- a-text (absent text), 1, 2
- Abercrombie, John, 1
- absence, 1
- absent text, see a-text
- abstracta/abstraction, 1
- language and, 1
- levels of, 1
- abstraction, 1
- acatalexis, 1, 2
- accent, intonational, 1;
- see also stress
- accumulatio, 1
- acephalisis, 1
- actors, 1, 2, 3, 4, 5, 6, 7
- aesthetic sublimity, 1, 2
- aesthetics of music, 1
- aetemes, 1, 2, 3
- affricates, 1
- Agamben, Giorgio, 1
- Alexander, Michael, 1
- algorithms for text, 1, 2, 3, 4
- allegory, 1, 2, 3
- alliteration, 1
- allophones, 1, 2
- allusion, 1, 2;
- see also intertextuality
- alternate stress (AS) and alternate
- stress rule (ASR), 1, 2, 3, 4, 5
- iambic pentameter and, 1, 2
- ternary patterning and, 1, 2
- see also 4-strong/4 × 4 and pulse
- alternate stress matrix, 1
- alveolar tap, 1
- Amadeus, 1
- ambiguity, 1, 2, 3, 4;
- see also conceptual domains
- Amis, Martin, 1
- amphibrach, 1
- amphimacer, 1
- amplification, 1
- anabasis, 1
- anacoluthon, 1
- anacrusis, 1, 2
- anadiplosis, 1
- anagrams, 1, 2
- anapaest, 1
- anaphora, 1
- anapodoton, 1, 2
- anastrophe, 1
- Anglo-Saxon verse, 1, 2, 3
- Anglo-Saxon/Norse word origins, 1
- animals, non-human, 1
- animus (component of symbol), 1;
- see also symbol(s)
- anonymity, 1, 2, 3
- antanaclasis, 1
- anthimeria, 1
- anthropocentrism, 1, 2
- antibacchius, 1
- antiptosis, 1, 2
- antisthecon, 1
- antithesis, 1
- aphaeresis, 1
-
- Aphex Twin, 1
- apocope, 1
- apophasis, 1
- aporia, 1
- aposiopesis, 1, 2
- arbitrariness, 1
- Aristotle, 1
- Arnold, Matthew, ‘Dover Beach’, 1
- AS, see alternate stress
- asemes, 1, 2, 3, 4
- asemia, 1
- Ashbery, John, 1, 2
- ASR, see alternate stress association, see connotation
- assonance, 1, 2
- asterismos, 1
- asymbol, 1, 2, 3, 4
- asyndeton, 1
- Atkinson, R. C., 1
- atonality, 1, 2
- attributes, 1;
- see also connotation
- Attridge, Derek, 1, 2, 3, 4, 5, 6, 7, 8
- Auden, W. H.
- ‘As I Walked Out One Evening’, 1
- ‘Epitaph on a Tyrant’, 1, 2
- ‘The Fall of Rome’, 1
- ‘Night Mail’, 1
- audience, 1, 2, 3, 4, 5, 6, 7
- auditory present, 1, 2
- Austin, J. L., 1, 2
- authority, language and, 1
- auto-antonyms, 1
- automation, 1, 2, 3
- auxesis, 1, 2
- avant-garde, 1, 2, 3, 4, 5
- awareness, 1;
- see also consciousness
- Babelfish, 1
- babies, see infancy
- bacchius, 1
- Bach, Johann Sebastian, 1, 2, 3, 4
- Baddeley, A. D., 1
- Baker, Jennifer, 1, 2
- Baker, Nicholson, 1
- ballad metre, 1, 2, 3, 4, 5, 6
- iambic pentameter and, 1
- see also 4-strong/4 × 4
- Barbour, Julian, 1
- Barnes, Barnabe, 1
- Basho, 1
- Beardley, Monroe C., 1
- beats, 1, 2;
- see also alternate stress and feet
- beauty
- language and, 1, 2, 3, 4, 5
- in music, 1
- being, 1, 2, 3
- beliefs, 1, 2, 3, 4, 5, 6
- Berg, Alban, 1
- Berkeley, George, 1
- biomusicology, 1
- Bishop, Elizabeth, 1, 2, 3
- ‘The Fish’, 1
- ‘Large Bad Picture’, 1
- ‘Sestina’, 1
- bisociation, 1
- Blake, William
- ‘The Divine Image’, 1
- ‘The Sick Rose’, 1
- Blanco, Matte, see Matte Blanco, Ignacio
- blank verse, 1;
- see also iambic pentameter
- blues, see music
- Bogan, Louise, ‘Sonnet’, 1
-
- Borges, Jorge Luis, 1, 2, 3
- Boroditsky, Lera, 1
- ‘bound’ words, 1
- brackets, see parenthesis
- brain, 1, 2
- areas of, functions, 1, 2, 3, 4
- changing, 1
- and music, 1
- and tropes, 1
- see also consciousness, mind and perception
- ‘breaking the fourth wall’, 1, 2, 3, 4, 5
- Bredin, Hugh, 1
- Breton, André, 1
- brevity, 1, 2
- Bridges, Robert, 1, 2, 3
- Brodsky, Joseph, 1
- Brogan, T. F., 1, 2, 3
- Brooks, Cleanth, 1
- Brown, George Mackay, 1, 2
- ‘Hamnavoe Market’, 1, 2
- ‘Roads’, 1
- Brownian (brown) noise, 1, 2, 3
- Browning, Elizabeth Barrett, 1
- ‘A Musical Instrument’, 1
- Sonnets from the Portuguese, 1, 2, 3, 4
- Browning, Robert, ‘The Pied Piper of Hamelin’, 1
- Buccino, Giovanni, 1
- Bühler, Karl, 1
- Burke, Kenneth, 1
- Burmeister, Joachim, 1
- Burns, Robert, 1, 2, 3
- ‘To a Mouse’, 1
- ‘Westlin’ Winds’, 1
- Burnside, John, 1
- ‘Aphasia in Childhood’, 1
- ‘Being and Time’, 1
- Burton, Gideon O., 1
- Busoni, Ferruccio, Berceuse Élégiaque, 1
- Butler, Judith, 1, 2
- cadence, 1
- caesura, 1, 2
- capitalisation, 1
- Carson, Anne, 1
- Carson, Ciaran, Until Before After, 1
- catachresis, 1
- catalexis, 1, 2
- categories, ontological, 1
- Causley, Charles, ‘Innocent’s Song’, 1
- Chandler, Raymond, 1
- change, 1, 2
- Chernigovskaya, Tatyana, 1
- chiasmus, 1
- childhood, early, see infancy
- Chomsky, Noam, 1, 2
- chronoception, see time
- Clare, John, ‘Summer’, 1
- Classicism, 1
- clichés, 1
- reframing, 1
- see also phrasemes
- clinchers, 1
- Clinton, Bill, 1
- ‘closed’/‘open’ texts, 1
- ‘closed’/‘open’ words, 1
- closure, 1
- Clough, Arthur Hugh, 1, 2
- ‘Amour d’voyage’, 1
- cognitive science, 1, 2, 3
- Cohen, Jean, 1
- Coleridge, Samuel Taylor, ‘Frost at Midnight’, 1
- Collins, Billy
- ‘Paradelle for Susan’, 1
-
- ‘Questions about Angels’, 1
- ‘Workshop’, 1
- collocation, 1, 2
- rhyming, 1;
- see also phrasemes
- combination
- and equivalence, 1, 2
