n8, 54, 230
woodwind instruments, 72, 79, 80, 81, 87, 97n83, 388
word painting, 178
Worsthorne, Simon Townley, 344
Wörthmüller, Willi, 146n11, 148
Wraight, Denzil, 389n9
Xácara, 260
xylophone, 154
York, cathedral of, 103
Young, William, 216, 217, 222, 229n72, 229n73, 455
Zacconi, Ludovico, 6, 8, 39, 105, 236, 294, 299, 300, 302, 303, 304, 305, 305, 306, 306, 455; Prattica di musica, viii, 25n10, 25n14, 25n16, 26n29, 30, 225n2, 230, 245n30, 246, 296, 299, 313n2, 314n13, 314n17, 314n24, 315
Zani, 244n21
Zannetti, Gasparo, 200, 201, 237; Il scolaro, 207n59, 208, 246, 431, 455
zarzuela, 434