- and selection, 1, 2, 3, 4, 5
- comic verse forms, 1, 2
- common metre, see ballad metre
- competence, 1
- comprehension, see perception and understanding
- computers, 1, 2, 3, 4;
- see also algorithms
- conceptual blending theory, 1
- conceptual domains, 1, 2, 3, 4, 5
- categories of properties, 1
- ideas of things as, 1
- isomorphism, 1
- mappings, 1
- metonymy and, 1, 2
- poems as, 1, 2
- shifting, 1
- styles as, 1, 2
- symbols and, 1
- word-play and, 1
- see also abstracta and deixis
- conceptual semantics, 1, 2
- conceptualism, 1
- concreta/‘the concrete’, 1, 2;
- see also things
- conduplicatio, 1
- confirmation bias, 1
- connection, 1, 2
- connotation, 1, 2, 3, 4
- metonymy and, 1
- overtones/undertones and, 1, 2
- stress and, 1
- things and, 1
- consciousness, 1, 2, 3, 4, 5
- speech and, 1
- see also perception
- consonance, 1, 2, 3
- consonants, 1, 2
- categorisation, 1
- function in speech, 1, 2, 3
- glottal, 1
- patterning with, 1, 2
- vowels and, 1
- constituencies, see audience
- content words, 1, 2
- demotion, 1, 2
- elongating, 1
- context, 1, 2, 3, 4, 5, 6;
- see also conceptual domains
- contour grids, 1, 2, 3
- contrivance, perception of, 1
- convergence, 1
- conversation, see speech
- Coolidge, Clark, 1
- co-ordinate terms, 1, 2
- counterexamples, 1
- counterpattern, see under pattern
- Crawford, Robert, ‘Opera’, 1
- critical theory, 1
- cryptosemia, 1, 2
- Crystal, David, 1
- Culler, Jonathan, 1
- cultural metaphors and cultural symbols, 1, 2, 3, 4, 5
- Cureton, Richard, 1, 2, 3
- curtal tetrastrophe, 1
- dactyl, 1
- Damasio, Antonio, 1
- dance, 1, 2, 3
-
- Danielewski, Mark Z., The House of Leaves, 1, 2
- Dante Alighieri, 1
- Davidson, Donald, 1
- Davis, Miles, 1
- Davtian, Stepan, 1
- death, 1, 2, 3, 4
- ‘death of poetry’, 1
- definitions, 1, 2, 3
- disagreements over, 1
- use–mention distinction, 1
- deixis, 1, 2, 3, 4, 5, 6;
- see also conceptual domains
- democratisation, 1
- Dennett, Daniel, 1
- denotation, 1, 2
- music and, 1, 2
- see also meaning
- depth, optional, 1, 2, 3
- description, 1
- thought and, 1
- see also peristasis
- detail, 1;
- see also peristasis
- Deutsch, Diana, 1
- diacope, 1
- dialects and accents, 1, 2, 3, 4, 5
- dibrach, 1
- Dickinson, Emily, 1, 2, 3
- ‘I started Early – Took my Dog –’, 1, 2
- ‘The Brain – is wider than the Sky –’, 1
- ‘The daisy follows soft the sun …’, 1
- diction, ‘poetic’, see ‘poetic diction’
- dictionaries, 1, 2, 3, 4
- of phonesthemes, 1
- of rhymes, 1
- dimetron, 1
- discontinuity, 1
- displaced weak rule, 1, 2
- distich, 1
- distrophe, 1
- disyllabic segmentation, 1
- Dolnik, 1, 2, 3, 4, 5, 6, 7
- domain theory, 1
- domains, conceptual/thematic, see conceptual domains
- Donaghy, Michael, 1, 2, 3, 4, 5
- ‘Black Ice and Rain’, 1
- ‘The Classics’, 1
- ‘From the Safe House’, 1
- ‘Haunts’, 1
- ‘Hazards’, 1
- ’More Machines’, 1
- ‘Our Life Stories’, 1, 2
- ‘Pentecost’, 1
- ‘Shibboleth’, 1
- ‘Smith’, 1
- ‘Upon a Claude Glass’, 1
- Donne, John, 1
- Holy Sonnets, 1
- Duffy, Carol Ann, ‘Fuckinelle’, 1
- Dundee speech, 1, 2, 3
- Dunn, Douglas, 1, 2, 3
- ‘Anniversaries’, 1
- ‘Re-reading Katherine Mansfield’s Bliss and Other Stories’, 1
- ‘The Sundial’, 1
- Dyer, Catherine, ‘Sonnet’, 1
- ‘dying fall’, 1
- dysemia, 1
- dysphemism, 1, 2
- editing and editors, 1, 2, 3, 4, 5
- Educating Rita, 1
- eggs, 1
- Einstein, Albert, 1
-
- ekphrasis and ekphrastic poetry, 1
- elegising, 1, 2, 3
- Eliot, T. S., 1, 2, 3, 4, 5, 6
- Four Quartets, 1, 2
- ‘The Dry Salvages’, 1, 2
- ‘Little Gidding’, 1
- elision, 1, 2, 3, 4
- Elizabethan poets, 1, 2, 3
- ellipsis, 1
- embodiedness, thought and, 1, 2
- emotion(s)
- as abstracta/concreta, 1
- and meaning, 1
- music and, 1, 2, 3, 4, 5
- poetry and, 1, 2, 3, 4, 5
- see also pathemes
- emphasis see italics and stress
- enallage, 1
- end-stopping, 1, 2
- endings, 1;
- see also teleutons
- endnotes, 1
- enigma, 1, 2
- symbol and, 1
- enjambment, 1, 2, 3, 4
- ghost metron and, 1, 2
- entailment, 1
- entertainment, 1
- enthymeme, 1, 2, 3
- entropy, 1
- enumeratio, 1, 2
- environment, see nature
- epanados, 1
- epanalepsis, 1
- epenthesis, 1
- epic, 1
- epistrophe, 1
- epithet, transferred, 1
- epizeuxis, 1
- equivalence, 1, 2, 3
- erotesis, 1
- Errington, Patrick, 1
- error, automation and, 1
- ethics, 1
- etymological play, 1
- etymology, 1, 2, 3, 4
- content words and function words, 1
- euphemism, 1, 2
- eusemia, 1
- Evans, Bill, 1
- Everett, Daniel, 1
- evolution, 1, 2
- of emotions, 1
- perception and, 1
- exceptions, 1
- exemplum, 1
- exercises, 1, 2, 3
- existential crisis, 1
- existential trope, 1, 2
- experimentalism, 1, 2, 3, 4
- expression, 1
- Fabb, Nigel, 1
- fake texts, 1, 2
- Farley, Paul, ‘Relic’, 1, 2
- Fauconnier, Gilles, 1, 2
- feel, 1
- feeling(s), see emotion(s)
- feet, 1, 2, 3
- and 4 × 4, 1
- metrons and, 1
- quantitative, 1, 2, 3
- types, 1
- Fellbaum, Christine, Princeton WordNet, 1, 2
- feminine/masculine endings, 1
-
- Fenton, James, 1
- Fibonacci numbers/ratios, 1, 2, 3, 4
- figures of speech, see rhetoric, terms from
- Firth, J. R., 1
- ‘fives’, 1, 2, 3
- ‘flat earth’ perspective, 1
- flow, 1
- focus, 1
- peristatic, 1
- foreknowledge, 1
- form, 1, 2, 3, 4, 5, 6
- as category, 1
- degrees of, 1
- internalising, 1
- in nature, 1, 2
- purpose, 1, 2
- silence and, 1
- see also pattern
- formemes, 1, 2, 3
- Forms, Platonic, 1
- Forrest Thompson, Veronica, 1
- found poems, 1, 2
- 4-strong/4 × 4, 1, 2, 3, 4, 5
- iambic pentameter and, 1, 2, 3
- as template for different metres, 1, 2
- Fourier analysis, 1, 2
- ‘fourth wall’, 1, 2, 3, 4, 5
- fractal statistic, 1
- frames, see templates
- free association, 1
- free verse, 1, 2, 3, 4
- ‘ban’ on poetic diction and, 1
- caesura and, 1
- isochrony and, 1, 2
- line breaks, 1, 2
- and rhythm, 1
- scansion, 1
- stress count and, 1
- and ‘three-second line’, 1
- ‘freedom’, 1, 2
- Frege, Gottlob, 1, 2
- frequency, see pitch and rhythm
- fricatives, 1
- Frost, Robert, 1, 2, 3, 4, 5, 6, 7
- ‘After Apple Picking’, 1
- ‘Birches’, 1, 2
- ‘Design’, 1, 2, 3, 4, 5
- ‘Fireflies in the Garden’, 1, 2
- ‘The Road Not Taken’, 1
- ‘The Silken Tent’, 1, 2
- ‘Stopping by Woods on a Snowy Evening’, 1
- ‘West-Running Brook’, 1, 2, 3, 4, 5
- function, 1
- function words, 1, 2
- promotion, 1, 2
- Furbank, P. N., 1
- Fussell, Paul, 1
- future, 1
- games, 1, 2, 3, 4
- Gasparayan, Djivan, 1
- Gaughan, Dick, 1
- generative metrics, 1, 2, 3, 4
- genius, 1
- Gershon, Karen, ‘Race’, 1
- ghost metrons, 1, 2, 3, 4
- iambic pentameter and, 1, 2, 3, 4, 5, 6
- Gilbert, W. S., 1
- Giora, Rachel, 1
- glides, 1
-
- glottal stop, 1
- god(s), 1, 2, 3;
- see also religion
- golden section, 1
- gradatio, 1
- Graham, W. S., ‘Loch Thom’, 1
- grammar, rhyme and, 1
- ‘Grataks’, 1, 2
- green noise, 1
- grids, contour, 1, 2, 3
- Grimm’s law, 1
- ground, 1, 2, 3;
- see also tenor and vehicle
- Habbie, 1
- Hacker, Marilyn, ‘You did say …’, 1
- haiku, 1
- half-rhyme, see pararhyme
- Hall, Donald, 1
- Hardy, Thomas, 1, 2
- harmonics, 1, 2, 3
- connotation and, 1
- harmony, see under music
- Harrison, Tony, ‘Book Ends’, 1
- Hartmann, Charles O., 1, 2
- Hawkins, Coleman, 1
- Heaney, Seamus, 1, 2, 3, 4
- ‘Anahorish’, 1
- ‘The Harvest Bow’, 1
- ‘Lightenings: viii’, 1
- ‘Making Strange’, 1
- ‘Mossbawn: Two Poems in Dedication: I. Sunlight’, 1
- ‘St Kevin and the Blackbird’, 1
- ‘The Skylight’, 1, 2
- ‘Sloe Gin’, 1
- ‘Station Island’, 1
- ‘The Swing’, 1
- ‘The Underground’, 1, 2
- hearing, see auditory present and perception
- Hebrew alphabet, 1, 2
- Hejinian, Lyn, 1, 2, 3
- hendiadys, 1, 2
- Henthorn, Trevor, 1
- Herbert, George, 1
- Hesiod, 1
- hexameter, 1, 2, 3
- hiatus, 1
- Hill, Geoffrey, 1, 2, 3, 4
- The Mystery of the Charity of Charles Péguy, 1
- Hill, Selima, ‘A Small Hotel’, 1
- Hitch, G., 1
- hoaxes, 1
- Hofstader, Douglas, 1
- Hollander, John, 1, 2
- holonyms, 1
- ‘holy books’, 1
- homophones, 1, 2
- Hopkins, Gerard Manley, 1, 2, 3
- ‘God’s Glory’, 1
- ‘The Windhover’, 1
- Housman, A. E., A Shropshire Lad, 1
- Hughes, Ted, 1
- humanity
- computers and, 1, 2
- dominance, 1
- experience and reality, 1
- and randomisation, 1
- and reality, 1
- uniqueness of consciousness, 1
- humour, 1, 2, 3, 4
- hypallage, 1, 2
- hyperbaton, 1, 2, 3
- hyperbole, 1
- hypercatalexis, 1
- hypernyms, 1, 2
- hypersemia, 1;
- see also overinterpretation
- hyperstasis, 1, 2
- hyponyms, 1
- hyposemia, 1
-
- hypostasis, 1
- hypotaxis, 1
- hysteron proteron, 1
- iamb, 1
- ‘iambic’ used to mean ‘duple’, 1
- rhythm, 1
- iambic pentameter (i.p.), 1, 2, 3, 4, 5, 6
- and 2 × 4 pattern, 1
- and ballad metre, 1
- ghost metron and, 1
- loose, 1, 2
- lyric, 1, 2
- symmetry/asymmetry in, 1
- and ‘three-second line’, 1
- ways of hearing/perceiving, 1, 2
- see also 10-position line
- iconicity, 1, 2, 3, 4, 5, 6, 7, 8, 9
- music and, 1
- proper names and, 1
- see also meaning, sound and
- ictus, 1;
- see also stress
- illusion, speech-to-song, 1
- images, 1;
- see also peristasis
- imagination, limits, 1
- Imlah, Mick, ‘Birthmark’, 1
- Improbability Translator, 1
- inclusio, 1
- indexicality, 1, 2, 3, 4, 5, 6
- proper names and, 1
- see also metonymy
- Indian classical music, 1, 2
- infancy and early childhood, 1, 2
- communication, 1
- perception, 1, 2
- and speech/language, 1, 2
- intentional stance, 1
- interpretative scansion, see scansion
- intertextuality, 1, 2
- intonation, see pitch
- intonational accent, 1
- introjection, 1, 2
- intuition, 1
- inversion, 1
- invisibility, 1, 2, 3, 4, 5
- i.p., see iambic pentameter
- irony, 1, 2, 3
- isochrony, 1, 2, 3;
- see also alternate stress
- isocolon, 1
- isologue, 1, 2, 3, 4, 5, 6
- isomorphism, 1
- italics, 1, 2
- Jaccottet, Philippe, 1
- Jackendoff, Ray, 1, 2, 3
- Jacob, Max, ‘Hell is Graduated’, 1
- Jakobson, Roman, 1, 2, 3, 4, 5
- ‘axes’, 1
- formula for poetic function, 1, 2, 3, 4, 5
- James, William, 1
- Jamie, Kathleen
- ‘The Graduates’, 1
- ‘The Tree House’, 1
- jargon, 1, 2, 3
- Jarrett, Keith, 1
- jazz, see music
- Jeffers, Robinson, ‘Hurt Hawks’, 1
- Jefferson, Eddie, 1
- Jesperson, Otto, 1
- Johnson, Georgia Douglas, ‘The Heart of a Woman’, 1
- Johnson, Mark, 1, 2;
- see also Lakoff, George
-
- jokes, 1, 2
- as endings, 1
- Jones, Glyn, The Blue Bed, 1
- judging, 1, 2;
- see also editing
- Jung, Carl, 1, 2
- Justice, Donald
- ‘Men at Forty’, 1
- ‘Poem’, 1
- Kabbalistic exegesis, 1, 2, 3, 4
- Kavanagh, Patrick, ‘Epic’, 1
- Keats, John
- ‘La Belle Dame Sans Merci’, 1, 2
- ‘On First Looking into Chapman’s Homer’, 1
- Kenner, Hugh, 1
- key (intonational pitch in poetry), 1, 2, 3, 4, 5, 6, 7, 8
- ‘key terms’, 1
- Kiparsky, Paul, 1, 2
- Koestler, Arthur, 1
- Kövecses, Zoltán, 1
- Kripke, Saul, 1
- Kristeva, Julia, 1, 2, 3
- Laforgue, Jules, 1
- Lakoff, George, 1, 2, 3, 4
- ‘Lamonians’, 1, 2
- Langacker, Ronald, 1
- Langer, Susanne K., 1
- language, 1, 2, 3, 4
- change and, 1
- concepts and, 1
- consciousness and, 1, 2
- content words and function words, 1, 2
- development, 1
- functions, 1, 2
- invention and renewal in, 1, 2, 3, 4, 5, 6, 7, 8
- music and, 1, 2, 3
- origins, 1, 2
- poetry and, 1, 2, 3, 4, 5, 6, 7, 8
- reality and, 1;
- see also meaning
- thought and, 1, 2, 3, 4, 5
- written, 1
- see also speech
- L=A=N=G=U=A=G=E poets, 1, 2
- languages
- artificial, 1
- differences, 1, 2, 3, 4, 5, 6
- concerning rhyme, 1, 2
- and thought, 1
- learning, 1, 2
- private, 1
- Lanham, Richard A., 1
- Lapidis, Rachael, 1
- Larkin, Philip, 1
- ‘Aubade’, 1
- ‘Home Is So Sad’, 1
- ‘Mr Bleaney’, 1, 2
- Latinate words in English, 1
- Lautréamont, Comte de, 1
- Lawrence, D. H., 48, ‘The Ship of Death’, 1
- Lear, Edward, 1, 2
- left/right brain, 1, 2
- Levy, Ernst, 1
- lexemes, dividing on line breaks, 1
- lexicalisation of phrases, see phrasemes
- Liberman, Mark, 1, 2
- libretti, 1
-
- lies, 1, 2
- life, metaphors of, 1
- ‘light 4 × 4’, 1, 2, 3
- limericks, 1, 2
- line breaks, 1, 2
- deceptive, 1, 2, 3
- degrees of disruptiveness, 1
- lineation, effect on sound, 1, 2
- lines, 1
- beginnings, 1
- first, 1
- length, 1, 2, 3, 4
- caesura and, 1
- memory and, 1
- only two kinds, 1
- phrasemes and, 1
- time and, 1
- see also line breaks
- linguistics, 1, 2
- links, see tropes
- liquids (consonant type), 1
- literacy, 1
- effect on poetry, 1
- literal mode/literality, 1, 2;
- see also under poetry
- litotes, 1, 2
- Locke, John, 1
- An Essay Concerning Human Understanding, 1
- logos and pneuma, 1
- Longfellow, Henry Wadsworth, 1
- ‘Evangeline’, 1
- ‘The Song of Hiawatha’, 1, 2
- Longley, Michael
- ‘Brothers’, 1
- ‘Laertes’, 1
- ‘Self-Heal’, 1
- loudness, 1
- Lowell, Robert, 1, 2
- Man and Wife’, 1
- lyric
- definition, 1
- popularity, 1
- lyric ground, 1, 2
- lyric ideal, 1, 2
- lyric principle, 1, 2
- lyric tradition, 1
- MacDiarmid, Hugh, ‘Perfect’, 1
- McGilchrist, Iain, 1
- Machado, Antonio, 1, 2
- MacLean, Sorley, 1
- MacNeice, Louis, 1, 2, 3
- ‘Corner Seat’, 1
- ‘Figure of Eight’, 1
- ‘Soap Suds’, 1
- ‘Les Sylphides’, 1
- magic, 1, 2
- Magnus, Margaret, 1
- Mahon, Derek
- ‘Beyond Howth Head’, 1, 2, 3, 4, 5, 6
- ‘Lives’, 1
- ‘The Mute Phenomena (after Gérard de Nerval)’, 1
- Mallarmé, Stéphene, 1
- man as ham sandwich, 1, 2
- market(s) for poetry, see audience
- Markov chains, 1, 2
- ‘Martian poetry’, 1, 2, 3, 4
- Marvell, Andrew
- ‘The Garden’, 1
- ‘An Horatian Ode Upon Cromwell’s Return from Ireland’, 1
- ‘On a Drop of Dew’, 1, 2
- masculine/feminine endings, 1
- materialism, 1, 2, 3, 4, 5
- matrix, alternate stress, 1
- Matte Blanco, Ignacio, 1, 2, 3
-
- Maxwell, Glen
- The Sugar Mile, 1
- meaning, 1, 2, 3, 4, 5
- alternate stress and, 1
- beliefs and, 1, 2
- creating, 1
- definitions and, 1
- denotative/connotative, 1
- dimensionality, 1
- emotions and, 1, 2
- intrinsicality and, 1, 2, 3, 4, 5, 6, 7
- metonymy and, 1
- multiplying, 1
- music and, 1, 2, 3
- pathemes and, 1
- perception and, 1
- phonesthemes and, 1
- physicality and, 1
- poetry and, 1, 2, 3
- rhyme and, 1, 2
- shades of, 1
- sound and, 1, 2, 3
- symbol and, 1, 2, 3, 4, 5
- trope and, 1
- measures
- terms in scansion, 1
- see also feet; see also bars under music
- meiosis, 1, 2
- memorability, 1, 2, 3, 4, 5, 6
- memorialising, 1, 2, 3
- memorisation, 1
- consolidation, 1
- memory, 1, 2, 3
- instant, 1
- line length and, 1
- poetry and, 1
- mental spaces, 1;
- see also conceptual domains
- meronyms, 1
- Merwin, W. S., 1
- metabasis, 1, 2
- metalepsis, 1, 2, 3, 4
- metanoia, 1
- metaphor(s), 1, 2, 3, 4, 5, 6
- brain and, 1
- cultural, 1, 2, 3, 4
- dead, 1, 2
- resuscitation of, 1
- deep conceptual, 1
- in everyday life, 1
- intertextuality and, 1
- language and, 1
- and meaning, 1
- modes, 1
- nature and, 1
- new, need for clarity, 1, 2
- physical reaction to, 1
- sonic, 1
- symbol and, 1
- and thought, 1;
- see also meaning
- visual imagery and, 1;
- see also abstracta and symbol(s)
- metaplasmus, 1
- metastasis, 1
- metonyms, dead, 1, 2
- metonymy, 1, 2, 3, 4, 5, 6, 7
- allusion and, 1
- antiptosis and, 1
- brain and, 1
- naming and, 1
- peristasis and, 1, 2, 3
- symbol and, 1, 2, 3, 4
-
- types, 1
- see also abstracta and synechdoche
- metre, 1, 2, 3
- accentual, 1, 2, 3
- caesura and, 1
- complex, breaking down, 1
- concreteness/abstraction and, 1
- duple, use of ‘iambic’ to mean, 1
- flexibility, 1
- foot, 1
- and lexical stress, 1
- light, 1, 2, 3, 4, 5
- loose, 1, 2, 3, 4, 5
- musical, iambic pentameter and, 1, 2;
- see also ghost metrons
- need to establish, 1
- notation for, see notation
- overdetermination, 1, 2
- precedent and, 1
- projection and, 1
- quantitative, 1, 2, 3, 4
- relative regularity, 1
- speed and, 1
- and stress, 1, 2
- templates and, 1
- terms in, 1
- tight, 1, 2, 3
- triple, 1
- two-step, 1, 2
- variation, 1, 2, 3
- see also scansion and stress
- metrocentrism, 1
- metron, 1
- foot and, 1
- Meyer, Kuno, 1
- Mill, John Stuart, 1
- Millay, Edna St Vincent ‘First Fig’, 1, 2
- ‘Humoresque’, 1
- ‘Spring’, 1
- Miller, George A., 1
- Princeton WordNet, 1, 2
- mind, 1, 2, 3;
- see also brain and consciousness
- misreading/misunderstanding, see understanding/misunderstanding under poetry
- Mitchell, Roger, ‘The White Cup’, 1
- modernism, 1, 2
- molossus, 1
- ‘moment’, see under time
- mondegreens, 1
- Moore, Marianne, ‘Virginia Britannia’, 1
- mora, 1, 2
- morality, 1
- Mozart, Wolfgang Amadeus, 1
- Muldoon, Paul, 1, 2, 3, 4, 5, 6
- ‘Cuba’, 1
- ‘Immram’, 1
- ‘Incantata’, 1
- ‘Ireland’, 1
- ‘Mink’, 1
- ‘Mules’, 1, 2, 3, 4
- ‘Something Else’, 1
- ‘Trance’, 1
- muses, 1
- music, 1, 2, 3, 4, 5
- abstract/concrete nature, 1
- aesthetics of, 1
- alternate stress and, 1
- anacruses, 1
- bars/measures, metric feet and, 1
- computers and, 1, 2
- cultural difference, 1, 2
- free/improvised, 1, 2, 3
- harmonic systems, 1, 2, 3, 4
-
- harmony, 1, 2, 3, 4, 5, 6, 7
- iambic pentameter and, 1, 2
- jazz solos and speech, 1, 2, 3, 4
- and meaning, 1, 2, 3
- melody, 1, 2
- notation, 1
- and stress in poetry, 1
- pathemes and, 1, 2, 3
- pickup bars, 1
- poetry and, 1, 2, 3, 4, 5, 6;
- see also pathemes; see also setting under poetry
- rhyme and, 1
- scales, 1, 2
- semiotics and, 1, 2, 3
- signs and referents in, 1, 2, 3
- speech and, see under speech
- swung rhythm, 1, 2
- tonality/atonality/non-tonality, 1, 2, 3
- twelve-bar blues, sonnet and, 1
- understanding words in, 1
- see also under emotion(s)
- myths, see supernaturalism
- nadir, 1, 2, 3, 4, 5
- names, proper, 1, 2
- naming, 1, 2, 3, 4, 5
- degree of specificity/abstraction, 1
- effect, 1
- nasals, 1
- naturalism, 1, 2, 3, 4
- nature, 1, 2, 3
- culture and, 1
- form in, 1
- humanity and, 1, 2, 3, 4
- metaphor and, 1
- musical elements in, 1
- poetry and, 1, 2
- rhythm and, 1
- neo-modernism, 1, 2
- neologisms, see language, invention in
- Neuro-Linguistic Programming, 1, 2
- neuroscience, 1
- New Criticism, 1, 2, 3, 4, 5
- New Formalism, 1, 2
- Nirvana, 1
- NLP, 1
- noise, types, 1, 2
- see also ‘pinkness’
- non sequitur endings, 1
- nostalgia, 1
- notation
- limitations, 1, 2
- of stress/metre/scansion, 1, 2, 3, 4, 5
- novelty, 1
- NS, see nuclear stress
- nuclear stress (NS), 1, 2, 3, 4
- in free verse, 1
- numbers, 1
- in alternate stress matrix, 1
- see also Fibonacci numbers/ratios
- object permanence, 1, 2
- objects, see things
- O’Brien, Flann, An Béal Bocht, 1
- O’Brien, Sean, 1
- ‘After Laforgue’, 1, 2
- ‘Something to Read on the Train’, 1
- obscurity, 1, 2, 3
- O’Hara, Frank, ‘Personism: A Manifesto’, 1
-
- Olds, Sharon, 1
- ‘The Daughter Goes to Camp’, 1
- ‘The Race’, 1
- onomatopoeia, 1, 2;
- see also iconicity and phonesthemes
- ontological categories, 1
- ontologico-cultural metaphors, 1, 2, 3
- ontology, 1
- ‘open’/‘closed’ texts, 1
- ‘open’/‘closed’ words, 1
- optional depth, 1, 2, 3
- originality, 1, 2, 3, 4, 5
- origo, 1
- Orpheus, 1, 2, 3
- Oswald, Alice, 1, 2
- ‘Bike Ride on a Roman Road’, 1, 2
- ‘Body’, 1
- overdemocratisation, 1
- overdetermination, 1, 2, 3, 4, 5
- overinterpretation/oversignifying, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11;
- see also meaning
- overtones, 1, 2, 3
- connotation and, 1
- Owen, Wilfred, ‘Strange Meeting’, 1
- p-text (present text), 1, 2
- pace, 1
- paeonic feet/metres, 1, 2
- ‘page poetry’, 1, 2
- palindrome, 1, 2
- paradigm, 1
- paradox, 1, 2
- intertextuality and, 1
- rhyme and, 1
- paragmenon, 1
- parallelism, 1
- paranoia, 1, 2, 3
- paraphrase, 1, 2, 3, 4, 5
- pararhyme, 1, 2, 3
- degrees of, 1
- parasemia, 1
- parataxis, 1, 2, 3
- parenthesis, 1, 2
- Parker, Charlie, 1, 2
- paronomasia, 1, 2, 3, 4
- Pascal, Blaise, 1
- pastiche, 1
- pathemes, 1, 2, 3, 4, 5
- and meaning, 1
- music and, 1, 2, 3
- symbols and, 1
- pathetic fallacy, 1, 2, 3
- patter-song, 1
- pattern(ing), 1
- patterning, consonantal, 1
- pattern(ing)
- counterpattern, 1
- intonational, 1
- template and, 1
- variation and, 1, 2
- see also form, metre and scansion
- peak shift, 1, 2, 3
- Peirce, C. S., 1, 2, 3, 4, 5
- perception, 1, 2, 3
- contrivance and, 1
- intentionalist theories of, 1
- isochrony and, 1
- meaning and, 1
- pitch and, 1
- prelinguistic, 1, 2
- screening in, 1
- of speech and song, 1
- of time, 1, 2, 3, 4, 5, 6
-
- of words, 1, 2
- see also brain, comprehension, mind and under reality
- performance poetry, 1;
- see also rap;
- see also performance under poetry
- periodicity, 1;
- see also isochrony
- periphrasis, 1
- peristasis, 1, 2, 3, 4, 5
- metonymy and, 1, 2, 3
- peristatic focus, 1
- Perloff, Marjorie, 1
- personal names, 1, 2
- persuasion
- rhyme and, 1
- see also slogans
- phenomimes, 1
- phonemes
- categorisation, 1
- dividing on line breaks, 1
- numbers used in different languages, 1
- phonesthemes, 1, 2
- definition, 1
- dictionaries of, 1
- meaning and, 1, 2
- phonosemantic principle, 1, 2, 3, 4
- phrasal rhythm, 1
- phrase rhythm analysis, 1, 2
- phrasemes, 1, 2, 3, 4, 5
- conversation and, 1
- intonational pattern and, 1
- reframing, 1
- rhyming, 1
- phrasemicity, 1, 2
- phrases, lexicalisation, see phrasemes
- physical laws, 1
- Piaget, Jean, 1
- pink noise, 1, 2
- Pinker, Steven, 1, 2, 3, 4, 5
- ‘pinkness’, 1, 2, 3, 4
- Pirahã, 1, 2
- pitch, 1
- loudness and, 1
- nadir and, 1
- in nature, 1, 2
- in performing poetry, 1, 2;
- see also pitch notation under poetry
- as projection, 1
- in speech, 1, 2
- see also scansion and under speech
- placeholders, weak, 1
- plagiarism, 1, 2
- Plath, Sylvia, 1, 2
- ‘Balloons’, 1
- ‘Poppies in October’, 1
- Plato, 1, 2, 3
- pleonasm, 1
- plosives, 1
- Pluto, 1
- pneuma and logos, 1
- Poe, Edgar Allan, 1
- ‘the poetic’, 1
- ‘poetic diction’, 1, 2
- ‘ban’, 1
- poetry/poem(s), 1, 2, 3, 4, 5, 6, 7
- algorithms and, 1, 2, 3, 4
- audience for, 1, 2, 3, 4, 5, 6, 7
- ’death of’, 1
- definitions and identifying features, 1, 2, 3, 4, 5, 6, 7, 8, 9;
- see also formula under Jakobson
- difficulty, productive/non-productive, 1, 2, 3, 4
- as domains, 1, 2
- editing, 1, 2, 3, 4
-
- forms, 1
- found, 1, 2
- intertextuality, 1, 2
- invisibility, 1
- as invocation, 1
- language and, see under language
- literal sense/surface, 1, 2, 3
- lyric ground, 1, 2
- lyric/non-lyric, 1, 2
- making, 1, 2, 3, 4, 5, 6, 7, 8
- advice concerning, 1, 2, 3, 4, 5, 6, 7
- automating, 1, 2
- compositional aids, 1
- difficulty and, 1, 2, 3
- exercises, 1, 2, 3
- lines/feet in, 1
- revising, 1, 2, 3, 4, 5, 6, 7
- teaching, 1, 2
- technique and, 1
- and meaning, see under meaning
- misreading, see understanding/misunderstanding in this entry
- music and, see under music
- music of, 1, 2;
- see also pitch notation in this entry
- naive writing, 1, 2, 3
- necessity of trope in, 1
- ‘open’/‘closed’, 1
- origins, 1, 2
- overdemocratisation, 1
- overfilling, 1
- pace, 1
- paraphrase and, 1, 2, 3, 4, 5
- performance/recitation, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10
- notation and, 1, 2;
- see also actors
- pitch (key), 1, 2, 3, 4, 5, 6, 7, 8
- pitch notation, 1, 2, 3, 4
- predictability and surprise in, 1
- and prose, see under prose
- publication, 1, 2, 3;
- see also editors and editing
- punctuation, 1
- readers, see audience in this entry
- reading, 1, 2, 3, 4, 5, 6, 7
- reading and, 1
- setting to music, 1, 2, 3, 4, 5
- sound poems, 1
- speech and, see under speech
- subject matter, 1, 2, 3, 4, 5
- translation, 1, 2, 3
- understanding/misunderstanding, 1, 2, 3, 4
- intended, 1, 2, 3
- unified field theory, 1
- unpunctuated, 1
- viewed from a distance, 1, 2
- see also metre, scansion and under emotion
- poets
- community, 1
- disagreements, 1
- intentions, 1
- luck, 1
- other work, 1
- products of influences, 1
- style/voice, 1, 2, 3, 4
- success and failure, 1
- thinking in lines, 1
- point-of-view (POV), 1
-
- political slogans, 1, 2, 3, 4
- polyptoton, 1
- polysyndeton, 1
- Pope, Alexander, ‘An Essay on Criticism’, 1
- Pöppel, Ernst, 1, 2
- Porchia, Antonio, Voces, 1, 2, 3
- postmodernism, 1, 2, 3, 4, 5
- Pound, Ezra, 1, 2, 3, 4, 5, 6, 7
- ‘In a Station of the Metro’, 1
- The Pisan Cantos, 1
- POV (point-of-view), 1
- praecisio, 1
- prefaces, 1
- prehistory, 1
- present
- living in, 1
- specious, 1
- present text, see p-text
- Prince, symbol, 1
- Princeton WordNet, 1, 2
- programming, 1, 2
- projection, 1
- counting and, 1
- pronunciation differences, 1, 2
- proparalepsis, 1
- proper names, 1, 2
- properties, 1
- prose, 1
- poetry and, 1, 2, 3, 4, 5
- prose poems, 1
- prosthesis, 1
- Prynne, J. H., 1, 2, 3, 4, 5
- ‘Blue Sides at Rest’, 1
- psychomimes, 1
- pulse, 1;
- see also isochrony
- punchlines, 1
- punctuation, 1
- punning, 1, 2, 3, 4
- pyrrhic, 1
- qualia, 1
- as abstracta/concreta, 1
- phonesthemes and, 1
- Quine, Willard Van Orman, 1
- Quinn, Arthur, 1
- racism, 1
- Raine, Craig, 1
- ‘In the Kalahari Desert’, 1
- ‘In Modern Dress’, 1
- Raleigh, Walter, ‘To His Sonne’, 1, 2
- Ramachandran, V. S., 1, 2
- randomisation, 1, 2, 3
- rap, 1, 2, 3, 4, 5
- Raworth, Tom, ‘All Fours’, 1
- reading, 1, 2
- asymbols and, 1
- found texts, 1, 2
- see also under poetry
- Reading, Peter, Stet, 1
- ‘realism’, 1
- reality
- abstraction and, 1
- culture and, 1
- perception/definition and, 1, 2, 3, 4
- see also meaning
- recitative, 1
- religion, 1, 2
- continuing influence, 1, 2, 3, 4
- R.E.M., 1
- repetitio, 1
- repetition, 1, 2;
- see also pattern
- rereading, 1, 2, 3, 4
- and intonational pattern, 1
-
- research, 1
- resting state prosody (RSP), 1, 2
- rhetoric
- music and, 1, 2
- terms from, 1, 2, 3, 4, 5
- rhyme, 1, 2, 3
- attitudes to, 1
- caesura and, 1
- consonantal, 1
- content and, 1
- counterpoint and, 1
- dictionaries of, 1
- distance, 1
- hyperbaton and, 1
- position(s), 1
- in song, 1
- syntax and, 1
- see also pararhyme
- rhythm, 1, 2, 3, 4, 5, 6
- animals and, 1
- brain and, 1
- of language, 1
- metre and, 1
- musical, analysis of, 1
- musical notation and, 1
- phrasal, 1
- pitch and, 1
- poetry and, 1, 2
- pulse and, 1
- sprung, 1
- swung, 1
- and time, 1
- Richards, I. A., 1, 2
- riddle, see enigma
- right/left brain, 1, 2
- Riley, Denise, 1, 2
- ‘A Part Song’, 1
- Riley, Peter, 1
- Rilke, Rainer Maria, 1, 2
- rime riche, 1
- risk, 1
- Rochberg, George, 1
- rolled r, 1
- Rosenblatt, Louise M., 1
- RSP, see ‘resting state’ prosody
- ‘rules of five’, 1, 2
- Russell, Willy, Educating Rita, 1
- s, see stress, strong/weak
- Sapir–Whorf hypothesis, 1, 2, 3
- sapphic, 1
- satire, 1
- Saussure, Ferdinand de, and Saussurian theory, 1, 2, 3, 4, 5
- scansion, 1, 2
- alternate stress and, 1
- computer programs and, 1, 2
- contour grids, 1, 2, 3
- hyperbaton and, 1
- interpretative, 1
- notation of, 1, 2, 3, 4, 5
- overdetermination and, 1
- phrasemes and, 1
- pitch and, 1, 2, 3, 4
- regularity of metre and, 1, 2, 3, 4
- terms in, 1
- see also pitch
- scesis onomaton, 1
- Schnackenberg, Gjertrud ‘The Paperweight’, 1
- ‘Two Tales of Clumsy’, 1
- Schoenberg, Arnold, 1, 2
- Moses und Aron, 1
- Schopenhauer, Arthur, 1, 2
-
- schwa, 1, 2, 3, 4
- avoiding, 1
- etymology and, 1
- scientific speech, 1
- Scots, 1, 2, 3
- Scruton, Roger, 1
- selection and combination, 1, 2, 3, 4, 5
- self-reflexivity, 1
- semantic units, 1, 2, 3, 4, 5
- semantics, conceptual, 1, 2
- semiotic categories, 1
- semiotics, 1, 2
- and music, 1, 2
- sense, see meaning
- sense stress, 1, 2, 3
- senses, 1, 2, 3, 4
- sensorimotor involvement in comprehension, 1, 2
- sententia, 1
- serialism, 1
- Service, Robert, 1
- sestina, 1, 2
- Seuss, Dr, 1
- Shaffer, Peter, Amadeus, 1
- Shakespeare, William, 1, 2, 3, 4, 5, 6, 7, 8
- The Comedy of Errors, 1
- cryptosemic readings of, 1
- Macbeth, 1
- Sonnets, 1, 2
- musical settings, 1
- Sonnet 1, 2
- Sonnet 1, 2
- Sonnet 1, 2, 3, 4, 5, 6, 7, 8, 9
- Sonnet 1, 2
- Sonnet 1, 2
- Sonnet 1, 2
- Sonnet 1, 2
- Sonnet 1, 2, 3, 4
- Sonnet 1, 2
- Sonnet 1, 2
- Sonnet 1, 2
- Sonnet 1, 2
- Sonnet 1, 2
- The Tempest, 1, 2
- shibboleths, 1, 2, 3
- Shiffrin, R. M., 1
- ‘show not tell’, 1, 2
- sign languages, 1
- significance, see meaning silence, 1, 2
- closure and, 1
- similes, 1, 2;
- see also metaphor
- singers, 1, 2
- Sitwell, Edith, 1, 2
- Façade, 1
- Skelton, John, ‘Mannerly Margery Milk and Ale’, 1
- slogans, 1, 2, 3, 4
- Smith, Barbara Herrnstein, 1
- social media, 1, 2
- Socrates, 1
- song-strong verse, 1
- song(s), 1, 2
- mishearing words, 1
- poetry and, 1, 2, 3
- speech and, 1, 2
- words for, 1, 2, 3
- sonnet, 1, 2
- music and, 1, 2
- sound, 1
- clusters, see phonesthemes
- meaning and, 1, 2
- overtones, 1
- sound poems, 1
- source and target, 1, 2
- space, 1, 2, 3, 4
- language concerning, 1
-
- speech
- automatic, 1, 2
- functions of vowels and consonants in, 1
- intrauterine experience of, 1
- and isochrony, 1
- loudness, 1
- metre and, 1, 2
- music and, 1, 2, 3, 4
- pace of, 1
- pitch, 1, 2, 3, 4, 5, 6
- poetry and, 1, 2, 3, 4, 5, 6, 7;
- see also ‘poetic diction’
- rhyme and, 1
- rhythm, 1, 2
- right/left brain and, 1
- scientific, 1
- stress in, 1
- theories of non-verbal underlay, 1
- see also dialects and accents, language and phrasemes
- speech impediments, 1
- speech-strong reading, 1
- speech-to-song illusion, 1
- spelling, 1
- spondee, 1, 2, 3
- spontaneity, 1
- Spooner, William Archibald, 1
- spoonerism, 1
- sprung rhythm, 1
- Squarepusher, 1
- stich, 1
- storytelling, 1
- poetry and, 1
- Strauss, Richard, 1
- stress, 1
- alternate, see alternate stress
- duration and, 1
- elements of, 1
- emotion and, 1
- lexical, 1, 2
- loudness and, 1
- meaning and, 1
- metre and, 1, 2
- notation for, see notation
- nuclear, see nuclear stress
- polysemy and, 1
- quality, 1
- quantification, 1
- sense, 1, 2, 3
- in speech, 1
- strong/weak, 1, 2
- timing and, 1, 2
- understanding and, 1
- urgency and, 1
- vowels and, 1
- see also metre and scansion
- stress-tree analysis, 1
- strong position rule, 1
- strophe, 1
- structure, see form
- styles, 1, 2, 3, 4, 5
- as domains, 1, 2
- understanding and, 1
- subjectivity, 1
- sublimity, 1, 2
- Sufi exegesis, 1, 2
- supernaturalism, 1, 2, 3, 4, 5, 6, 7
- surprise, 1, 2
- surrealism, 1, 2
- Sutherland, Keston, 1
- ‘Hot White Andy’, 1, 2
- Sweeney, Matthew, ‘In the Garden’, 1
- Swinburne, Algernon Charles, ‘Sappho’, 1
- syllables, metre and, 1, 2
- symbolical function of words, 1, 2
- symbolism, sound, 1
-
- symbol(s), 1, 2, 3, 4, 5
- definitions, 1
- and the division between concrete and abstract, 1, 2
- intertextuality and, 1
- and meaning, 1, 2
- and metaphor, 1, 2, 3
- and metonym, 1, 2
- pathemes and, 1
- proper names and, 1
- for stress/metre/scansion, see notation
- words and, 1
- symmetry, 1
- synaesthesia, 1, 2
- synaloepha, 1
- syncope, 1, 2
- synechdoche, 1, 2, 3, 4, 5
- as ‘master trope’ in poetry, 1
- synonyms, 1
- syntagm, 1
- syntax
- rhyme and, 1
- thought and, 1
- T, see tenor
- tactus, 1
- Tagg, Philip, 1
- Takemitsu, Toru, 1
- target and source, 1, 2
- Tarlinskaja, Marina, 1
- Tate, James, ‘The List of Famous Hats’, 1
- Tegmark, Mark, 1
- teleutons, 1, 2
- deceptive, 1, 2
- in free verse, 1
- television, 1
- templates, 1, 2, 3, 4
- pattern and, 1
- units in, 1
- see also form, metre and scansion
- 10-position line, 1, 2, 3, 4, 5;
- see also iambic pentameter
- Tengi, Randee, Princeton WordNet, 1, 2
- Tennyson, Alfred, 1, 2
- ‘The Charge of the Light Brigade’, 1, 2
- In Memoriam, 1, 2
- tenor (T), 1, 2, 3, 4, 5, 6, 7, 8
- tetrastrophe, 1, 2
- text, algorithms for, 1, 2, 3, 4
- thematic domains, see conceptual domains
- theology, 1
- Thile, Chris, 1
- things, 1, 2, 3, 4, 5, 6, 7
- meaning and, 1, 2
- terms for attributes, and semiotic categories, 1
- Thomas, Dylan, ‘Do not go gentle into that good night’, 1, 2
- thought
- changing in, 1
- description and, 1
- limits, 1
- see also under language
- three-second rule, 1, 2, 3, 4
- tick-tock effect, see alternate stress
- timbre
- musical notation and, 1
- in speech, 1, 2
- time, 1
- isochrony and, 1
- lines and, 1
-
- ‘moment’, 1
- perception of, 1, 2, 3, 4, 5, 6
- pulse, 1
- reflexivity and, 1
- and rhythm, 1, 2
- spatial metaphors of, 1, 2
- see also three-second rule
- titles, 1, 2, 3, 4
- endings and, 1
- tmesis, 1
- token and type, 1, 2
- tonal isologue, 1, 2
- tonality
- in music, 1, 2
- in poetry, 1
- see also patheme
- totem (component of symbol), 1;
- see also symbol(s)
- transcendence, 1, 2
- transferred epithet, 1
- translation, 1, 2, 3, 4, 5
- intertextuality and, 1
- tribrach, 1
- trimetron, 1
- tristich, 1
- trochee, 1, 2
- tropes
- categorisations, 1, 2, 3
- intra-/inter-domain, 1, 2, 3
- definitions, 1, 2
- troponyms, 1
- trust, 1
- truth, 1, 2
- music and, 1
- Tudor poets, 1, 2, 3
- Turkish music, 1
- Turner, Frederick, 1, 2
- Turner, Mark, 1, 2
- type and token, 1, 2
- typography, 1, 2
- ugliness, language and, 1, 2
- unconscious, 1, 2
- understanding, 1
- liking and, 1
- stress and, 1
- see also perception and under poetry
- universals, 1
- universes, 1
- ‘unstressed’ syllables, 1, 2, 3;
- see also stress
- urgency, 1;
- see also emotion
- V, see vehicle
- Valéry, Paul, 1, 2
- Vedantic logic, 1, 2
- vehicle (V), 1, 2, 3, 4, 5, 6, 7, 8, 9
- Vendler, Helen, 1
- Verner’s law, 1
- versification, 1
- Vico, Giambattisto, 1
- villanelle, 1, 2
- voice, 1, 2
- voiced/unvoiced consonants, 1
- vowels, 1, 2
- consonants and, 1
- function in speech, 1, 2, 3
- length, 1
- line length and, 1
- music and, 1
- sung, 1
- and tonal expression, 1
- varied, 1
- see also stress
- w, see stress, strong/weak
-
- Wainwright, Rufus, All Days Are Nights: Songs for Lulu, 1
- Wallace, Robert, 1
- weak placeholder rule, 1
- West, Kanye, ‘Gold digger’, 1
- White, Hayden, 1
- white noise, 1, 2
- white space, 1, 2, 3
- Whittier, John Greenleaf, 1, 2
- Whorfian theories, 1, 2, 3
- Wilbur, Richard
- ‘The Mind Reader’, 1, 2, 3, 4, 5, 6, 7, 8
- ‘To the Etruscan Poets’, 1
- Wilkins, John, 1
- Williams, C. K., 1, 2, 3
- ‘Fragment’, 1
- ‘The Game’, 1
- ‘My Mother’s Lips’, 1, 2
- Williams, William Carlos, 1, 2, 3
- ‘The Red Wheelbarrow’, 1
- ‘A Sort of a Song’, 1
- ‘This Is Just to Say’, 1
- Wimsatt, W. K., 1, 2
- wind, 1
- Wittgenstein, Ludwig, 1, 2, 3
- word-play, 1, 2, 3, 4
- WordNet, 1, 2
- words
- content/function, 1, 2
- indexicality, 1, 2, 3, 4
- meaning, 1, 2, 3, 4
- presence/absence of referents, 1, 2
- and reality, 1
- see also definitions, iconicity and semantic units
- Wordsworth, William, 1
- ‘Daffodils’, 1
- Preface to the Lyrical Ballads, 1
- ‘A Slumber did my spirit seal’, 1
- workshops, 1, 2, 3, 4, 5
- Wright, Charles
- ‘Chickamauga’, 1, 2
- ‘Reunion’, 1
- Wright, James, 1
- ‘Lying in a Hammock at William Duffy’s Farm in Pine Island, Minnesota’, 1
- writing
- origins, 1
- systems omitting vowels, 1
- writing workshops, see workshops
- Yeats, W. B., 1, 2, 3, 4, 5
- ‘Cuchulain Comforted’, 1
- ‘He Wishes for the Cloths of Heaven’, 1
- ‘The Lake Isle of Innisfree’, 1, 2
- Young, Dean, ‘Age of Discovery’, 1
- zebras, 1, 2, 3
- zenith, 1, 2, 3, 4
- zeugma, 1, 2